American Cinematographer - February 1990 - 46
Photos by Sidney
Baldwin
Blaze Smokes Across the Screen
by Bob Fisher
Governor Earl
Long's cronies are
a long table
clustered around
counting money. The camera
glides by, giving the audience a
close look at the bills. It tilts up and
in
tight for a fleeting glance
at a single face. Without pausing,
the shot moves beyond the table
just in time to catch the governor
walking into the room.
comes
It is
a
brief transitional
without dialogue. But it
gives the audience an insight into
what is happening, and sets the
stage for the next scene. In a lot of
ways that ability to alter visual
perspective is the most basic differ¬
ence between stage plays and
sequence
movies.
Haskell Wexler, ASC,
who
photographed Blaze, used his
own
"hothead" to shoot the
quence.
a
A hothead is a dolly with
camera at the end
long arm. The
of the
44
se¬
arm can
be tilted and
panned
gave Wexler the freedom to send
the camera places it couldn't go
with an operator behind it. It al¬
lows him to reveal information to
the audience from an interesting
visual perspective - voyeuristic,
almost like spying.
Blaze is a reality-based
scheme for
story written and directed by Ron
body and soul. He had a drinking
problem, and there
Shelton for A & M
Films and Touch¬
stone. The story is set
in Louisiana
during
the early 1950s. It is
the beginning of a tumultuous period.
for him.
His
plan might have suc¬
ceeded, but Long, portrayed by
Paul Newman, had frailties of both
Produced by Gil Friesen
and Dale Pollock
Directed by Ron Shelton
were
questions
about
both
his
physical and mental
Haskell Wexler, ASC,
stability. His main
Director of photography
point of vulnerabil¬
ity, however, was an
World War II is a memory grow¬
open love affair with Blaze Starr, a
ing dimmer. The civil rights move¬ vivacious young stripper who
ment is germinating, but is a seed¬
played the club circuit in Louisi¬
ana. That role is
ling without deep roots.
portrayed by
Huey Long's younger Canadian actress Lolita Davido¬
brother Earl was a two-time gov¬
ernor. He was a maverick; a fading
vich.
populist in the twilight of his
days shooting in Tennessee and
Los Angeles, but primarily, Blaze
reer.
ca¬
The law didn't allow him to
by remote control. This device
succeed himself. But,
American
February 1990
Cinematographer
retaining power. He
going to eliminate poll taxes
and make it possible for tens of
thousands of black people to vote
was
Long had
a
There
was
were a
filmed in Baton
couple of
Rouge, New
American Cinematographer - February 1990
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