American Cinematographer - November 1990 - 34
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pre-produc¬
35mm-75mm, and
a
17mm
was
employed for wide angles. "Films
are shot on
long lenses when you
want to make them look pretty,"
he points out, "and when you
don't want to get so much back¬
ground behind the actor. This was
just the opposite, we always shot
quite wide. The town we were
shooting in was as important as
the actors."
No
moves were
heavy duty camera
required on The Hot
ther side of the lens.
Spot, "It wasn't a Louma crane
show," Steiger observes. "We
Local Backup.
Because your
tracked a lot, but the moves we
used were almost unnoticeable,
glass filters.
The 17-102 offers the benefits of exotic
lot of time in
working that way."
Hot Spot was not a long
lens film, and Steiger's focal
lengths tended toward 27mm.
For close ups, lenses ranged from
University
Advanced features include: internal
a
tion, the video assist was quite
valuable, and Dennis was used to
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doesn't work.' Since we didn't
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each
an
they had to do with the camera
moving around actors and accom¬
modating their actions. I had a
great guy on the dolly grip, Bruce
Hemme, who was very important
to me
-
sense
of
Bruce has
a
very accurate
timing."
Because Hot
800 number away.
Spot was in¬
tentionally shot in hard light,
Steiger shied away from filters.
However, he did use some double
mist diffusion in daytime scenes,
and at night, he added low levels
of double
fog. "Double mist is not
very noticeable filter, but it takes
the edge off. I like to use double
a
fog at night because it puts a nice
shine on the highlights. It bleeds
out a little without detracting
from the sharpness of the image,
which is a feeling I like."
He didn't silk the
sun
off,
especially in the car lot scenes
when glare was important. But
heavier filtration was necessary in
a
swimming scene, cut with flash¬
backs. Steiger initially wanted to
ales, Service,
&
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put a net on the lens for flashback
scenes
to
get a heavier diffusion,
but he didn't have time to shoot a
test for Hopper. Instead, he was
American Cinematographer - November 1990
Table of Contents for the Digital Edition of American Cinematographer - November 1990
American Cinematographer - November 1990 - 1
American Cinematographer - November 1990 - 2
American Cinematographer - November 1990 - 3
American Cinematographer - November 1990 - 4
American Cinematographer - November 1990 - 5
American Cinematographer - November 1990 - 6
American Cinematographer - November 1990 - 7
American Cinematographer - November 1990 - 8
American Cinematographer - November 1990 - 9
American Cinematographer - November 1990 - 10
American Cinematographer - November 1990 - 11
American Cinematographer - November 1990 - 12
American Cinematographer - November 1990 - 13
American Cinematographer - November 1990 - 14
American Cinematographer - November 1990 - 15
American Cinematographer - November 1990 - 16
American Cinematographer - November 1990 - 17
American Cinematographer - November 1990 - 18
American Cinematographer - November 1990 - 19
American Cinematographer - November 1990 - 20
American Cinematographer - November 1990 - 21
American Cinematographer - November 1990 - 22
American Cinematographer - November 1990 - 23
American Cinematographer - November 1990 - 24
American Cinematographer - November 1990 - 25
American Cinematographer - November 1990 - 26
American Cinematographer - November 1990 - 27
American Cinematographer - November 1990 - 28
American Cinematographer - November 1990 - 29
American Cinematographer - November 1990 - 30
American Cinematographer - November 1990 - 31
American Cinematographer - November 1990 - 32
American Cinematographer - November 1990 - 33
American Cinematographer - November 1990 - 34
American Cinematographer - November 1990 - 35
American Cinematographer - November 1990 - 36
American Cinematographer - November 1990 - 37
American Cinematographer - November 1990 - 38
American Cinematographer - November 1990 - 39
American Cinematographer - November 1990 - 40
American Cinematographer - November 1990 - 41
American Cinematographer - November 1990 - 42
American Cinematographer - November 1990 - 43
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American Cinematographer - November 1990 - 46
American Cinematographer - November 1990 - 47
American Cinematographer - November 1990 - 48
American Cinematographer - November 1990 - 49
American Cinematographer - November 1990 - 50
American Cinematographer - November 1990 - 51
American Cinematographer - November 1990 - 52
American Cinematographer - November 1990 - 53
American Cinematographer - November 1990 - 54
American Cinematographer - November 1990 - 55
American Cinematographer - November 1990 - 56
American Cinematographer - November 1990 - 57
American Cinematographer - November 1990 - 58
American Cinematographer - November 1990 - 59
American Cinematographer - November 1990 - 60
American Cinematographer - November 1990 - 61
American Cinematographer - November 1990 - 62
American Cinematographer - November 1990 - 63
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American Cinematographer - November 1990 - 65
American Cinematographer - November 1990 - 66
American Cinematographer - November 1990 - 67
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American Cinematographer - November 1990 - 69
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