American Cinematographer - November 1988 - 28

SINGLE FRAME MOTORS & INTERVALOMETERS
*

SINGLE

12 to 24 VDC power.

FRAME

SYSTEMS

FOR: Arri 16S&M«Arri 16SR
*
Arri 35IIC * Arri 35III *

Crystal controlled
multiple shutter speeds
1/16 sec. to over 8

Bolex REX 4 & 5 * Mitchell

-

16mm

min. time exposure

*

(8,194 possible).
Intervals from 1 tps to 60

Mitchell S35R, MKII
Mitchell 35 High Speed *
*

Mitchell BNC

*

AP65MM

*

hrs.

IMAX

|

*

Burst feature 1 to 15
frames per pulse.

ACCESSORIES: 3' & 5" Cap¬

I

*

LED frame counter.

Control

Foreward/Reverse

Triggering Device

|*

*

VISTAVISION

ping Shutter

*

Unit

AC Power
*

Strobe

operations.

cinema. (U. of California Press,

Berkeley,

$49.95/$! 7.95).
Edited by John Downing, Films
and Politics in the Third World as¬
sembles articles on notable films and film¬
makers in 12 countries. Written by directors,
critics and educators, these papers analyze
the political/esthetic nature of indigenous
film production and its impact on social
awareness

and culture.

(Praeger, NYC,

$29.95).

NORRIS FILM PRODUCTS
1014 Green Lane * La Canada,

California 91011 * (818) 790-1907 * FAX (818) 790-1920

TELEVISION ENTRIES
for consideration in

The Third Annual

^OGRESs.

An

independent quarterly,
Jump Cut in issues 32 and 33 runs stim¬
ulating pieces on Third World film produc¬
tion. The focus is on the media strategies
that motivate popular movements of resis¬
tance and revolution in the struggle for
national liberation. (Jump Cut, Box 865,
Berkeley, CA 94701, $4 ea.).
The 1988 edition of The Pro¬
ducer's

Masterguide is an exhaustive
store of production data covering the mo¬
tion picture, television, commercials, cable
and videotape industries in the US, UK and
Canada. Compiled by Shmuel Bension, this
hefty manual, an invaluable reference
source for industry professionals, provides
extensive and accurate information on every
facet of production. (Producers Master-

guide, 61! Broadway, NYC, $79.95 prepaid).
Michael Wiese's considerable

°C,CTr OF
A. S. C. Awards
for

Outstanding Achievement
in

Cinematography
must be in

Send

our
a

Hollywood office by December 15,1988.

self-addressed, stamped envelope to:
Awards Committee
A. S. C.

P. O. Box 2230

Hollywood, CA 90078
Entry requirements will be sent to you by return mail,
entry forms can be picked up at the ASC Clubhouse,

or

1782 N.
26

Orange Dr., Hollywood.

experience in independent production lends
particular usefulness to his manual Home
Video: Producing for the Home Mar¬
ket. Its comprehensive coverage, practical
and detailed, encompasses the field from
conception to production to marketing. (Fo¬
cal Press, Stoneham, MA, $16.95).
John Izod's knowledgeable Hol¬
lywood and the Box Office probes the
changing business circumstances that have
faced the American film industry. From the
nickelodeon economy to the takeover of
studios by corporate conglomerates, Izod
discusses Hollywood's innovative reorgani¬
zation of marketing procedures. (Columbia
U. Press, NYC, $35/15).
In Philosophical Problems
of Classical Film Theory, Prof. Noel
Carroll advances linguistic and semiotic ar¬
guments in his critical analysis of the writ¬
ings of theorists Rudolf Arnheim and Andre
Bazin. Their traditional concepts of the na¬
ture of photographic recording, Carroll finds,
are inadequate in the light of
contemporary
philosophical research. (Princeton U. Press,
Princeton, NJ, $29.50).
A
American Cinematographer - November 1988

Table of Contents for the Digital Edition of American Cinematographer - November 1988
