American Cinematographer - May 1992 - 66

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when we're using a stagecoach
wagon. I shoot a lot of low
angles, and try to make a lot of 'John

goes
or a

Ford shots.' I

was

fortunate to work

of the

big Westerns as a
young man, so I remember a lot of
the techniques, and I try to adapt
them for The Young Riders."
To enhance the period feel
of the show, the producers ask Maehl
for a sepia look, and he obliges with
a half coral,
usually augmented by
on some

Soft Con filters for exteriors and
ProMist indoors.

a

sec

Michael Watkins, ASC

Quantum Leap, "Dreams"
The time

traveling series

Quantum Leap has provided director

F-stop.

Rotating sensor head. Light¬
weight (only 5.5 ounces). Powerwise Digi-Lite operates on 1
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available.

of

photography Michael Watkins,
try out infi¬
nite varieties of cinematographic
styles. Its jumps through time, its
varied story line, and its special ef¬
fects opportunities have proved to be
a cinematographer's dream assign¬

ASC with the chance to

ment. For his

Sekonic R.T.S.
40-11 Burt Drive, Deer Park, NY 11729
(516)242-6801

won

efforts, Watkins has

Emmys for his work on the
in 1990 for the episode "Pool

two

series -

Hall Blues" and in 1991 for "The

Leap Home."

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Each episode oiQuantum
Leap takes about eight days to film,
and filming lasts nine or ten months,
a schedule that becomes exhausting
by the end of the season. Watkins,
Bakula and Stockwell
constant workers

on

are the few
the series, as the

show is directed by a
directors. Keeping

rotating pool of
everything to

schedule, therefore, falls on Watkins'
shoulders, something rarely cred¬
ited to

cinematographer.
Watkins recently signed on
to apply his skills to a feature, Nikita,
a

for director John Badham.

The film is

to be the American remake of the

French thriller La Femme Nikita.
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ASC Award Winner

Morgan, ASC

Dillinger

Programmable Voltage, Amperage, Wide Variety of
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Donald

Morgan, ASC be¬
lab technician in 1953 and
later spent several years doing aerial

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photography. After winning an
Emmy nomination for Elvis, Mor¬
gan took a six-year hiatus to work on
commercials, then returned with the
American Cinematographer - May 1992

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