American Cinematographer - July 1990 - 88

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Insight Column

visually was also
helpful. If there is a malfunction,
as if the flashing light goes out or
changes density during filming, the op¬

very
such

erator would see it with the VariCon.
With the Panaflasher it is possible to
have a problem with the light source and
unless the camera assistant is extremely

Name

PROFESSIONAL NEWSLETTER

viewfinder and set it

vigilant it can slip by. The consequences

City

be extreme, between over-flash and
flash at all.
Both the VariCon and
Panaflasher have metering systems to
set the intensity of the flash. On the

can

State

Zip

Tel. (

no

)

FILMING IN EUROPE CALL

with the

lighting as it will be during film¬
ing. The highlights in a scene will affect
the reading on the VariCon meter, which

*

ARRIFLEX BL IV S

*

MOVIECAM SUPER AMERICA

in turn will result in

STEADICAM

setting. The Panaflasher flash level
be set anytime.

.

SUPER

.

FISHER

.

ZOOM ANGENIEUX

-

-

ARRI III

VariCon, always set the level of flash
with the camera pointed at the scene

PEEWEE CHAPMAN
-

COOKE

CANON

-

a more

accurate flash

can

Both the Panaflasher, which I
on seven films with a great

have used

deal of success, and the VariCon did the

CHEUEREHU
20,

rue

de la Chine

Phone:33-1 47 97 23 49

-

-

75020 PARIS

Fax:33-1 47 97 66 58

-
-

FRANCE
Telex

:

210458 F

job they are designed to perform admi¬
rably. These units are not a panacea but
they do add another tool to the cinema¬
tographer's battle against excess con¬
trast.

should use this equip¬
testing it. The results are
subjective and the parameters for
No

one

ment without

Handsome
Binders for your

very
the effects

one has in mind need to be
determined. The variables are many, in¬

magazines

cluding the ASA rating given the film, the
exposure, the lab used and the eventual
end use of the original negative.
I would like to thank Stanislow

FSfafh

Loth, the man behind the VariCon devel¬
opment, and Arriflex for their help and
cooperation. Also thanks to Panavision
for making the Panaflasher available to
Add S3.00 per

binder for
postage in United States;
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Name

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86

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me

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American Cinematographer - July 1990

Table of Contents for the Digital Edition of American Cinematographer - July 1990

American Cinematographer - July 1990 - 1
American Cinematographer - July 1990 - 2
American Cinematographer - July 1990 - 3
American Cinematographer - July 1990 - 4
American Cinematographer - July 1990 - 5
American Cinematographer - July 1990 - 6
American Cinematographer - July 1990 - 7
American Cinematographer - July 1990 - 8
American Cinematographer - July 1990 - 9
American Cinematographer - July 1990 - 10
American Cinematographer - July 1990 - 11
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American Cinematographer - July 1990 - 13
American Cinematographer - July 1990 - 14
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American Cinematographer - July 1990 - 16
American Cinematographer - July 1990 - 17
American Cinematographer - July 1990 - 18
American Cinematographer - July 1990 - 19
American Cinematographer - July 1990 - 20
American Cinematographer - July 1990 - 21
American Cinematographer - July 1990 - 22
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American Cinematographer - July 1990 - 24
American Cinematographer - July 1990 - 25
American Cinematographer - July 1990 - 26
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American Cinematographer - July 1990 - 28
American Cinematographer - July 1990 - 29
American Cinematographer - July 1990 - 30
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American Cinematographer - July 1990 - 34
American Cinematographer - July 1990 - 35
American Cinematographer - July 1990 - 36
American Cinematographer - July 1990 - 37
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American Cinematographer - July 1990 - 47
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American Cinematographer - July 1990 - 49
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