American Cinematographer - February 1990 - 68

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The Great Race; It's a Mad, Mad,
Mad, Mad World; Hawaii, The Satan

Bug, The Bible, the original Star Trek
Darling Lili, Airport, the
Project UFO series, A Place to Stand,
The Shape of Things to Come, and
Ray Bradbury's Infinite Horizons.
TV series,

Film Effects was also instrumental
in the design and production of

mu turn
VIDEO & FILM EQUIPMENT

SALES AND RENTAL
612-646* 1780
856

complete visual effects studio to
provide a full range of production
effects to independent producers
and major studios.
Among Dunn's Film Ef¬
fects' credits are. West Side Story,

Raymond Avenue St. Paul, Minnesota 55114

large format film presentations,
including Imax and Omnimax, for
theatrical use and for special thea¬
ters at world fairs,
learning centers
and

museums.

special

Academy

Award in 1979 honored Dunn for

"outstanding service and dedica¬
of the
the in¬
dustry was evaluated by the Acad¬
emy and its creators were awarded
tion." In 1981 the impact
Acme-Dunn printer upon

Oscars for their "definite influence

the advancement of the in¬
dustry."
The Gordon E. Sawyer
Award, established by the Acad¬
emy in 1980 "in recognition of
long-term accomplishments by an

upon

individual who has made out¬

standing contributions toward the
advancement of the sciences

technology of the motion picture,"
was
presented to Dunn in 1985.
He was also recognized
by the Society of Motion Picture
and Television Engineers (SMPTE)
with Life Fellowship and the Her¬
bert T. Kalmus Gold Medal Award
in 1971. In 1984 he received the

highest SMPTE award, Honorary
Membership. He was awarded the
Golden Hugo from the Eighth
Annual Chicago International Film
Festival and received an honorary
Doctor of Fine Arts degree from
the San Francisco Art Institute.
Dunn was twice elected

president of the A.S.C., served

Hollywood,

Athens, Tokyo, Lagos, Rio, Tel-Aviv, Reykjavik, Sydney, Toronto,

Geneva, Hong Kong, London

just

some

of the centres worldwide where

our

graduates

are

making films.
Students from

take

our

making

thirty different countries come to the heart of London's West End to
Diploma Course. Experienced professionals teach all aspects of film
covering studio feature and location documentary productions in 16mm and
over

two year

35mm.

Teaching of scriptwriting, direction, camerawork, sound recording, editing etc. ensures a
high degree of professionalism. And it must do - Governments, T.V. Networks and
Educational Foundations have been sending personnel to us for training for over twenty
years.
This intensive Course, demanding hard work and committment, produces over twentyfive films each term
many students working on more than one production.
-

There

are

fresh intakes in

January, April and September.

Contact: The Administrator, London International Film School, Department AC2
24 Shelton Street, London WC2H 9HP,

England. Telephone (London) 01-836 0826

several terms as treasurer, and is a
member of the Board of Directors.
He has also served as a member of
the Board of Governors of the

AMPAS,
PAS

chairman of the AM-

Cinematography Executive

Committee, the Special Effects
Committee, and the Scientific and
Technical Awards main commit¬
tee.

▲

American Cinematographer - February 1990

Table of Contents for the Digital Edition of American Cinematographer - February 1990