American Cinematographer - May 1992 - 11
No technician or
AC power needed
Another way you save money is
by not hiring a special operator/
technician. The W12 doesn't
need one. It also doesn't need AC
218 miles per hour
With every pull-down at 300
frames per second, the film
accelerates to a speed of 218
miles per hour and then stops
It comes with a 48V bat¬
tery that will run about 10,000
feet of film on one charge. Or you
can yoke two standard 24VDC
batteries together.
power.
again. The W12
(4
a
uses 8 claws
side) and 2 register-pins.
Rotating finder, up¬
right image, video tap
The viewfinder system and video
tap camera are enclosed within
rewinding or whatever. There's a
line sync box for interlock with
other cameras and for rear pro¬
the camera body door. There's
a knob with two eyepiece image
modes: normal and ten times
magnified. The viewfinder ro¬
through 270 degrees and the
image stays upright.
tates
29,600 speeds, all
Using the Speed Aperture Com¬
puter, you can change from any
speed to any other speed between
4 and 300 fps, in tenths-of-aframe increments. The starting
and ending speeds are crystalcontrolled. And, of course, the
lens iris is changed to keep expo¬
sure consistent.
crystal controlled
Strobes, Remote
and Interlock
choose from!) All with the per¬
fect accuracy of crystal control;
no
problem with HMIs.
Variable
speed
When you change speed during
the shot, the transition is smooth.
remote control.
Doesn't brew coffee
There
few things this
won't do: It doesn't
are a
camera
run
in reverse; you
You enter the speed you want on
the camera's electronic control
panel. The digital readout dis¬
plays your choice, to two decimal
places-hundredths of a frame.
(Between 4 and 300 fps, you
therefore have 29,600 speeds to
jection. And there's a strobe
output on the camera body, with
settings for one or two pulses
for each pulldown/exposure
cycle. There's also quartz-locked
Accessory connection is via the
19 pin Galloway Group Interface.
With an accessory box, you can
make precise frame counts, for
can't shoot
time-lapse, single-frame or timeexposure with it. And without
a
lens
or
film but with two maga¬
zines, it weighs 77 pounds; so
you almost certainly won't want
to hand-hold it.
CLA1RMONT
CAMERA
4040 Vineland Ave, Studio City, California 91604 * (818)761-4440
North Shore Studios, Vancouver, B.C. V7J 3S5
*
(604)984-4563
American Cinematographer - May 1992
Table of Contents for the Digital Edition of American Cinematographer - May 1992
American Cinematographer - May 1992 - 1
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