American Cinematographer - July 1992 - 53
all the walls, the pipes and the snow
Shhhhhhh
the
pipes were not merely lit;
they were also painted specific col¬
on
ors
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[i
II
LEONETTI
5609 Sunset Bl„
Hollywood CA 90028
Tel: 213/469/2987
Although the Matte World
crews are experts at recreating re¬
ality using miniature sets and
paintings for films as diverse as
Avalon and Arachnophobia, they
were in uncharted effects
territory
Fax: 213/469/9223
FILMING IN EUROPE CALL
Batman Returns. "In those films,
it was the old story of 'If we've done
on
job well, nobody knows that
we've done anything,"' Evans
muses. "On Batman Returns, we
the chance to step out from behind
the curtain just this once? "It's
much harder to do this type of
t
19 lbs.
which makes it look better than I
could do as a cameraman lighting
the scene."
had to look a lot more stylized."
So did the company enjoy
Systems are available with
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both
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pensate for the effect of the lighting,
had to be detected; to be consistent
with the look of the film, these shots
dependable hot restrike.
"
'If I'm lighting the set with
our
ballasts-in addition to
wave
plate."
soft light, which is hard to control,"
Barron adds, "then Chris can paint
the shadows even darker to com¬
!
Our
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work," Barron admits. "We can't
use as
mimic
many of our tricks, which
reality; we have to make it
NATIONAL!
look real within the context of this
alternate-reality world, which is
difficult to do because there's ulti¬
mately only one person who really
knows what it looks like: Tim Bur¬
ton."
That same challenge was
by the many other effects art¬
ists who helped make Batman Re¬
turns a film that visually tops its
predecessor. Effects supervisor
Fink certainly deserves credit for
running himself ragged keeping a
constant eye on the work of each
outfit. "We've had precious little
time," he sighs. "Every film always
met
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has two or three shots that are
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complex shots that require a lot of
attention to detail and are very dif¬
Adhesives &
ficult to conceive and to execute. On
this movie, probably
the shots are money
80 percent of
shots. It was
incredibly stressful, but it's also
been great."
▲
Tapes
Special Effects
Much more!
Call For Free
Catalog
National Studio
4 West 20th
Supplies & Lighting
St., New York, NY 10011
Call: 1-800-447-0068
© 1992 National Artist Materials Co., Inc.
(212) 675-0100 in New York
Fax (212) 691-0474
51
American Cinematographer - July 1992
Table of Contents for the Digital Edition of American Cinematographer - July 1992
American Cinematographer - July 1992 - 1
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