American Cinematographer - August 1990 - 43
Scott
Miller
GSPhetoni:
CK1oo9mdpaak0ny,
Eastmn
©
"I
was
shooting
a
commercial with
a
black
car
in the desert,
^ and decided to experiment by filming at the darkest time
♦ you
of night.
Assee
thewere
car drove
downand
thetaillights.
road, theIt was
only the
things
could
headlights
first
time I had used EXR 5296 film. We tested the latitude by rating the film at E.l. 2000.
The dailies were amazing. The blacks were lush, and you could see the profile of the
car in the dim glow of starlight. You could even see outlines of hills on the far horizon.
On a close-in shot, you could clearly read the Mazda logo on the chassis....We are
redefining the way we create moving images. A lot of the old rules don't apply When
understand how film works, the possibilities are fantastic. If we are more sponta¬
and take more chances, we can lift the whole level of creativity Television can
be great if we dare to be great."
you
neous
Scott Miller has won five CLIOs for directing and shooting commercials. His feature
credits include "Talking Walls," "Flicks," "Hollyweird," and other experimental movies.
Eastman
Motion Picture Films
American Cinematographer - August 1990
Table of Contents for the Digital Edition of American Cinematographer - August 1990
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