American Cinematographer - November 1990 - 22
range it operates as a pressure transducer
with a very linear response.
YOU'LL FIND THERE'S
NOTHING TO CHANGE
ABOUT OUR BL CRYSTAL
The TLM 50 is addressed from
the side. Located at the rear is a -10 dB
switch and a switchable filter for damp¬
Finally there's a crystal that fits directly
into your camera without making special
adaptations, featuring crystal speeds of
24,25, and 30 fps. And variable speeds
of 5 50 fps. Including a digital readout.
Available exclusively at Roessel CPT:
Call (718)424-1600 in New York or
(404)936-9736 in Atlanta.
ing frequencies below 100 Hz. The wire
grille is acoustically transparent. It
has no interactive effect on the properties
of the transducer, even at extremely high
sound pressure levels.
gauze
-
The TLM 50 comes in a wooden
a 10 meter swivel-ended cable
for attachment to a microphone stand. A
tilt adapter can be screwed to the cable
for unmounting the microphone. The TLM
50 can also be mounted in an EA 50 elas¬
tic suspension.
For further information contact:
Gotham Audio Corporation, (818) 7852211.
case
with
High speed sr
aAton
Nagra
DENECKE
SCHOEPS
COOKE
CHROSZSEL
AUDIO LTD
ARRIFLEX
MICRON
SACHTLER
Remote Control
NEUMAN
ZEISS
editing table.
Super 16, Time Code? No problem, it's been our
speciality for over ten years. We use this equipment
ourselves, and we'll work with you.
Tired of poor battery results? Try our new
board system for SR and Aaton!
to:
Anton Bauer
engineering, machine shop, optical &
camera
combination; change existing count
by addition or subtraction; and set up a
loop program. The editing table stops
any
repair.
automatically at the beginning and end of
a
Authorized dealer for Anton Bauer, Harrison and Tiffen.
20
NYC 10012
(212) 941-0744
Fax
programmed loop.
For more information: Steen¬
beck, Inc., 9554 Vassar Ave., Chatsworth,
CA 91311. (818) 998-4033; FAX (818) 998-
SALES... RENTAL... REPAIR
Hand Held Films Inc 552 Broadway
The keyboard makes it possible
input minutes/seconds/frames in
16mm or 35mm; convert the actual count
from minutes/seconds to feet/frames or
on
In house
Editing Tool
The Steenbeck ST-5002 digital
remote control keyboard is designed to
extend the use of the Universal Counter
ST-5001. This enables the film editor to
control the running of the 16mm or 35mm
:
(212) 941-5472
6992.
American Cinematographer - November 1990
Table of Contents for the Digital Edition of American Cinematographer - November 1990
American Cinematographer - November 1990 - 1
American Cinematographer - November 1990 - 2
American Cinematographer - November 1990 - 3
American Cinematographer - November 1990 - 4
American Cinematographer - November 1990 - 5
American Cinematographer - November 1990 - 6
American Cinematographer - November 1990 - 7
American Cinematographer - November 1990 - 8
American Cinematographer - November 1990 - 9
American Cinematographer - November 1990 - 10
American Cinematographer - November 1990 - 11
American Cinematographer - November 1990 - 12
American Cinematographer - November 1990 - 13
American Cinematographer - November 1990 - 14
American Cinematographer - November 1990 - 15
American Cinematographer - November 1990 - 16
American Cinematographer - November 1990 - 17
American Cinematographer - November 1990 - 18
American Cinematographer - November 1990 - 19
American Cinematographer - November 1990 - 20
American Cinematographer - November 1990 - 21
American Cinematographer - November 1990 - 22
American Cinematographer - November 1990 - 23
American Cinematographer - November 1990 - 24
American Cinematographer - November 1990 - 25
American Cinematographer - November 1990 - 26
American Cinematographer - November 1990 - 27
American Cinematographer - November 1990 - 28
American Cinematographer - November 1990 - 29
American Cinematographer - November 1990 - 30
American Cinematographer - November 1990 - 31
American Cinematographer - November 1990 - 32
American Cinematographer - November 1990 - 33
American Cinematographer - November 1990 - 34
American Cinematographer - November 1990 - 35
American Cinematographer - November 1990 - 36
American Cinematographer - November 1990 - 37
American Cinematographer - November 1990 - 38
American Cinematographer - November 1990 - 39
American Cinematographer - November 1990 - 40
American Cinematographer - November 1990 - 41
American Cinematographer - November 1990 - 42
American Cinematographer - November 1990 - 43
American Cinematographer - November 1990 - 44
American Cinematographer - November 1990 - 45
American Cinematographer - November 1990 - 46
American Cinematographer - November 1990 - 47
American Cinematographer - November 1990 - 48
American Cinematographer - November 1990 - 49
American Cinematographer - November 1990 - 50
American Cinematographer - November 1990 - 51
American Cinematographer - November 1990 - 52
American Cinematographer - November 1990 - 53
American Cinematographer - November 1990 - 54
American Cinematographer - November 1990 - 55
American Cinematographer - November 1990 - 56
American Cinematographer - November 1990 - 57
American Cinematographer - November 1990 - 58
American Cinematographer - November 1990 - 59
American Cinematographer - November 1990 - 60
American Cinematographer - November 1990 - 61
American Cinematographer - November 1990 - 62
American Cinematographer - November 1990 - 63
American Cinematographer - November 1990 - 64
American Cinematographer - November 1990 - 65
American Cinematographer - November 1990 - 66
American Cinematographer - November 1990 - 67
American Cinematographer - November 1990 - 68
American Cinematographer - November 1990 - 69
American Cinematographer - November 1990 - 70
American Cinematographer - November 1990 - 71
American Cinematographer - November 1990 - 72
American Cinematographer - November 1990 - 73
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American Cinematographer - November 1990 - 78
American Cinematographer - November 1990 - 79
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American Cinematographer - November 1990 - 83
American Cinematographer - November 1990 - 84
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