American Cinematographer - August 1990 - 58
4x4 Universal
Production Matte Box
Geocam
a
few aerial shots, which turned
out to be some of the most diffi¬
cult he's ever done. "We had
limited air time and the atmos¬
phere there is
very hazy. You'd
think it would be sparkling, but
it's not. I was shocked. Usually
when doing aerials, I like to work
with a 3/4 back light with the sun
behind us. It was totally impos¬
sible this time."
Knobil, who readily
admits he doesn't "do wildlife,"
has specialized in the more "civi¬
lized" areas of the world. He
prefers shooting in Europe or
"the Cote d'Azur, perhaps." Still
he takes his work very seriously.
"The human subject of the docu¬
mentary is very, very fragile. It's
important that every member of
the
crew
is in
GEOCAM
*
be aware that the person
vulnerable, scary place. We
need to make that place as safe
and friendly as it can be. It's a
dance or a game where every
CORP., P.O. BOX 704
TELEPHONE: 201-672-2223
a
* ORANGE, NJ 07050
FAX 201-672-2414
person's performance is impor¬
tant.
"I find myself in people's
homes quite often and I keep in
mind that I am a guest, and I
behave as a guest. I try to engage
people as team members so we
are all
working towards the same
goal. I want everyone to enjoy the
presence of the crew as much as
possible. And I'm making the
kind of documentaries where
that's possible," Knobil con¬
cluded.
"Bali, Masterpiece of the
joins the impressive NGS
gallery even as four more specials
are in
preparation for the new
year. National Geographic Spe¬
cials have garnered 20 of 25
places on the list of the most
watched programs on PBS. Their
Gods"
IN REAL
continued
success
has
encour¬
aged others and proved, once
and for all, that the viewing pub¬
lic not only wants to know about
the world around them, but
they
want to know in record numbers.
Washington State has great restaurants, super hotels,
killer facilities, and all the folks you need for a wonderful
For more information, call 206-464-7148.
WASHINGTON Sim
shoot.
Write Film and Video Office, 2001 6th Ave., Suite 2700, Seattle, WA 98121
The second and third generations
of National Geographic Special
viewers have a lot to look for¬
ward to.
▲
American Cinematographer - August 1990
Table of Contents for the Digital Edition of American Cinematographer - August 1990
American Cinematographer - August 1990 - 1
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