American Cinematographer - March 1989 - 84
PANAVISION CINEMATOGRAPHER'S COMPUTER PROGRAM
Developed by David Samuelson, this unique Software
Program provides sophisticated calculations for virtually
any situation a cinematographer may encounter.
Supplied with a Sharp PC-1360 Microcomputer, the
Panavision Computer Program quickly and with great
precision makes calculations for such areas as Filter
Factors, Dioptors, Macro, HMI Lighting, Formats, Color
Temperature Mired Shifts, Ught Balancing, Split Focus, and
Hyperfocal Distance, to name a few. Powered by a 5-year
Uthium battery, the Panavision Calculator also has a full
Accounting Program, allowing for Overtime, Golden
plagued by problems of noise in shadow
lag in highlight areas, poor vertical
and horizontal registration, low resolution,
and inadequate contrast reproduction.
Zooming and cropping of filmed images can
also be introduced during a transfer on
areas,
the Rank.
While the Rank system ensures
that the maximum information contained in
a film frame is encoded on videotape, other
Time, and other calculations.
Cost of the Panavision Cinematographers' Computer
Program with Sharp PC-1360 Microcomputer is $495.00.
Insured UPS Shipping Charges $7.50. California Residents
please add b'h%.
BIRNS & SA WYER,
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INC.
Highland Ave., Hollywood, CA 90038 213-466-8211
Cable BIRNSAW
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BY JUST WATCHING FILMS?
College our students produce 40 films
Studg in Hollywood and learn from the professionals
earning gour Bachelor of Arts degree.
image control devices like the
Dubner color correction console enable the
telecine operator to selectively alter the hue
and saturation of any color recorded on film.
Vigeant explains that because the amount of
picture information found in a Super 8 film
frame far exceeds the amount of picture
ARE YOU EARNINQ YOUR CINEMA DEGREE
At Columbia
accessory
information that can be stored in
1" videotape, improvements in
a
frame of
videotape
technology such as the proposed high defini¬
tion television systems will only help to
bring out all the richness that Super 8 film
a gear.
while
has to offer.
While
COLUMBIA COLLEGE
925 N. La Brea Avenue
Holliju/ood, California 90038
(213) 851-0550
Financial Aid Available
LONDON INTERNATIONAL FILM SCHOOL
film-to-tape transfer tech¬
nology has been progressing rapidly, Super 8
technology has also advanced. In the begin¬
ning, there was just one Super 8 film stock.
Today numerous stocks are available from
Eastman, Agfa and Fuji. In America, Kodachrome 40 is by far the most popular. It is
a very fine grain color stock noted for its
bright colors. Ektachrome 160 (type A) is a
high speed color stock used when light
levels cannot be boosted enough to shoot
with Kodachrome 40. Although Ektachrome
160 is slightly grainier than Kodachrome 40,
it can sometimes be intercut with scenes
shot with Kodachrome 40 without an objec¬
tionable increase in grain. While these two
stocks are used most commonly, five other
stocks are available from Kodak, including
three black and white films. These have
Hollywood,
Athens, Tokyo, Lagos, Rio, Tel-Aviv, Reykjavik, Sydney, Toronto,
- just some of the centres worldwide where our graduates are
Geneva, Hong Kong, London
making films.
Students from over thirty different countries come to the heart of London's West End to
take our two year Diploma Course. Experienced professionals teach all aspects of film
making
-
covering studio feature and location documentary productions in 16mm and
35mm.
Teaching of scriptwriting, direction, camerawork, sound recording, editing etc. ensures a
high degree of professionalism. And it must do
Governments, T.V. Networks and
-
Educational Foundations have been
sending personnel to
us
for training for
over
twenty
years.
This intensive Course, demanding hard work and committment, produces over twentyfive films each term
many students working on more than one production.
There are fresh intakes in January, April and September.
-
Contact The
Administrator, London International Film School, Department AC2
9HP, England. Telephone (London) 01-836 0826
24 Shelton Street, London WC2H
daylight ASA ratings ranging from 25 to 400
and can be pushed or pulled during process¬
ing up to two stops. Labs like Film Service in
Cambridge, Maryland, cater solely to the
professional Super 8 filmmaker by offering
such services as same day or special run
processing, workprinting, A & B rolling, and
preparing footage for transfer to videotape.
The first Kodak Super 8 camera
was about as sophisticated as a Cracker
Jack box with a lens on it. However, todays
feature filmmaker can work with cameras
that are in some respects more sophisti¬
cated than even the best 16mm cameras. For
instant, the Nizo 6000 series boasts a
microprocessor that governs all electronic
functions. These functions include a push
button fade/lap dissolve feature, automatic
and manual exposure system, built in inter-
American Cinematographer - March 1989
Table of Contents for the Digital Edition of American Cinematographer - March 1989
American Cinematographer - March 1989 - 1
American Cinematographer - March 1989 - 2
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