American Cinematographer - July 1990 - 35
footcandles. We
overcame
this by
renting an Angenieux 16-44mm
T1.4 zoom, and shooting it wide
open. The zoom was less expen¬
sive than a set of primes, and also
allowed more flexibility in fine
tuning the framing of dolly shots,
which, because of uneven out¬
door terrain, were now being
done with bogey
wheels running
tracks. The resulting shots are
some of the most impressive in
the film, and the only real prob¬
lem in shooting them turned out
to be controlling the rain effect
when winds kicked up.
on
Answer-printing the
completed film probably in¬
volved
as
much work for the
timer at the Hazeltine as it did for
the set, since almost every
called for unusual color
balance. TVC lab timer Frank
us on
scene
Pomposelli actually looked at
swatches of gels from the set to
get a feel for the correct hues, and
delivered a great-looking print.
Lighting magic in the palm of your hand
The
*
Patel's
point is proven: a young
group of disciplined student
filmmakers can indeed deliver
high production-value material
without spending a fortune. ▲
incredibly versatile dedolight®'s magic begins with a quick change act. With
speed of light it becomes:
a mini spot - with a beam angle narrow enough to pick out and highlight the
the
smallest details
*
a
maxi flood
-
with wider coverage
than you'd think possible from
a
fixture
this small
* with hard
* with soft
And that's
enough edges to emulate the most sophisticated follow spots
enough edges to blend in on the most complex sets.
just the beginning.
dedolight® 's projection
turns it into a master
accessory
pattern projec¬
tor, with framing shutters, an
iris, and over 300 available gobo
patterns.
The
grand finale? A demonstration of
dedolight®'s incomparable 25:1 spot-to-flood
focusing
range
The incredible
and 350 watt fresnel punch, all from
a
100 watt fixture.
dedolight®. Let its magic bring magic to your next location.
International Agents:
CD Leman, Vienna ® 01-859 7650 © Lemac, Melbourne ® 03-4298588 CD Soprofilm, Brussels
® 02- 242 5928 ® Bolex, Yverdon ® 024-216-021 <® Cinequip, Toronto ® 416-467 7700; Lome
Lapham, Vancouver ® 604-738 5200 ® Professionelt Film/Videocenter, Copenhagen ©0033- 931397
CDRosco, Madrid ©01-246-1102 CDDimaphot, Paris® 01-4723 9887 dDTelefex, London ©01-569 9595
©Century EPE, Athens *5? 01-6461332 CDDe Sisti, Rome © 06 2010166 CDSanwa, Tokyo © 03-404 0366
@>Solimac, Petaling Jaya® 03-7577872 (SDCompactlight, Amsterdam©020-935807 ©Professional
Lighting Services, Auckland ® 09-774 895 CDRosco, Sacavem © 01-947 2237 CD Rune Ericson Film AB,
Solna © 08-734 0845 ® Cinerent, Helsinki © 0-651330.
USA Distribution: Dedotec USA, 210
Westlake Drive, Valhalla, NY 10595, ® (914)761-5608,
fax. (914)761-9501.
International
©
Marketing: Dedo Weigert Film GmbH, RottmannstraRe 5, 8000 Munchen 2,
(89) 52 50 64, fax (89) 52 9173.
33
American Cinematographer - July 1990
Table of Contents for the Digital Edition of American Cinematographer - July 1990
American Cinematographer - July 1990 - 1
American Cinematographer - July 1990 - 2
American Cinematographer - July 1990 - 3
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