American Cinematographer - May 1990 - 52

"We're putting layers of
light into the forest, edging out
treetops, catching the sides of
says.

Animation
on

Location
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branches here and there. It's just
done to taste, creating an atmos¬

phere."
Alonzo is

openly enthu¬
impending shot,
which will dolly behind the man
as he approaches Carmilla. "You
don't see too many dolly shots
like this anymore," he says. "So
many times in productions today
you have to meet schedules and
budgets and so you work faster
siastic about the

and make do. You don't say,
'Let's take three hours and lay
down a neat dolly shot.' No, you

OO

get the Steadicam out and just do
it that way.

W.

is

a

I mean, the Steadicam

great tool, but it's not the

dolly shot. It's a com¬
pletely different use of the cine¬
matic vocabulary.
same as a

"You

know, in dailies

today,

we had a shot where a
50mm lens dollies right in to the
actor, and Billy said, 'Now
that a great look?' And it is,
PDI

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on

isn't
it's a
great look. But you seldom see it.
It's one way the industry has
changed over the years. They'll
zoom now,
especially for TV,

because it's much faster. But
what you're doing is magnifying
what the lens sees, bringing it to

you.
"It's a totally different
look than the great Freddie
Francis-David Lean tracking shot
for 150 yards. That was class. But
we don't have the time now,

usually, unless you're extremely
fast. And I happen to be pretty
quick myself. I like to do it when
I can."

Awhile later, the dolly
shot proceeds without a hitch.
Alonzo is smiling as he walks
back from the end of the track.
"This picture lends itself to inter¬

esting and unusual visualiza¬
tion," he later says. "There's very
little that's conventional about it,

l> l> I

technically or any other kind of
When Billy and I first

way.

talked, he said, 'I don't want to do
the ordinary. This may be great
drama but I don't want to do it in

the usual

manner.

If I have to do



American Cinematographer - May 1990

Table of Contents for the Digital Edition of American Cinematographer - May 1990

American Cinematographer - May 1990 - 1
American Cinematographer - May 1990 - 2
American Cinematographer - May 1990 - 3
American Cinematographer - May 1990 - 4
American Cinematographer - May 1990 - 5
American Cinematographer - May 1990 - 6
American Cinematographer - May 1990 - 7
American Cinematographer - May 1990 - 8
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