American Cinematographer - March 1990 - 9

The

two best reasons in the

WORLD FOR CHOOSING
After five decades of

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thing or two about motion picture lenses. We've
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a

The Studio Zoom-Defined.
ANGENIEUX 17-102HP T2.9
an extra

The focal length speaks for itself. If you've ever needed
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It's also
Prime lens

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Look at the features. Internal focus. Oversized focus

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fringing is virtually eliminated-even at long focal lengths!
What's more, our new constant volume focusing front
section means no lens movement during focusing for optimum
mattebox integration. Like its partner, the 25-250HR features
brilliant engravings, seen from either lens side.

scales.

Large clear engravings-easily readable from both sides
rear glass filters (designed for quickchange without altering focus).
The 17-102 offers the benefits of exotic glass and ad¬
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American Cinematographer - March 1990

Table of Contents for the Digital Edition of American Cinematographer - March 1990

American Cinematographer - March 1990 - 1
American Cinematographer - March 1990 - 2
American Cinematographer - March 1990 - 3
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