American Cinematographer - November 1990 - 46
VariCon (Continued from Page 43) ARRI Macro Lenses
with Auto Focus/Aperture
Control
ARRI Macro lenses are now in stock.
In order to make it easier to match
shots, the Macros
were designed to
neutral color characteris¬
Zeiss standard and SuperSpeed
have the
tics
as
same
prime lenses. All lens elements have
multi-layer coatings, and side and front
noise
The new VariCon fits all 16mm and
35mm cameras, is just 8.8 inches in
diameter, and weighs only 3.5 lbs.
When
shooting in direct sunlight con¬
can help
lighten harsh shadows, or can be var¬
VariCon is
designed as an integral
part of Arriflex 5x6 and 6.6x6.6 matte
boxes, and permits full normal use of all
existing camera and matte box func¬
and accessories. It
tions
can
as an
integral part of
their design.
The series consists of:
16mmT2.1
50mm T3
24mm T2.1
100mmT3
32mm T2.1
200mm T4.3
ditions, VariCon's output
ied within a scene to counter the broad
shifts in contrast that may occur when
the camera is panned towards or away
from direct sunlight.
insulation
1990.
many rental facilities. Call David Ritoch
in New York at (914) 353-1400, or
Bill Russell in Los Angeles at (818) 841 7070 for the location nearest you.
VariCon is available in England from
ARRI
GB; tel: 01 1-44-81-848-8882,
fax:011-44-81-561-1312.
>JRR|
Hollywood Camera Union
Special Award
Gives Arriflex
Local 659 of the International Photogra¬
phers Guild recently presented Arriflex with
"Award of
The 50mm, 100mm and 200mm
focal lengths incorporate specially
designed "floating" elements to guaran¬
tee optimum image quality throughout
each lens's entire focusing range. Key
Central and South
a
Franco. "Sin
embargo, hemos extendido este
especial porque queremos que
cada camara Arriflex tenga el servicio original
segun las especificaciones de la propia
programa
fabrica".
Call ARRI Service in New York at (914)
353-1400, fax (914) 425-1250; and ARRI
Service in Los
Angeles at (818) 841 -7070,
>|RR|
Discontinued Spare
Parts
Arriflex 50mm and 100mm
(and 200mm, not pictured) Macro
lenses have special "floating"
elements that guarantee optimum
image quality throughout their
entire focus range.
the series is, though, their auto¬
coupling design. Each lens has an
integral system that automatically
adjusts both focus and iris to maintain
correct exposure throughout the entire
focus range. ARRI Macro lenses are
available for sale, and are now in
rental inventory at Camera Service
Center, Ceco and Roessel CPT in
New York.
Aim
Said Local 659 president George Spiro
Dibie, "Arriflex introduced their new 65mm
system, the 765, in 1989 and then their
new
35mm camera,
Both
cameras
bring
the 535, this
new
year.
technologies and
and Arriflex 535 motion picture camera
ARRI's committment to the future of film."
especially
of these
systems.
new
creative possibilities to the
The rapid introduction
demonstrates to us
cameraperson.
two
systems
Policy
The current line of Arriflex cameras includes
the new 535 system, the 35BL-3/4 and
BL4s, the 16SR-2 and the 35-3, and there
thousands of these camera systems in use
are
around the world everyday. Other equally
well known models, such as the 35-2A/B,
the 35BL-1 and BL-2, 16M, 16BLand 16S
cameras,
have been discontinued and out-of¬
production for many years.
We no longer manufacture these discontin¬
ued models, and once the existing stock of
Factory spare parts for them is exhausted they
will no longer be commonly available. In
anticipation of this, we've just completed a
review of our spare parts inventory for these
cameras, and have developed the following
new
policy:
Spare parts for discontinued cameras will
no
longer be sold through our Sales Order
Departments in either New York or Los
Angeles. They will be sold only through our
New York Service Department. The Burbank
Service Dept, will no longer carry these
parts.
Please address all spare part inventory and
cost inquiries for discontinued cameras to
Bernadette Owens or FHoward Jones in the
New York Service Department at
spare
(914) 353-1400.
500 ROUTE
in
fax (81 8) 848-4028.
working
ARRI
Angeles are the
Factory-Authorized repair facilities in the
"Desde hace anos hemos dado servicio
clientes de America Latina," dice
Outstanding Achievement in
Engineering Development" for the develop¬
ment and engineering of the Arriflex 765
an
repair or custom design work. ARRI Service
Centers in New York and Los
nuestros
40mm T2.1
to
VariCon systems are still in limited
supply, but are currently available at
New York Service Manager Hernan Franco
and technician Fabio Franco, and Los Angeles
technicians Ramon Ortiz and Marco Molina
are fluent in
Spanish, and encourage
customers to call them direct for any kind of
United States and
era
draw power from commonly available
camera batteries. VariCon received
Patent Number 4,900,1 31 in February
Recently we expanded our New York and
Angeles-based Service Departments to
handle mechanical, optical and electronic
repairs for all of Central and South America.
Los
America, and are complete with specialized
repair tools and Factory parts.
cam¬
systems now in common use.
The unit itself is 8.8 inches in diameter
and 2.1 inches thick, and weighs just
3 1/2 lbs. It uses a single cable to
Service for Latin America
only
be
adapted to all 35mm and 16mm
Expanded Camera
>fRRI
303, BLAUVELT, NY 10913 * (914) 353-1400 * FAX: (914) 425-1250
BOULEVARD, BURBANK, CA 91502 * (818) 841 -7070 * FAX: (818) 848-4028
600 NORTH VICTORY
American Cinematographer - November 1990
Table of Contents for the Digital Edition of American Cinematographer - November 1990
American Cinematographer - November 1990 - 1
American Cinematographer - November 1990 - 2
American Cinematographer - November 1990 - 3
American Cinematographer - November 1990 - 4
American Cinematographer - November 1990 - 5
American Cinematographer - November 1990 - 6
American Cinematographer - November 1990 - 7
American Cinematographer - November 1990 - 8
American Cinematographer - November 1990 - 9
American Cinematographer - November 1990 - 10
American Cinematographer - November 1990 - 11
American Cinematographer - November 1990 - 12
American Cinematographer - November 1990 - 13
American Cinematographer - November 1990 - 14
American Cinematographer - November 1990 - 15
American Cinematographer - November 1990 - 16
American Cinematographer - November 1990 - 17
American Cinematographer - November 1990 - 18
American Cinematographer - November 1990 - 19
American Cinematographer - November 1990 - 20
American Cinematographer - November 1990 - 21
American Cinematographer - November 1990 - 22
American Cinematographer - November 1990 - 23
American Cinematographer - November 1990 - 24
American Cinematographer - November 1990 - 25
American Cinematographer - November 1990 - 26
American Cinematographer - November 1990 - 27
American Cinematographer - November 1990 - 28
American Cinematographer - November 1990 - 29
American Cinematographer - November 1990 - 30
American Cinematographer - November 1990 - 31
American Cinematographer - November 1990 - 32
American Cinematographer - November 1990 - 33
American Cinematographer - November 1990 - 34
American Cinematographer - November 1990 - 35
American Cinematographer - November 1990 - 36
American Cinematographer - November 1990 - 37
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American Cinematographer - November 1990 - 40
American Cinematographer - November 1990 - 41
American Cinematographer - November 1990 - 42
American Cinematographer - November 1990 - 43
American Cinematographer - November 1990 - 44
American Cinematographer - November 1990 - 45
American Cinematographer - November 1990 - 46
American Cinematographer - November 1990 - 47
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American Cinematographer - November 1990 - 49
American Cinematographer - November 1990 - 50
American Cinematographer - November 1990 - 51
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American Cinematographer - November 1990 - 53
American Cinematographer - November 1990 - 54
American Cinematographer - November 1990 - 55
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American Cinematographer - November 1990 - 57
American Cinematographer - November 1990 - 58
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American Cinematographer - November 1990 - 60
American Cinematographer - November 1990 - 61
American Cinematographer - November 1990 - 62
American Cinematographer - November 1990 - 63
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American Cinematographer - November 1990 - 67
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American Cinematographer - November 1990 - 69
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American Cinematographer - November 1990 - 73
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