American Cinematographer - November 1988 - 76

How to send your audience

in the movie

theater, that

around the world without sending
a film crew first.

light
empha¬

one

you chills." Joanou
sized the point. "We went

gives

with the
saying, 'Less is more/ Jordan
and I felt that by letting the band
stay in silhouette we allowed the
old

audience to fill in the blanks. It's
much more dramatic than giving
them the obvious."
One of the largest chal¬

lenges of the U2 project was to sim¬
ply pare down the footage into a
feature length film. The two con¬
certs in Arizona had resulted in

250,000 feet of film. Added to the

nearly half

a

million feet of film

Joanou and Brinkmann had shot on
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the road with the band and the

200,000 feet Brinkmann had shot at
the indoor concerts in Denver, the
filmmakers had used close to a mil¬
lion feet of film resulting in over 150
hours of
tentions

footage. Joanou's in¬
to find within this

vast amount of film

a
strong emo¬
story. "We found out while

tional
on

National Geographic Society
Stock Footage Library

raw
were

the tour that this film

to be about

a

Joanou remarks. "It's

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er

was

going

band in transition,"

film to make than

a

a

much hard¬

movie with

the matter is that

we

ended up

shooting
Get
on

a

a two hour feature
and I think the spontaneity

leg up

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Arizona, Cronenweth and

Brinkmann

were able to relax and
talk about their work. The film had

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120

sic in which bands like U2

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project, Joa¬

Brinkmann and Cronenweth

put

the power and passion of our times
back into the music. "Music has

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a

veteran.

*

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to observe and take

part in the work of

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has

At the conclusion of the

competition

Aluminum construction

film

translated to the screen."

the

*

a

screenplay and actors. The fact of

Derry Road

Hudson, New Hampshire 03051

pas¬

sive," Joanou proposed. "By look¬
ing back at was happening in the
50's at

places like Sun Studios in
Memphis, the band was searching
for the

spark that created rock-andBy looking back I think they
were
trying to rekindle that spirit in
the eighties and nineties."
A
roll.
American Cinematographer - November 1988

Table of Contents for the Digital Edition of American Cinematographer - November 1988
