American Cinematographer - January 1993 - 80
Photokina
Report, Part I
compiled by Marji Rhea
With close to 6000
foreign subscribers,
Cinematographerhas an impor¬
tant stake in covering the international pro¬
American
Grenoble, France, Phone (33) 76 42 64 09,
FAX (33) 76 51 34 91.
Color Film Recorder
duction scene. For this reason, a represen¬
tative from the magazine was in Cologne,
Agfa is
now
offering complete
Germany in mid-September, scanning the
exhibit floorat Photokina, the huge biannual
convention for professional visual commu¬
systems for digital imaging which work on
the basis of Apple Macintosh computers,
PCs or SUN workstations (UNIX). Their PCR
nication.
II is a medium-priced color film recorder
suitable for economical production of 35mm
colorslides in 2K and 4K resolution directly
from the PC, Macintosh or workstation,
even in mass production.
For information: Agfa, 1801 Cen¬
A wide range of companies ex¬
hibited their wares in the film and video
technology arena. For those of our readers
unable to make the trip to Cologne, ACwill
present an overview of the offerings in this
installment of New Products, as well as
next month's column.
tury Park East, Suite 110, Los Angeles, CA
90067, Phone (213) 552-9622, Fax (213) 2039672.
Aaton XTRplus
Avid Media
Aaton's camera for Super 16 and
quality,
accuracy
and safety for
camera negatives.
All model 6125
printer models
accept interchangeable picture and sound
printing heads to enable printing of both
16mm and 35mm format films
on
the
same
printer. Printing head film format changes
may be done quickly and easily without
tools. The DC servo motor design does not
require feed and take-up sprockets, and
print quality is outstanding at all printing
speeds. Wet printing models use economi¬
cal perchloroethylene as the wet printing
liquid. The wet printing system is contained
entirely within the printer.
All printers include the BHP ad¬
ditive color light source incorporating the
high speed BLIP electronic light valves. The
BHP electronic fader is available as an op¬
tion for smooth, accurate fades and dis¬
16/9 HDTV film origination, the Aaton XTR,
Avid's Version 4.0 of the Avid
designed for both documentary and studio
Media Composer has new audio and video
editing functions, such as 24-bit color depth,
audio module with pitch change, audio
scrub and four-channel sound reproduction.
The company has also introduced its Avid
Broadcast digital non-linear editing system,
designed specifically for broadcasting re¬
quirements; its Audio Vision Station, a digi¬
solves, or to minimize raw stock loss as a
part of the BLIP ramp exposure control sys¬
tem. Other setup and operating controls are
tal audio mixer; and the Media Recorder, a
2662, Phone (312) 989-2140, Fax (312) 989-
capture station with which film, video and
audio can be digitized at the filming loca¬
2144.
has the traditional Aaton shoulder
mount design, a hair-free gate and inte¬
grated time code recording to eliminate
use,
slates. The unit is especially handy for multi¬
shooting, music videos and work in
allows
reframing in fast-moving action, and an ul¬
tra-accurate digital photometer measures
the quantity of light off the film itself. The
system can handle the longest telephotos
and the fastest wide-angle primes (up to
0.95), and boasts the lowest power require¬
ment of all professional cameras: the DC
motor runs up to twelve 400-foot magazines
on a single 12V 1.7 Ah battery. Other fea¬
tures include an easy-to-load magazine that
handles well even if the operator has sub¬
zero gloves on; a pre-end-of-film warning in
the viewfinder; a very short flange focal for
accommodating almost all still camera
camera
crowds. A generous out-of-field area
lenses; a claw movement that never seizes
up; and a
filter.
78
Composer
matched
original
passive anti-mist-coated eyepiece
For information: BHP, Inc., 1800
Winnemac Avenue, Chicago, IL 60640-
tion.
Bolex
For information: Avid Technolo¬
gies, 1 Park West, Tewksbury, MA 01876.
Film Printer
BHP's model 6125C modular
continuous contact motion picture film
printer line is designed for motion picture
laboratories of all sizes. The simplified film
threading path and high-speed bidirectional
film transport system provide efficient, high
quality release printing. Further use of the
optional electronic fader with either dry or
For more information: Aaton, 2
Rue de la Paix, B.P. 104 Cedex, 38001
wet
American
January 1993
Cinematographer
grouped in convenient control panels, which
are rack-mounted on rails and may be slid
out for adjustment and service.
printing models permits fast
tion of intermediate
prepara¬
negatives with
un¬
Super 16
All 16mm Bolex
cameras
with
bayonet lens mounts, from serial number
300001 onwards (H16 SB, SBM, EBM and
EL) can now be converted to the new Bolex
Super 16 format. The current Bolex models
H16, SBM and EL can be ordered already
converted to Super 16 or can be adapted at
a later stage. A Bolex camera converted to
Super 16 can at any time be rapidly re¬
adapted to regular 16, and vice versa, with¬
out special tools or parts. With H16 RX-5
cameras, conversion to Super 16 is possible
but not reversible;
will
no
filming in regular 16mm
longer be possible.
American Cinematographer - January 1993
Table of Contents for the Digital Edition of American Cinematographer - January 1993
American Cinematographer - January 1993 - 1
American Cinematographer - January 1993 - 2
American Cinematographer - January 1993 - 3
American Cinematographer - January 1993 - 4
American Cinematographer - January 1993 - 5
American Cinematographer - January 1993 - 6
American Cinematographer - January 1993 - 7
American Cinematographer - January 1993 - 8
American Cinematographer - January 1993 - 9
American Cinematographer - January 1993 - 10
American Cinematographer - January 1993 - 11
American Cinematographer - January 1993 - 12
American Cinematographer - January 1993 - 13
American Cinematographer - January 1993 - 14
American Cinematographer - January 1993 - 15
American Cinematographer - January 1993 - 16
American Cinematographer - January 1993 - 17
American Cinematographer - January 1993 - 18
American Cinematographer - January 1993 - 19
American Cinematographer - January 1993 - 20
American Cinematographer - January 1993 - 21
American Cinematographer - January 1993 - 22
American Cinematographer - January 1993 - 23
American Cinematographer - January 1993 - 24
American Cinematographer - January 1993 - 25
American Cinematographer - January 1993 - 26
American Cinematographer - January 1993 - 27
American Cinematographer - January 1993 - 28
American Cinematographer - January 1993 - 29
American Cinematographer - January 1993 - 30
American Cinematographer - January 1993 - 31
American Cinematographer - January 1993 - 32
American Cinematographer - January 1993 - 33
American Cinematographer - January 1993 - 34
American Cinematographer - January 1993 - 35
American Cinematographer - January 1993 - 36
American Cinematographer - January 1993 - 37
American Cinematographer - January 1993 - 38
American Cinematographer - January 1993 - 39
American Cinematographer - January 1993 - 40
American Cinematographer - January 1993 - 41
American Cinematographer - January 1993 - 42
American Cinematographer - January 1993 - 43
American Cinematographer - January 1993 - 44
American Cinematographer - January 1993 - 45
American Cinematographer - January 1993 - 46
American Cinematographer - January 1993 - 47
American Cinematographer - January 1993 - 48
American Cinematographer - January 1993 - 49
American Cinematographer - January 1993 - 50
American Cinematographer - January 1993 - 51
American Cinematographer - January 1993 - 52
American Cinematographer - January 1993 - 53
American Cinematographer - January 1993 - 54
American Cinematographer - January 1993 - 55
American Cinematographer - January 1993 - 56
American Cinematographer - January 1993 - 57
American Cinematographer - January 1993 - 58
American Cinematographer - January 1993 - 59
American Cinematographer - January 1993 - 60
American Cinematographer - January 1993 - 61
American Cinematographer - January 1993 - 62
American Cinematographer - January 1993 - 63
American Cinematographer - January 1993 - 64
American Cinematographer - January 1993 - 65
American Cinematographer - January 1993 - 66
American Cinematographer - January 1993 - 67
American Cinematographer - January 1993 - 68
American Cinematographer - January 1993 - 69
American Cinematographer - January 1993 - 70
American Cinematographer - January 1993 - 71
American Cinematographer - January 1993 - 72
American Cinematographer - January 1993 - 73
American Cinematographer - January 1993 - 74
American Cinematographer - January 1993 - 75
American Cinematographer - January 1993 - 76
American Cinematographer - January 1993 - 77
American Cinematographer - January 1993 - 78
American Cinematographer - January 1993 - 79
American Cinematographer - January 1993 - 80
American Cinematographer - January 1993 - 81
American Cinematographer - January 1993 - 82
American Cinematographer - January 1993 - 83
American Cinematographer - January 1993 - 84
American Cinematographer - January 1993 - 85
American Cinematographer - January 1993 - 86
American Cinematographer - January 1993 - 87
American Cinematographer - January 1993 - 88
American Cinematographer - January 1993 - 89
American Cinematographer - January 1993 - 90
American Cinematographer - January 1993 - 91
American Cinematographer - January 1993 - 92
American Cinematographer - January 1993 - 93
American Cinematographer - January 1993 - 94
American Cinematographer - January 1993 - 95
American Cinematographer - January 1993 - 96
American Cinematographer - January 1993 - 97
American Cinematographer - January 1993 - 98
American Cinematographer - January 1993 - 99
American Cinematographer - January 1993 - 100
https://www.nxtbook.com/nxtbooks/ac/ac199912
https://www.nxtbook.com/nxtbooks/ac/ac199911
https://www.nxtbook.com/nxtbooks/ac/ac199910
https://www.nxtbook.com/nxtbooks/ac/ac199909
https://www.nxtbook.com/nxtbooks/ac/ac199908
https://www.nxtbook.com/nxtbooks/ac/ac199907
https://www.nxtbook.com/nxtbooks/ac/ac199906
https://www.nxtbook.com/nxtbooks/ac/ac199905
https://www.nxtbook.com/nxtbooks/ac/ac199904
https://www.nxtbook.com/nxtbooks/ac/ac199903
https://www.nxtbook.com/nxtbooks/ac/ac199902
https://www.nxtbook.com/nxtbooks/ac/ac199901
https://www.nxtbook.com/nxtbooks/ac/ac199812
https://www.nxtbook.com/nxtbooks/ac/ac199811
https://www.nxtbook.com/nxtbooks/ac/ac199810
https://www.nxtbook.com/nxtbooks/ac/ac199809
https://www.nxtbook.com/nxtbooks/ac/ac199808
https://www.nxtbook.com/nxtbooks/ac/ac199807
https://www.nxtbook.com/nxtbooks/ac/ac199806
https://www.nxtbook.com/nxtbooks/ac/ac199805
https://www.nxtbook.com/nxtbooks/ac/ac199804
https://www.nxtbook.com/nxtbooks/ac/ac199803
https://www.nxtbook.com/nxtbooks/ac/ac199802
https://www.nxtbook.com/nxtbooks/ac/ac199801
https://www.nxtbook.com/nxtbooks/ac/ac199712
https://www.nxtbook.com/nxtbooks/ac/ac199711
https://www.nxtbook.com/nxtbooks/ac/ac199710
https://www.nxtbook.com/nxtbooks/ac/ac199709
https://www.nxtbook.com/nxtbooks/ac/ac199708
https://www.nxtbook.com/nxtbooks/ac/ac199707
https://www.nxtbook.com/nxtbooks/ac/ac199706
https://www.nxtbook.com/nxtbooks/ac/ac199705
https://www.nxtbook.com/nxtbooks/ac/ac199704
https://www.nxtbook.com/nxtbooks/ac/ac199703
https://www.nxtbook.com/nxtbooks/ac/ac199702
https://www.nxtbook.com/nxtbooks/ac/ac199701
https://www.nxtbook.com/nxtbooks/ac/ac199612
https://www.nxtbook.com/nxtbooks/ac/ac199611
https://www.nxtbook.com/nxtbooks/ac/ac199610
https://www.nxtbook.com/nxtbooks/ac/ac199609
https://www.nxtbook.com/nxtbooks/ac/ac199608
https://www.nxtbook.com/nxtbooks/ac/ac199607
https://www.nxtbook.com/nxtbooks/ac/ac199606
https://www.nxtbook.com/nxtbooks/ac/ac199605
https://www.nxtbook.com/nxtbooks/ac/ac199604
https://www.nxtbook.com/nxtbooks/ac/ac199603
https://www.nxtbook.com/nxtbooks/ac/ac199602
https://www.nxtbook.com/nxtbooks/ac/ac199601
https://www.nxtbook.com/nxtbooks/ac/ac199512
https://www.nxtbook.com/nxtbooks/ac/ac199511
https://www.nxtbook.com/nxtbooks/ac/ac199510
https://www.nxtbook.com/nxtbooks/ac/ac199509
https://www.nxtbook.com/nxtbooks/ac/ac199508
https://www.nxtbook.com/nxtbooks/ac/ac199507
https://www.nxtbook.com/nxtbooks/ac/ac199506
https://www.nxtbook.com/nxtbooks/ac/ac199505
https://www.nxtbook.com/nxtbooks/ac/ac199504
https://www.nxtbook.com/nxtbooks/ac/ac199503
https://www.nxtbook.com/nxtbooks/ac/ac199502
https://www.nxtbook.com/nxtbooks/ac/ac199501
https://www.nxtbook.com/nxtbooks/ac/ac199412
https://www.nxtbook.com/nxtbooks/ac/ac199411
https://www.nxtbook.com/nxtbooks/ac/ac199410
https://www.nxtbook.com/nxtbooks/ac/ac199409
https://www.nxtbook.com/nxtbooks/ac/ac199408
https://www.nxtbook.com/nxtbooks/ac/ac199407
https://www.nxtbook.com/nxtbooks/ac/ac199406
https://www.nxtbook.com/nxtbooks/ac/ac199405
https://www.nxtbook.com/nxtbooks/ac/ac199404
https://www.nxtbook.com/nxtbooks/ac/ac199403
https://www.nxtbook.com/nxtbooks/ac/ac199402
https://www.nxtbook.com/nxtbooks/ac/ac199401
https://www.nxtbook.com/nxtbooks/ac/ac199312
https://www.nxtbook.com/nxtbooks/ac/ac199311
https://www.nxtbook.com/nxtbooks/ac/ac199310
https://www.nxtbook.com/nxtbooks/ac/ac199309
https://www.nxtbook.com/nxtbooks/ac/ac199308
https://www.nxtbook.com/nxtbooks/ac/ac199307
https://www.nxtbook.com/nxtbooks/ac/ac199306
https://www.nxtbook.com/nxtbooks/ac/ac199305
https://www.nxtbook.com/nxtbooks/ac/ac199304
https://www.nxtbook.com/nxtbooks/ac/ac199303
https://www.nxtbook.com/nxtbooks/ac/ac199302
https://www.nxtbook.com/nxtbooks/ac/ac199301
https://www.nxtbook.com/nxtbooks/ac/ac199212
https://www.nxtbook.com/nxtbooks/ac/ac199211
https://www.nxtbook.com/nxtbooks/ac/ac199210
https://www.nxtbook.com/nxtbooks/ac/ac199209
https://www.nxtbook.com/nxtbooks/ac/ac199208
https://www.nxtbook.com/nxtbooks/ac/ac199207
https://www.nxtbook.com/nxtbooks/ac/ac199206
https://www.nxtbook.com/nxtbooks/ac/ac199205
https://www.nxtbook.com/nxtbooks/ac/ac199204
https://www.nxtbook.com/nxtbooks/ac/ac199203
https://www.nxtbook.com/nxtbooks/ac/ac199202
https://www.nxtbook.com/nxtbooks/ac/ac199201
https://www.nxtbook.com/nxtbooks/ac/ac199112
https://www.nxtbook.com/nxtbooks/ac/ac199111
https://www.nxtbook.com/nxtbooks/ac/ac199110
https://www.nxtbook.com/nxtbooks/ac/ac199109
https://www.nxtbook.com/nxtbooks/ac/ac199108
https://www.nxtbook.com/nxtbooks/ac/ac199107
https://www.nxtbook.com/nxtbooks/ac/ac199106
https://www.nxtbook.com/nxtbooks/ac/ac199105
https://www.nxtbook.com/nxtbooks/ac/ac199104
https://www.nxtbook.com/nxtbooks/ac/ac199103
https://www.nxtbook.com/nxtbooks/ac/ac199102
https://www.nxtbook.com/nxtbooks/ac/ac199101
https://www.nxtbook.com/nxtbooks/ac/ac199012
https://www.nxtbook.com/nxtbooks/ac/ac199011
https://www.nxtbook.com/nxtbooks/ac/ac199010
https://www.nxtbook.com/nxtbooks/ac/ac199009
https://www.nxtbook.com/nxtbooks/ac/ac199008
https://www.nxtbook.com/nxtbooks/ac/ac199007
https://www.nxtbook.com/nxtbooks/ac/ac199006
https://www.nxtbook.com/nxtbooks/ac/ac199005
https://www.nxtbook.com/nxtbooks/ac/ac199004
https://www.nxtbook.com/nxtbooks/ac/ac199003
https://www.nxtbook.com/nxtbooks/ac/ac199002
https://www.nxtbook.com/nxtbooks/ac/ac199001
https://www.nxtbookmedia.com