American Cinematographer - May 1990 - 34

cific action

if that is the

only
thing going on," Conway said in
a

as

recent interview with Cinefex

magazine. "Instead, it is essential
that you make that action feel as
if it is just a part of what is going
on
as if
you are cutting in on
something already in progress.
The other things going on around

"THE ARRI 35 BOOK", published by Arriflex.
This 300 page "textbook" details the use and maintenance of two
of die most popular 35mm cameras in use around the world: The
Arriflex 35BL and 35-3 camera systems.

-

by DP Jon Fauer, this book details the simplicity and
complete interchangeablility of the Arri 35mm system, the wide
range of lenses, accessories and after-market products avialable,
and how they may be used and serviced
$39.99*
Written

:

it are what make a shot believ¬
able. The background dressing
and movements are just as im¬

portant in model work

as the
main action model." Effects de¬

!>>St

"PANAFLEX USERS' MANUAL" by David Samuelson.
Developed in consultation with Panavision Inc., this new 288 page

Panaflex
Users' Manual

manual has 514 illustrations, and contains detailed instructions on the
entire Panaflex system. Clear, easy to follow drawings and explana¬
tions of the purpose, function and proper operation of each piece of

equipment. Chapters specifically address the
directors of photography,
and assistants
*Add $2.50

producers, directors,

use of Panaflex by
camera operators,

$ 18.95*

shipping and handling lor first book, and $1.50 for each additional book.
book.

CA residents add 6.75% tax per
'

'

Also available:

MASTER GUIDE TO FILM & VIDEO TECHNICAL BOOKS

our

BfftffS * SAWYVJt INC*
1026 N.

Highland Ave.

*

Hollywood, CA 90038 (213)466-8211

*

FAX: (213) 466-7049

signed for The Baron assuredly
the

address this philosophy since
film is non-stop action in

all

phases, live or conjured.
Among
Conway's
achievements for the film was the
animated figure, the Angel of
Death. "Originally, he said,
"there was a tall, handsome black
woman that was to be dressed
up

Death, but that idea

as

was

scrapped. Instead, the decision
was

made to do

an

animatronic

type figure - although there was
some

initial doubt that

create and animate

we

could

something of

that size." Eventually, a figure
about 6'4" tall was contrived,
with a huge outspread of wings

HeW:

OHeritable Viewfinder

The Photo-Sonics 35mm-4ER High Speed Camera now
incorporates the Jurgen's universal viewfinder with the super
wide angle Arriflex eyepiece. You'll find the 4ER more versatile
and comfortable with:
■

Orientable viewfinder with

bright viewfinder optics
shuttered CCD

playback

camera

self-leveling capability ■ Extra sharp/
■ Brighter video picture...also available with

for super sharp

■ Compatibility with

Arriflex viewfinder accessories
For

more

information contact

Conrad Kiel

or

Richard Burton

(made from polyurethane). The
completed figure required articu¬
lation and was animated hydrau¬
lically so that it walked and
moved naturally.
So much of this fantasy
had to be done by optical ma¬
nipulation and blue screen that it
is

continuous effect. The final
of the picture is representa¬
tive: The baron and his horse
vanish among shafts of morning
one

scene

sunlight through the clouds.
"What is wonderful and bizarre
about this," says Terry Gilliam,

at 213-849-6251.

director, "is that it is not the baron

Photo-Sonics, Inc.

and it is not his horse - it is not
even his
dog." It was a grab shot
with substitutes for all the figures
and a convincing matte painting

820 S.

Mariposa St., Burbank, CA 91506

by Doug Ferris that seemed to
typify the conglomeration of
fantasy events that make up the
whole of the movie and bring it
to

32

a

poetic conclusion.

▲
American Cinematographer - May 1990

Table of Contents for the Digital Edition of American Cinematographer - May 1990
