American Cinematographer - February 1993 - 21
FUJI FILM
I&I
Imaging
Information
Photograph by Michael Bulbenko
FOR CONSISTENTLY GOOD QUALITY RELY ON THE FUJICOLOR F-SERIES.
You can't afford to take
chance when
shooting a film. Directors, actors, grips and money are all pouring through
tiny piece of film - and it all matters.
Which is why cinematographer Thomas Burstyn, CSC keeps plenty of Fujicolor Negative Film on hand.
"Being responsible for translating our efforts onto film, I have to know exactly the point when going one
step too far will ruin the effect we're trying to achieve. It's the edges that are so important," according
to Burstyn. "I can rely on the boundaries of Fujicolor's exposure envelope to remain the same.
Time and again. Which is essential to the project and for overall quality."
The Fujicolor F-Series. Experience for yourself the consistently good results a quality
a
the camera's lens and onto
film
can
a
create.
Thomas Burstyn,
FUJICOLOR
NEGATIVE FILM
FUJIFILM PROFESSIONAL CENTER 1141 North
FUJI PHOTO FILM
Highland Ave., Hollywood, CA 90038 Tel: 1-213-465-5656
CO., LTD. 26-30, Nishiazabu 2-chome, Minato-ku, Tokyo 106, Japan
CSC
American Cinematographer - February 1993
Table of Contents for the Digital Edition of American Cinematographer - February 1993
American Cinematographer - February 1993 - 1
American Cinematographer - February 1993 - 2
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