American Cinematographer - November 1990 - 58
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stage, et cetera.
It all had to be
lit so the effect
could be seen,
and
so
we
could photograph. And when the
smoke came out from under the
set, the steam, that all had to be
lit."
The lights were con¬
trolled through a series of dimmer
panels, and a complicated system
of cues was rehearsed. "My gaf¬
fer, Steve Cohagen, spent several
days prerigging with the rigging
gaffer, getting all the lights set up
onto two big dimmer boards. We
rehearsed all the light cues, so
once we
began filming, we were
very well organized. Also, when
we had to change lighting be¬
tween the scenes, we were usually
able to just throw some switches
and go. Because of the tight sched¬
ule and budget, setting it up
ahead of time was the only way to
do it, and it came off nicely."
Things became a little
complicated when the exor¬
got fully under way.
Blair, who once again finds herself
more
cism itself
800*444*9330
56
November 1990
the
unsuspecting mouthpiece of
Satan, begins to breathe fire and
talk tough.
added later
The fire would be
through the use of
opticals, so Margulies' job was
interactive lighting - adding to
the set the effects of the as-yet-
imaginary streaks of flame.
"The fireball was to
come
out of her
mouth, hit pieces of the
set, and start them on fire," recalls
Margulies. "Warm-gelled lamps
on dimmers were
again set so
that,
on cue,
her face would be lit
orange, which would be the effect
of the fireball spewing out. As the
flame passed by other parts of the
they too were lit gold and
orange, and slightly overexposed,
to work with the opticals that
would be added later."
Needless to say, the exor¬
cism doesn't go quite as planned.
A chase ensues, with Satan (in the
form of Blair) in hot pursuit of
Nielsen (as a less than pious priest
room,
American Cinematographer - November 1990
Table of Contents for the Digital Edition of American Cinematographer - November 1990
American Cinematographer - November 1990 - 1
American Cinematographer - November 1990 - 2
American Cinematographer - November 1990 - 3
American Cinematographer - November 1990 - 4
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American Cinematographer - November 1990 - 7
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American Cinematographer - November 1990 - 49
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American Cinematographer - November 1990 - 51
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American Cinematographer - November 1990 - 53
American Cinematographer - November 1990 - 54
American Cinematographer - November 1990 - 55
American Cinematographer - November 1990 - 56
American Cinematographer - November 1990 - 57
American Cinematographer - November 1990 - 58
American Cinematographer - November 1990 - 59
American Cinematographer - November 1990 - 60
American Cinematographer - November 1990 - 61
American Cinematographer - November 1990 - 62
American Cinematographer - November 1990 - 63
American Cinematographer - November 1990 - 64
American Cinematographer - November 1990 - 65
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