r -i . rj j- -I J acs T shot white on white in The Doctor: There were white costumes on white with sets subtly different white tones. When an actor wore a dark suit, the blacks fantastic. In that sit¬ uation, we werefour to were five stops overexposed on the whites, but there was still no a crisp image with burnouts orflares. You could see details in the brightest highlights and deepest shadows. The skin tones were of rfEvery script dfines was our erence. its own consistent. That main frame look. There are very few limitations today. You can get blacks so dense the image merges with the curtains or walls sur¬ rounding the screen. That expands thejrame f the picture to the edges fyour peripheral vision John Seale earned Oscar nominations for "Witness" and "Rain Man." Other notable credits include "Dead Poet's Society," "Gorillas in the Mist," "Children of a Lesser God," "The Mosquito Coast," and "Stakeout." Photo: Karen Meyers © Eastman Kodak Company, 1991