American Cinematographer - March 1990 - 31

\
In The

Magic Balloon,

there is
ver

a scene shot at The Cul¬
Studios in Los Angeles, on a

big set replicating a dungeon.
Cardiff was working at stop T-5.6
with a 200 slide in his photome¬
ter.

"That's about three times the

light I would need if this

was a
conventional 35mm film," he
said. "Because the screen is so

big, you always want to have
sharp depth of field on a Showscan

film."

This is

an

adventure

film, with two leads played by
children who use magic to follow
their whims and travel around
the world. Though one scene was
shot in a dungeon, Cardiff didn't
want it to feel threatening. Illumi¬
nation came from candles and

lanterns, so he set his lights to
augment those sources. The big¬
gest unit was a 5K, and Cardiff
used blue and yellow gels to cre¬
ate the

atmosphere he wanted.

The CP65

camera

was

on

a

Chapman crane, tracking freely
through the set.
The Magic Balloon was
directed by Ronald Neame, who
was once an
outstanding director
of photography in England, and
a
long-term associate of Cardiff.
Watching them work together
was a little like
seeing an intricate
dance, as they made subtle ad¬
justments while barely exchang¬
ing words.
"Because of the big
Showscan screen, we are cautious
about coming in extremely close
for tight shots," Cardiff ex¬

plained. "You

can

hang back

a

little, fill the frame with a 50mm
or an 80mm shot, and still have
all of the impact of a closer shot
because the audience can see

everything in such great detail.
You can come in tight, but you do
it selectively," Cardiff explained.
"One thing that helps is
the new Eastman EXR 5296 film,
which we are using on this

movie," he continued. "It has the

ability to go right into the shad¬
and pick up details without

ows

my

having to throw fill light into

those areas."

Cardiff shot Call From

Where can
you get the full
range of
EGRIPMENT

Cranes,
Dollies, Tracks,
Jibs and
Car Mounts?
Lightweight, portable,
dozens of accessories.

VIP

Crane,

Piccolo Crane,
Junior Crane,
4 in 1 System,
Standard Mini Jib,

Long Mini Jib,
Focus Dolly,
Startrack Dolly,
TGV Dolly,

Doorway Dolly,
Unit 85 Crab

Dolly,
Dolly,
Car Mount Kit,

Dino Crab
etc.



American Cinematographer - March 1990

Table of Contents for the Digital Edition of American Cinematographer - March 1990

American Cinematographer - March 1990 - 1
American Cinematographer - March 1990 - 2
American Cinematographer - March 1990 - 3
American Cinematographer - March 1990 - 4
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