American Cinematographer - May 1990 - 59

jobs, including running a sound
boom, mixing sound, floor man¬
ager and technical director. A

commercial house,
EUE, gave Kemper his first expo¬

New York
sure

to

shooting film. When

Screen Gems

purchased EUE,

Kemper and a staff director
bought all of the tape equipment
from the company intending to
concentrate on video commercial

production. In 1969 when John

Cassavetes was shooting Hus¬
bands with Italian cameraman
Aldo Tonti, Kemper was the

designated standby.
Soon it became
that the

apparent

language difficulties be¬

Cassavetes and Tonti
weren't resolvable. Cassavetes
asked Kemper to take over and
Tonti encouraged him to seize the
moment. That was Kemper's first
screen credit as director of pho¬
tween

tography. He shot over a million
feet of film, finishing in 1970.
was

All of that experience
useful in designing some

complex and sophisticated
photography for Crazy People. For
example, various scenes were
shot in a large central atrium at
very

Where can
you get the full
range of
EGRIPMENT

Cranes,
Dollies, Tracks,
Jibs and
Car Mounts?

domed
ceiling with a skylight and two

the school. There was a

Lightweight, portable,

large doorways which
opened to the outside. There
were also long hallways which
opened into student dorm rooms.

very

Some of these were
tient

rooms.

used

All of the

dozens of accessories.

as pa¬

areas

VIP Crane,

had

Piccolo Crane,

large windows.

Junior Crane,

"When I arrived at the

4 in 1

of those
openings to the outside, my first
thought was that we were going
location and looked at all

spend thousands and thou¬
gelling win¬
dows," Kemper said. "But almost
immediately, I decided it would
be much simpler and more natu¬
ral looking to shoot these interi¬
ors with the 250-speed Eastman

Long Mini Jib,
Focus

to

That allowed him to

shoot without a Wratten 85 filter
on the camera lens and without

gelling windows. The speed

of

permitted Kemper to
pull the deep focus needed for
depth of field while working at
natural low light levels. Kemper
the film

calculated the

Dolly,

Startrack Dolly,

sands of dollars

daylight-balanced film (5297)."

System,

Standard Mini Jib,

TGV Dolly,

Roy

Isaia

Doorway Dolly,
Unit 85 Crab
Dino Crab

Dolly,
Dolly,

Car Mount Kit,

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brightest possibil57



American Cinematographer - May 1990

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