American Cinematographer - January 1993 - 89

Eighties. Her book focuses
subservient role of

women

on the mostly
within the two

principal themes of movies of that period:
myth and the Ameri¬
can dream of success (Westview Press,
Boulder, CO, $49.95/15.95).
Political filmmaking in the 1980s,
notable for its volume and explicitness, is
analyzed by Stephen Prince in Visions of
Empire. The book links works of cinematic
conjecture to the shifting sociopolitical bal¬
ance in the public's perception of the Viet¬
nam war, McCarthy's excesses, and the
Reagan administration's domestic policies
(Praeger, Westport, CT, $47.05).
A comprehensive handbook re¬
flecting the broad field of academic opin¬

Add a '90's twist to your
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the American frontier

ions

on

the nature of cinema art, Film

Theory and Criticism, edited by Gerald
Mast, Marshall Cohen and Leo Braudy, sur¬
veys the evolving didactics of the film me¬
dium in aesthetic, narrative, social and other
relevant contexts (Oxford U. Press, NYC,

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In

Reflexivity in Film and Lit¬

erature, Professor Robert Stam examines
the development of film theory in its inter¬

and on normal use. 35mm and 16mm.
Phone: (818)222-7404. Fax: (818)222-7405.

disciplinary approaches to cultural studies.
This scholarly study brings together a wide
range of literary and filmic texts, offering
examples of mutually referent narrative
devices in the psychological tensions be¬

THE EQUIPMENT BROKER

tween the illusional and realistic elements

of

a

film (Columbia U. Press, NYC, $29/

14.50).
Steven Bach's stirring, 600-page

biography, Marlene Dietrich: Life and
Legend, is an incredibly well-researched,
definitive portrait of a dynamic personality.
Dietrich's emancipated lifestyle defined her
multiple incarnations as glamorous star,
domineering mother and grandmother, bi¬
sexual lover, World War II warrior, and cou¬

anti-Nazi (Morrow, NYC, $30).
Barney Hoskyn's Montgomery
Clift: Beautiful Loser combines a unique
archival photographic record with a frank
rageous

and forceful chronicle of the life and career
of the moody actor, whose self-destructive
ways were

described as cinema's longest
(Grove Weidenfeid, NYC,

suicide attempt

$30).

Hong Kong, London

are

Correction: We regret the mis¬
spelling of author Donald W. McCaffrey's
name

Hollywood,
Athens, Tokyo, Lagos, Rio, Tel-Aviv, Reykjavik, Sydney, Toronto,
Geneva,

in

a

recent review of his book As¬

sault on

to

just

some

of the centres worldwide where

our

graduates

Students from over thirty different countries come to the heart of London's West End
take our two year Diploma Course. Experienced professionals teach all aspects of film

making

-

covering studio feature and location documentary productions in 16mm and

35mm.

Teaching of scriptwriting, direction, camerawork, sound recording, editing etc. en¬
high degree of professionalism. And it must do - Governments, T.V. Networks and
Educational Foundations have been sending personnel to us for training for over thirty

Society, a fine study of satire and
black humor in films (Scarecrow, Metuchen,

sures a

NJ, $35).

years.

▲

-

making films.

This intensive Course, demanding hard work and commitment, produces over
films each term many students working on more than one production.
There are fresh intakes in January, April and September.

forty

-

Contact: The Administrator, London International Film School,
24 Shelton

Department AC2

Street, London WC2H 9HP, England. Telephone (London) 01-836 0826
87
American Cinematographer - January 1993

Table of Contents for the Digital Edition of American Cinematographer - January 1993
