American Cinematographer - March 1989 - 17

Under 20dBA.

Since the introduction of
the 35BL in 1972, we have

modern production cameras
must be quiet, but we were
determined to do it without

The past five winners of

the Academy Award for Best
Achievement in Cinematog¬
continuously refined it to take
advantage of new technol¬
sacrificing image quality. We raphy (1983-1987) chose 35BL
felt then, just as now, that
cameras. They didn't compro¬
ogy, and to make it quieter.
We knew, of course, that
image quality is our highest mise. Neither should you.

priority.
With the

new

35BL-4s,

we've

achieved our goal of
operating sound level
that's consistently under
20dBA. And, we did it with¬
out sacrificing the relation¬
ship of lens mount to film
plane that's the heart of the
an

Arriflex camera/Zeiss lens
combination.

ARM*
500 ROUTE 303, BLAUVELT, NEW YORK 10913
914-353*1400
600 N. VICTORY BLVD., BURBANK, CA 91502
818-841 -7070
© 1989 Arriflex

Corporation



American Cinematographer - March 1989

Table of Contents for the Digital Edition of American Cinematographer - March 1989

American Cinematographer - March 1989 - 1
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