American Cinematographer - November 1990 - 61
named Father
Mayii). The se¬
which features turbo¬
charged golf carts rocketing
quence,
around the television studios,
CS3 TELECINE 16/35
Rangertone's HP1635; A Cost Effective,
System.
In-house Film to Video Transfer
presented Margulies himself
with a few unexpected turns.
"Normally, a se¬
quence like the golf cart chase
wouldn't have posed the prob¬
lems or challenges that this
specific chase did. The prob¬
lem was the space limitations
of the set. When you do a car
chase, or any kind of chase for
that matter, you have to have
space for the actors to move,
for the
The HP 1635 Combination 16/35
Telecine film to
prism
in one
smooth, continuous flow, eliminating pull-down and
shutter bars regardless of the films' condition.
16 and 35 mm format changes are made
in
to
get up to
speed, and the stunt to be exe¬
cuted
you need a start, a
camera
mm
video transfer system incorporates a rotating
driven by the film. This allows the film to move
a matter
of minutes.
*
Film to Video Transfer
*
Film
*
Frame
By Frame Picture Analysis
*
Video
Projection
*
High Speed Screening
Editing, Dubbing and Mixing
-
middle and an end. After a
stunt is executed there has to a
be a cooling off space, a slow¬
ing down
shots,
space.
we were
For these
inside
a
stage,
and the four walls came at us
real quick. So that was the
RANGERTONE®
RESEARCH, INC.
challenge: being able to get the
golf carts up to speed, do the
360s, or crash through the
haystack, or crash through the
fruit stand - make the stunt
work - and still have the area
for the stuntmen to slow down
and not crash into the wall.
Nevertheless,
managed to
make it work in three days."
we
What is it like to work
show that is such a spoof?
It was almost inevitable that
the slapstick atmosphere of the
on a
115 Roosevelt Avenue * Belleville, NJ 07109
1-800-221-1823 * Fax (201)751-9741
U.S. Virgin Islands
Film Office
script would spread off-camera as well,
especially with
Leslie Nielsen and his trade¬
mark "hand gas" gag lurking
on the set.
"There was a playful,
Dreams of Gold
lighthearted atmosphere - it
fun," relates Margulies.
But making the film was seri¬
Four Seasons
was
There was a time for fun,
and there was a time for 'Shut
ous.
up now, let's do it.' It was one
of the funnest productions I've
worked on; at the same time
very serious about
getting it done."
▲
we were
Charlie's
Angels
American
Sportsman
TEL: (809) 775-1444
Voyage of Captain Cooke
The Island of Dr. Moreau
FAX : (809) 774-4390
Contact: Win
deLugo, Director or Eric Matthews, Asst. Director, Film Promotion Office,
Dept. ED&A, Box 6400, St. Thomas, U.S. Virgin Islands 00804.
Wfe're No Virgins to Filmmaking.
St.Thomas*St. John* St. Croix
57
American Cinematographer - November 1990
Table of Contents for the Digital Edition of American Cinematographer - November 1990
American Cinematographer - November 1990 - 1
American Cinematographer - November 1990 - 2
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American Cinematographer - November 1990 - 61
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American Cinematographer - November 1990 - 63
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American Cinematographer - November 1990 - 89
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