American Cinematographer - January 1993 - 46

The Devil
and

Young Goodman Brown
by David Heuring

History tells

us

that in troubled

times, the darker side of human
defends itself by seeking out
scapegoats. Fear and accusation
become watchwords, while
nature

fingerpointing relieves us of the
responsibility for our failures.
In the 1830s,

Nathaniel

Hawthorne took note of this

44

nate events,

which led to eight

hangings,

a group of independent
filmmakers decided that the les¬
sons of the
past have relevance to¬

day. Young Goodman Brown is their
attempt to filmically recreate
Hawthorne's tale of the same name.
The plot follows an earnest

lage. What ensues is a phantasmagorical journey leading to a
climactic black mass led by none
other than Satan himself, played
with gusto by John P. Ryan.
Goodman Brown
with his

sees

disbelieving eyes ir¬
refutable evidence that his peaceful,
own

con¬

newlywed who, against all good

hardworking friends and neigh¬

stant while

advice, ventures forth on an errand

bors

Witch

studying the Salem
Hysteria of 1692, and sat

into the dark and

turned from

down to write a morality play.
Three centuries after those unfortu¬

woods that surround the placid
Calvinist settlement of Salem Vil¬

American

January 1993

Cinematographer

mysterious

-

his bride

even

-

have

living with simple

faith in God to

consorting with the

Prince of Death. His world view



American Cinematographer - January 1993

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