American Cinematographer - March 1989 - 84

PANAVISION CINEMATOGRAPHER'S COMPUTER PROGRAM
Developed by David Samuelson, this unique Software
Program provides sophisticated calculations for virtually
any situation a cinematographer may encounter.
Supplied with a Sharp PC-1360 Microcomputer, the
Panavision Computer Program quickly and with great
precision makes calculations for such areas as Filter
Factors, Dioptors, Macro, HMI Lighting, Formats, Color
Temperature Mired Shifts, Ught Balancing, Split Focus, and
Hyperfocal Distance, to name a few. Powered by a 5-year
Uthium battery, the Panavision Calculator also has a full
Accounting Program, allowing for Overtime, Golden

plagued by problems of noise in shadow
lag in highlight areas, poor vertical
and horizontal registration, low resolution,
and inadequate contrast reproduction.
Zooming and cropping of filmed images can
also be introduced during a transfer on
areas,

the Rank.

While the Rank system ensures
that the maximum information contained in
a film frame is encoded on videotape, other

Time, and other calculations.
Cost of the Panavision Cinematographers' Computer
Program with Sharp PC-1360 Microcomputer is $495.00.
Insured UPS Shipping Charges $7.50. California Residents
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image control devices like the

Dubner color correction console enable the
telecine operator to selectively alter the hue
and saturation of any color recorded on film.

Vigeant explains that because the amount of
picture information found in a Super 8 film
frame far exceeds the amount of picture

ARE YOU EARNINQ YOUR CINEMA DEGREE

At Columbia

accessory

information that can be stored in
1" videotape, improvements in

a

frame of

videotape
technology such as the proposed high defini¬
tion television systems will only help to
bring out all the richness that Super 8 film

a gear.

while

has to offer.
While

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film-to-tape transfer tech¬
nology has been progressing rapidly, Super 8
technology has also advanced. In the begin¬
ning, there was just one Super 8 film stock.
Today numerous stocks are available from
Eastman, Agfa and Fuji. In America, Kodachrome 40 is by far the most popular. It is
a very fine grain color stock noted for its
bright colors. Ektachrome 160 (type A) is a
high speed color stock used when light
levels cannot be boosted enough to shoot
with Kodachrome 40. Although Ektachrome
160 is slightly grainier than Kodachrome 40,
it can sometimes be intercut with scenes
shot with Kodachrome 40 without an objec¬
tionable increase in grain. While these two
stocks are used most commonly, five other
stocks are available from Kodak, including
three black and white films. These have

Hollywood,

Athens, Tokyo, Lagos, Rio, Tel-Aviv, Reykjavik, Sydney, Toronto,
- just some of the centres worldwide where our graduates are

Geneva, Hong Kong, London
making films.

Students from over thirty different countries come to the heart of London's West End to
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covering studio feature and location documentary productions in 16mm and

35mm.

Teaching of scriptwriting, direction, camerawork, sound recording, editing etc. ensures a
high degree of professionalism. And it must do
Governments, T.V. Networks and
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Educational Foundations have been

sending personnel to

us

for training for

over

twenty

years.

This intensive Course, demanding hard work and committment, produces over twentyfive films each term
many students working on more than one production.
There are fresh intakes in January, April and September.
-

Contact The

Administrator, London International Film School, Department AC2
9HP, England. Telephone (London) 01-836 0826

24 Shelton Street, London WC2H

daylight ASA ratings ranging from 25 to 400
and can be pushed or pulled during process¬
ing up to two stops. Labs like Film Service in
Cambridge, Maryland, cater solely to the
professional Super 8 filmmaker by offering
such services as same day or special run
processing, workprinting, A & B rolling, and
preparing footage for transfer to videotape.
The first Kodak Super 8 camera
was about as sophisticated as a Cracker
Jack box with a lens on it. However, todays
feature filmmaker can work with cameras
that are in some respects more sophisti¬
cated than even the best 16mm cameras. For

instant, the Nizo 6000 series boasts a
microprocessor that governs all electronic
functions. These functions include a push
button fade/lap dissolve feature, automatic
and manual exposure system, built in inter-



American Cinematographer - March 1989

Table of Contents for the Digital Edition of American Cinematographer - March 1989

American Cinematographer - March 1989 - 1
American Cinematographer - March 1989 - 2
American Cinematographer - March 1989 - 3
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