American Cinematographer - March 1990 - 22
FLYING
tions, with additional equipment avail¬
density
able
contrast
advance order.
For more information: (213)
281-8672.
FLOATING?
on
of film (typically a low
print) and; 31 A grain image
simulation. The grain imagery is frozen
for the two or three field duration Ifilm
frame duration).
For more information: Tiara
Production, 1118 West Magnolia Boule¬
vard, Suite A212, Burbank, CA 91510
(818)362-9024.
YOUR SOURCE FOR
TYLER MOUNTS
IR Protection
IN THE SOUTHEAST
Theatre Vision, Inc., introduces
(AND BEYOND)
VHS
MAJOR SUPPLIER
ALL LATEST ACCESSORIES
*
ALL CURRENT MOUNTS
Tape Cleaning
Videotapes shed oxide and
pick up dirt every time they are used.
Mishandling or improper storage leads to
physical damage. Both result in distract¬
ing streaks and picture breakup prob¬
TYLER MIDDLE MOUNTS
FILM OR VIDEO
lems.
*
*
16/35 FILM AND VIDEO CAMERAS
Four
professional vide¬
otape cleaner/inspector/rewinders are
now available from RTI, the videotape
evaluator
company.
The new
TapeChek© 400 Series offers profes¬
sionally cleaned and inspected rental
VIDEO ASSIST UNITS WITH MONITORS &
RECORDERS
*
LATEST COOKE AND ANGENIEUX ZOOMS
WITH MICROFORCE MOTORS
*
precision manufactured infrared divert¬
ing polyester film with optically clear
properties. Screenout-IR reflects infrared
radiant energy inherent in high wattage
lighting fixtures used in TV and photog¬
raphy. Screenout-IR protects heat sensi¬
a
PS-A IS THE SOUTHEAST'S
*
curve
JET RANGER, A-STAR & HUGHES SEAT
BASES AND WINDSHIELDS
new
tive skin and merchandise from infrared
radiation. This patented 7 mil thick film
is coated with a one molecule thick layer
of metallic substance.
For more information: Theatre
Vision, 5426 Fair Ave., North Flollywood,
CA 91601, (818) 769-0928.
tapes.
JET RANGER NOSE MOUNTS
FILM OR VIDEO
16/35 FILM AND VIDEO CAMERAS
■
VIDEO ASSIST UNITS WITH MONITORS &
*
For more information: Re¬
search Technology International, 4700
W. Chase Ave., Lincolnwood, IL 60646,
(800) 323-7520.
RECORDERS
IRIS SERVOS & VIDEO LENS SUPPORTS
Looks Like Film
*
Filmlook,
GYRO PLATFORM
FILM OR VIDEO
*
BOATS OR OTHER VEHICLES WHERE
AUTOMATIC LEVELING IS
*
some
of their
film. Now they
are shooting in video and transferring
their segments through the Filmlook
process. In addition to Moffitt-Lee,
COMMUNICATION
Bernie Brillstein Productions'
new com¬
*
AIR TO GROUND-
WALKIE-TALKIES & BASE STATIONS
broadcast video
fitt-Lee used to shoot
commercial parodies on
REQUIRED
SPECIAL HEAVY-DUTY BATTERY PACKS
INTERCOMS
a
postproduction service that makes vide¬
otape look like film without the film, is
being seen on such programs as Not
Necessarily the News. Producers Mof-
edy series The Boys made its debut with
'flashback' segment processed in
a
GIVE US A CALL!
Production Services - Atlanta
EQUIPMENT RENTAL
SALES & SERVICE
404/622-1311
2000 LAKEWOOD WAY,
BUILDING 4, ATLANTA, GA 30315
FAX #404-622-1691
20
Filmlook is added
by dubbing
(typically) through a
proprietary system that simulates filmto-video transfers in three ways: I) Using
the edited master
ating controls, while retaining the fea¬
spot has be¬
come known. The light quality of the ProZoom is similar to theatrical spots in that
it projects an even light, with broad high¬
lights and deep shadows.
The Pro-Zoom combines
odd and
even fields, it reconstructs video
such that two/three fields are represen¬
tative of a stationary image (a simulated
film frame. Twenty-four or thirty simu¬
lated film frames per
second
are
avail¬
able; 2) The gamma is continuously var¬
ied from black to white, creating a gray
scale that imitates
March 1990
Spot
Profoto has introduced a new
version of Pro-Zoom. This new model
offers a greater range of adjustments,
easier maintenance, and smoother oper¬
tures for which Profoto's
Filmlook.
PS-A KEEPS UPDATED
LISTINGS ON HELICOPTERS
AND PHOTO PILOTS CLOSE
TO YOUR NEXT LOCATION.
Pro-Zoom
an
exposure versus
a
highly polished elliptical reflector and
condensers to provide sharp, intense
light which is continuously variable
across a broad range of beam angles. The
light from the Pro-Zoom can be easily
modified with built-in masking blades
and iris diaphragm. Additionally, a pat-
two
American Cinematographer - March 1990
Table of Contents for the Digital Edition of American Cinematographer - March 1990
American Cinematographer - March 1990 - 1
American Cinematographer - March 1990 - 2
American Cinematographer - March 1990 - 3
American Cinematographer - March 1990 - 4
American Cinematographer - March 1990 - 5
American Cinematographer - March 1990 - 6
American Cinematographer - March 1990 - 7
American Cinematographer - March 1990 - 8
American Cinematographer - March 1990 - 9
American Cinematographer - March 1990 - 10
American Cinematographer - March 1990 - 11
American Cinematographer - March 1990 - 12
American Cinematographer - March 1990 - 13
American Cinematographer - March 1990 - 14
American Cinematographer - March 1990 - 15
American Cinematographer - March 1990 - 16
American Cinematographer - March 1990 - 17
American Cinematographer - March 1990 - 18
American Cinematographer - March 1990 - 19
American Cinematographer - March 1990 - 20
American Cinematographer - March 1990 - 21
American Cinematographer - March 1990 - 22
American Cinematographer - March 1990 - 23
American Cinematographer - March 1990 - 24
American Cinematographer - March 1990 - 25
American Cinematographer - March 1990 - 26
American Cinematographer - March 1990 - 27
American Cinematographer - March 1990 - 28
American Cinematographer - March 1990 - 29
American Cinematographer - March 1990 - 30
American Cinematographer - March 1990 - 31
American Cinematographer - March 1990 - 32
American Cinematographer - March 1990 - 33
American Cinematographer - March 1990 - 34
American Cinematographer - March 1990 - 35
American Cinematographer - March 1990 - 36
American Cinematographer - March 1990 - 37
American Cinematographer - March 1990 - 38
American Cinematographer - March 1990 - 39
American Cinematographer - March 1990 - 40
American Cinematographer - March 1990 - 41
American Cinematographer - March 1990 - 42
American Cinematographer - March 1990 - 43
American Cinematographer - March 1990 - 44
American Cinematographer - March 1990 - 45
American Cinematographer - March 1990 - 46
American Cinematographer - March 1990 - 47
American Cinematographer - March 1990 - 48
American Cinematographer - March 1990 - 49
American Cinematographer - March 1990 - 50
American Cinematographer - March 1990 - 51
American Cinematographer - March 1990 - 52
American Cinematographer - March 1990 - 53
American Cinematographer - March 1990 - 54
American Cinematographer - March 1990 - 55
American Cinematographer - March 1990 - 56
American Cinematographer - March 1990 - 57
American Cinematographer - March 1990 - 58
American Cinematographer - March 1990 - 59
American Cinematographer - March 1990 - 60
American Cinematographer - March 1990 - 61
American Cinematographer - March 1990 - 62
American Cinematographer - March 1990 - 63
American Cinematographer - March 1990 - 64
American Cinematographer - March 1990 - 65
American Cinematographer - March 1990 - 66
American Cinematographer - March 1990 - 67
American Cinematographer - March 1990 - 68
American Cinematographer - March 1990 - 69
American Cinematographer - March 1990 - 70
American Cinematographer - March 1990 - 71
American Cinematographer - March 1990 - 72
American Cinematographer - March 1990 - 73
American Cinematographer - March 1990 - 74
American Cinematographer - March 1990 - 75
American Cinematographer - March 1990 - 76
American Cinematographer - March 1990 - 77
American Cinematographer - March 1990 - 78
American Cinematographer - March 1990 - 79
American Cinematographer - March 1990 - 80
American Cinematographer - March 1990 - 81
American Cinematographer - March 1990 - 82
American Cinematographer - March 1990 - 83
American Cinematographer - March 1990 - 84
American Cinematographer - March 1990 - 85
American Cinematographer - March 1990 - 86
American Cinematographer - March 1990 - 87
American Cinematographer - March 1990 - 88
American Cinematographer - March 1990 - 89
American Cinematographer - March 1990 - 90
American Cinematographer - March 1990 - 91
American Cinematographer - March 1990 - 92
https://www.nxtbook.com/nxtbooks/ac/ac199912
https://www.nxtbook.com/nxtbooks/ac/ac199911
https://www.nxtbook.com/nxtbooks/ac/ac199910
https://www.nxtbook.com/nxtbooks/ac/ac199909
https://www.nxtbook.com/nxtbooks/ac/ac199908
https://www.nxtbook.com/nxtbooks/ac/ac199907
https://www.nxtbook.com/nxtbooks/ac/ac199906
https://www.nxtbook.com/nxtbooks/ac/ac199905
https://www.nxtbook.com/nxtbooks/ac/ac199904
https://www.nxtbook.com/nxtbooks/ac/ac199903
https://www.nxtbook.com/nxtbooks/ac/ac199902
https://www.nxtbook.com/nxtbooks/ac/ac199901
https://www.nxtbook.com/nxtbooks/ac/ac199812
https://www.nxtbook.com/nxtbooks/ac/ac199811
https://www.nxtbook.com/nxtbooks/ac/ac199810
https://www.nxtbook.com/nxtbooks/ac/ac199809
https://www.nxtbook.com/nxtbooks/ac/ac199808
https://www.nxtbook.com/nxtbooks/ac/ac199807
https://www.nxtbook.com/nxtbooks/ac/ac199806
https://www.nxtbook.com/nxtbooks/ac/ac199805
https://www.nxtbook.com/nxtbooks/ac/ac199804
https://www.nxtbook.com/nxtbooks/ac/ac199803
https://www.nxtbook.com/nxtbooks/ac/ac199802
https://www.nxtbook.com/nxtbooks/ac/ac199801
https://www.nxtbook.com/nxtbooks/ac/ac199712
https://www.nxtbook.com/nxtbooks/ac/ac199711
https://www.nxtbook.com/nxtbooks/ac/ac199710
https://www.nxtbook.com/nxtbooks/ac/ac199709
https://www.nxtbook.com/nxtbooks/ac/ac199708
https://www.nxtbook.com/nxtbooks/ac/ac199707
https://www.nxtbook.com/nxtbooks/ac/ac199706
https://www.nxtbook.com/nxtbooks/ac/ac199705
https://www.nxtbook.com/nxtbooks/ac/ac199704
https://www.nxtbook.com/nxtbooks/ac/ac199703
https://www.nxtbook.com/nxtbooks/ac/ac199702
https://www.nxtbook.com/nxtbooks/ac/ac199701
https://www.nxtbook.com/nxtbooks/ac/ac199612
https://www.nxtbook.com/nxtbooks/ac/ac199611
https://www.nxtbook.com/nxtbooks/ac/ac199610
https://www.nxtbook.com/nxtbooks/ac/ac199609
https://www.nxtbook.com/nxtbooks/ac/ac199608
https://www.nxtbook.com/nxtbooks/ac/ac199607
https://www.nxtbook.com/nxtbooks/ac/ac199606
https://www.nxtbook.com/nxtbooks/ac/ac199605
https://www.nxtbook.com/nxtbooks/ac/ac199604
https://www.nxtbook.com/nxtbooks/ac/ac199603
https://www.nxtbook.com/nxtbooks/ac/ac199602
https://www.nxtbook.com/nxtbooks/ac/ac199601
https://www.nxtbook.com/nxtbooks/ac/ac199512
https://www.nxtbook.com/nxtbooks/ac/ac199511
https://www.nxtbook.com/nxtbooks/ac/ac199510
https://www.nxtbook.com/nxtbooks/ac/ac199509
https://www.nxtbook.com/nxtbooks/ac/ac199508
https://www.nxtbook.com/nxtbooks/ac/ac199507
https://www.nxtbook.com/nxtbooks/ac/ac199506
https://www.nxtbook.com/nxtbooks/ac/ac199505
https://www.nxtbook.com/nxtbooks/ac/ac199504
https://www.nxtbook.com/nxtbooks/ac/ac199503
https://www.nxtbook.com/nxtbooks/ac/ac199502
https://www.nxtbook.com/nxtbooks/ac/ac199501
https://www.nxtbook.com/nxtbooks/ac/ac199412
https://www.nxtbook.com/nxtbooks/ac/ac199411
https://www.nxtbook.com/nxtbooks/ac/ac199410
https://www.nxtbook.com/nxtbooks/ac/ac199409
https://www.nxtbook.com/nxtbooks/ac/ac199408
https://www.nxtbook.com/nxtbooks/ac/ac199407
https://www.nxtbook.com/nxtbooks/ac/ac199406
https://www.nxtbook.com/nxtbooks/ac/ac199405
https://www.nxtbook.com/nxtbooks/ac/ac199404
https://www.nxtbook.com/nxtbooks/ac/ac199403
https://www.nxtbook.com/nxtbooks/ac/ac199402
https://www.nxtbook.com/nxtbooks/ac/ac199401
https://www.nxtbook.com/nxtbooks/ac/ac199312
https://www.nxtbook.com/nxtbooks/ac/ac199311
https://www.nxtbook.com/nxtbooks/ac/ac199310
https://www.nxtbook.com/nxtbooks/ac/ac199309
https://www.nxtbook.com/nxtbooks/ac/ac199308
https://www.nxtbook.com/nxtbooks/ac/ac199307
https://www.nxtbook.com/nxtbooks/ac/ac199306
https://www.nxtbook.com/nxtbooks/ac/ac199305
https://www.nxtbook.com/nxtbooks/ac/ac199304
https://www.nxtbook.com/nxtbooks/ac/ac199303
https://www.nxtbook.com/nxtbooks/ac/ac199302
https://www.nxtbook.com/nxtbooks/ac/ac199301
https://www.nxtbook.com/nxtbooks/ac/ac199212
https://www.nxtbook.com/nxtbooks/ac/ac199211
https://www.nxtbook.com/nxtbooks/ac/ac199210
https://www.nxtbook.com/nxtbooks/ac/ac199209
https://www.nxtbook.com/nxtbooks/ac/ac199208
https://www.nxtbook.com/nxtbooks/ac/ac199207
https://www.nxtbook.com/nxtbooks/ac/ac199206
https://www.nxtbook.com/nxtbooks/ac/ac199205
https://www.nxtbook.com/nxtbooks/ac/ac199204
https://www.nxtbook.com/nxtbooks/ac/ac199203
https://www.nxtbook.com/nxtbooks/ac/ac199202
https://www.nxtbook.com/nxtbooks/ac/ac199201
https://www.nxtbook.com/nxtbooks/ac/ac199112
https://www.nxtbook.com/nxtbooks/ac/ac199111
https://www.nxtbook.com/nxtbooks/ac/ac199110
https://www.nxtbook.com/nxtbooks/ac/ac199109
https://www.nxtbook.com/nxtbooks/ac/ac199108
https://www.nxtbook.com/nxtbooks/ac/ac199107
https://www.nxtbook.com/nxtbooks/ac/ac199106
https://www.nxtbook.com/nxtbooks/ac/ac199105
https://www.nxtbook.com/nxtbooks/ac/ac199104
https://www.nxtbook.com/nxtbooks/ac/ac199103
https://www.nxtbook.com/nxtbooks/ac/ac199102
https://www.nxtbook.com/nxtbooks/ac/ac199101
https://www.nxtbook.com/nxtbooks/ac/ac199012
https://www.nxtbook.com/nxtbooks/ac/ac199011
https://www.nxtbook.com/nxtbooks/ac/ac199010
https://www.nxtbook.com/nxtbooks/ac/ac199009
https://www.nxtbook.com/nxtbooks/ac/ac199008
https://www.nxtbook.com/nxtbooks/ac/ac199007
https://www.nxtbook.com/nxtbooks/ac/ac199006
https://www.nxtbook.com/nxtbooks/ac/ac199005
https://www.nxtbook.com/nxtbooks/ac/ac199004
https://www.nxtbook.com/nxtbooks/ac/ac199003
https://www.nxtbook.com/nxtbooks/ac/ac199002
https://www.nxtbook.com/nxtbooks/ac/ac199001
https://www.nxtbookmedia.com