American Cinematographer - February 1993 - 83
provided by one of Paramount's
portable transformer trailers. It utilizes
three- and four-pole, dual-rated AC/DC
bolted pressure contact switches, distribut¬
ing power through 11 800 amp dual-rated
source,
Close to 400 film, television and other creative projects
on location in New Orleans during the last few years
have discovered a unique, affordable filmmaking
circuit breakers.
To complete the distribution sys¬
tem to the various New York Street build¬
molded
rolling on the river
Cameras are
experience at the base of the Mississippi River.
case
We're
^
ings, PCI provided 10 800A Bull Switches
and 26 400A Crossover (spider) boxes, also
dual-rated for either AC or DC power.
For information: Steve Eisner or
proud to say that we offer:
The world-famous French Quarter which brings a little Europe
stateside;
Outstanding Production Personnel and Services, and
Diverse Locations that include 18th century creole cottages,
antebellum homes, a 1940's warehouse district and river¬
Devon Blaine, (213) 938-2577.
front,
a
world-class aquarium, an exciting urban landscape
and SO MUCH MORE...
Ball Head Adapters
Willy's Widgets ball head adapt¬
ers are
Basically, every scene and every mood for any time!
available in sizes from 75mm to
150mm to adapt ball leveling tripod heads
to fit Mitchell flat heads on tripods, camera
and dollies. The company also
special adapter for the Sachtler
150mm for use on a flat Mitchell top tripod.
For information: Willy's Widgets,
cars, cranes
makes
a
4531 N. 87th PL, Scottsdale, AZ 85251 -
1812, phone (602) 945-6428, Fax (602) 9902088.
The
Wescams
Upgraded
Wescam's five 35mm film sys¬
New Orleans Film Commission and
Mayor's Municipal Board of Film and Television Production
SIDNEY J. BARTHELEMY
Office of Public Information, Room 1W02, City Hall
1300 Perdido Street, New Orleans, Louisiana 70112
Mayor
tems have
recently undergone two signifi¬
cant changes. ISTEC, Inc., the Canadian
manufacturers of the remotely-controlled
gyrostabilized Wescams, have added a
fourth gyro to the film systems. The verti¬
cal referencing gyro helps keep the camera
system level during aggressive helicopter
maneuvering.
The second improvement is the
ability to use Panavision prime lenses.
f"mi'°'50n
SPECTRA9 PROFESSIONAL IV
STILL THE CHOICE OF PROFESSIONALS
MEASURING RANGE
F-STOP: f0.5 to f90 in 1/10 stop
increments and 1/3 stop increments on
*
The manufacturers have won a
Scientific and Engineering Academy Award
from the Academy of Motion Picture Arts
and Sciences and an Emmy Technical
Achievement Plaque from the Academy of
Television Arts and Sciences.
For
information:
Cheryl
Analog scale.
*
*
*
FOOTCANDLES: 0.1 to 70,000.
LUX: 1 to 100,000.
ISO: 3 to 8000; FPS: 2 to 360 including
24, 25 and 30.
*
Coleman,. CRM Group, phone (407) 7271428, Fax (407) 727-8315.
EXPOSURE TIME: 1/8000
sec.
to 30 min.
FEATURES
Convenient backlit* liquid crystal display
with large easy-to-read numbers, allowing
*
Time Code Recorder
readability at extremely low light levels.
Memory store and recall.
Error Protection System
designed to
prevent accidental change of programed
ISO, FPS and exposure time.
Fostex Corporation of America
has introduced the PD-2, a fully professional
four-head portable timecode digital audio-
*
*
...
tape (DAT) recorder that weighs less than
10
KIMBERLY M CARBO
(504)565-6580
pounds with battery pack. Until the in¬
*
optional
troduction of the PD-2, the transition from
quarter-inch analog tape to DAT as a por¬
acquisition format was limited. The
new recorder offers complete replacement
of the analog quarter-inch timecode format
table
SPECTRA,
serving the industry for over 50 years.
SPECTRA CINE, INC.
■■ 820 North Hollywood Way
Digital Multi Function
Exposure Meter
MM (KM ^M
Burbank, CA 91505
^■1
Phone: (818) 954-9222
■|
^x: (818) 954-0016
American Cinematographer - February 1993
Table of Contents for the Digital Edition of American Cinematographer - February 1993
American Cinematographer - February 1993 - 1
American Cinematographer - February 1993 - 2
American Cinematographer - February 1993 - 3
American Cinematographer - February 1993 - 4
American Cinematographer - February 1993 - 5
American Cinematographer - February 1993 - 6
American Cinematographer - February 1993 - 7
American Cinematographer - February 1993 - 8
American Cinematographer - February 1993 - 9
American Cinematographer - February 1993 - 10
American Cinematographer - February 1993 - 11
American Cinematographer - February 1993 - 12
American Cinematographer - February 1993 - 13
American Cinematographer - February 1993 - 14
American Cinematographer - February 1993 - 15
American Cinematographer - February 1993 - 16
American Cinematographer - February 1993 - 17
American Cinematographer - February 1993 - 18
American Cinematographer - February 1993 - 19
American Cinematographer - February 1993 - 20
American Cinematographer - February 1993 - 21
American Cinematographer - February 1993 - 22
American Cinematographer - February 1993 - 23
American Cinematographer - February 1993 - 24
American Cinematographer - February 1993 - 25
American Cinematographer - February 1993 - 26
American Cinematographer - February 1993 - 27
American Cinematographer - February 1993 - 28
American Cinematographer - February 1993 - 29
American Cinematographer - February 1993 - 30
American Cinematographer - February 1993 - 31
American Cinematographer - February 1993 - 32
American Cinematographer - February 1993 - 33
American Cinematographer - February 1993 - 34
American Cinematographer - February 1993 - 35
American Cinematographer - February 1993 - 36
American Cinematographer - February 1993 - 37
American Cinematographer - February 1993 - 38
American Cinematographer - February 1993 - 39
American Cinematographer - February 1993 - 40
American Cinematographer - February 1993 - 41
American Cinematographer - February 1993 - 42
American Cinematographer - February 1993 - 43
American Cinematographer - February 1993 - 44
American Cinematographer - February 1993 - 45
American Cinematographer - February 1993 - 46
American Cinematographer - February 1993 - 47
American Cinematographer - February 1993 - 48
American Cinematographer - February 1993 - 49
American Cinematographer - February 1993 - 50
American Cinematographer - February 1993 - 51
American Cinematographer - February 1993 - 52
American Cinematographer - February 1993 - 53
American Cinematographer - February 1993 - 54
American Cinematographer - February 1993 - 55
American Cinematographer - February 1993 - 56
American Cinematographer - February 1993 - 57
American Cinematographer - February 1993 - 58
American Cinematographer - February 1993 - 59
American Cinematographer - February 1993 - 60
American Cinematographer - February 1993 - 61
American Cinematographer - February 1993 - 62
American Cinematographer - February 1993 - 63
American Cinematographer - February 1993 - 64
American Cinematographer - February 1993 - 65
American Cinematographer - February 1993 - 66
American Cinematographer - February 1993 - 67
American Cinematographer - February 1993 - 68
American Cinematographer - February 1993 - 69
American Cinematographer - February 1993 - 70
American Cinematographer - February 1993 - 71
American Cinematographer - February 1993 - 72
American Cinematographer - February 1993 - 73
American Cinematographer - February 1993 - 74
American Cinematographer - February 1993 - 75
American Cinematographer - February 1993 - 76
American Cinematographer - February 1993 - 77
American Cinematographer - February 1993 - 78
American Cinematographer - February 1993 - 79
American Cinematographer - February 1993 - 80
American Cinematographer - February 1993 - 81
American Cinematographer - February 1993 - 82
American Cinematographer - February 1993 - 83
American Cinematographer - February 1993 - 84
American Cinematographer - February 1993 - 85
American Cinematographer - February 1993 - 86
American Cinematographer - February 1993 - 87
American Cinematographer - February 1993 - 88
American Cinematographer - February 1993 - 89
American Cinematographer - February 1993 - 90
American Cinematographer - February 1993 - 91
American Cinematographer - February 1993 - 92
American Cinematographer - February 1993 - 93
American Cinematographer - February 1993 - 94
American Cinematographer - February 1993 - 95
American Cinematographer - February 1993 - 96
American Cinematographer - February 1993 - 97
American Cinematographer - February 1993 - 98
American Cinematographer - February 1993 - 99
American Cinematographer - February 1993 - 100
https://www.nxtbook.com/nxtbooks/ac/ac199912
https://www.nxtbook.com/nxtbooks/ac/ac199911
https://www.nxtbook.com/nxtbooks/ac/ac199910
https://www.nxtbook.com/nxtbooks/ac/ac199909
https://www.nxtbook.com/nxtbooks/ac/ac199908
https://www.nxtbook.com/nxtbooks/ac/ac199907
https://www.nxtbook.com/nxtbooks/ac/ac199906
https://www.nxtbook.com/nxtbooks/ac/ac199905
https://www.nxtbook.com/nxtbooks/ac/ac199904
https://www.nxtbook.com/nxtbooks/ac/ac199903
https://www.nxtbook.com/nxtbooks/ac/ac199902
https://www.nxtbook.com/nxtbooks/ac/ac199901
https://www.nxtbook.com/nxtbooks/ac/ac199812
https://www.nxtbook.com/nxtbooks/ac/ac199811
https://www.nxtbook.com/nxtbooks/ac/ac199810
https://www.nxtbook.com/nxtbooks/ac/ac199809
https://www.nxtbook.com/nxtbooks/ac/ac199808
https://www.nxtbook.com/nxtbooks/ac/ac199807
https://www.nxtbook.com/nxtbooks/ac/ac199806
https://www.nxtbook.com/nxtbooks/ac/ac199805
https://www.nxtbook.com/nxtbooks/ac/ac199804
https://www.nxtbook.com/nxtbooks/ac/ac199803
https://www.nxtbook.com/nxtbooks/ac/ac199802
https://www.nxtbook.com/nxtbooks/ac/ac199801
https://www.nxtbook.com/nxtbooks/ac/ac199712
https://www.nxtbook.com/nxtbooks/ac/ac199711
https://www.nxtbook.com/nxtbooks/ac/ac199710
https://www.nxtbook.com/nxtbooks/ac/ac199709
https://www.nxtbook.com/nxtbooks/ac/ac199708
https://www.nxtbook.com/nxtbooks/ac/ac199707
https://www.nxtbook.com/nxtbooks/ac/ac199706
https://www.nxtbook.com/nxtbooks/ac/ac199705
https://www.nxtbook.com/nxtbooks/ac/ac199704
https://www.nxtbook.com/nxtbooks/ac/ac199703
https://www.nxtbook.com/nxtbooks/ac/ac199702
https://www.nxtbook.com/nxtbooks/ac/ac199701
https://www.nxtbook.com/nxtbooks/ac/ac199612
https://www.nxtbook.com/nxtbooks/ac/ac199611
https://www.nxtbook.com/nxtbooks/ac/ac199610
https://www.nxtbook.com/nxtbooks/ac/ac199609
https://www.nxtbook.com/nxtbooks/ac/ac199608
https://www.nxtbook.com/nxtbooks/ac/ac199607
https://www.nxtbook.com/nxtbooks/ac/ac199606
https://www.nxtbook.com/nxtbooks/ac/ac199605
https://www.nxtbook.com/nxtbooks/ac/ac199604
https://www.nxtbook.com/nxtbooks/ac/ac199603
https://www.nxtbook.com/nxtbooks/ac/ac199602
https://www.nxtbook.com/nxtbooks/ac/ac199601
https://www.nxtbook.com/nxtbooks/ac/ac199512
https://www.nxtbook.com/nxtbooks/ac/ac199511
https://www.nxtbook.com/nxtbooks/ac/ac199510
https://www.nxtbook.com/nxtbooks/ac/ac199509
https://www.nxtbook.com/nxtbooks/ac/ac199508
https://www.nxtbook.com/nxtbooks/ac/ac199507
https://www.nxtbook.com/nxtbooks/ac/ac199506
https://www.nxtbook.com/nxtbooks/ac/ac199505
https://www.nxtbook.com/nxtbooks/ac/ac199504
https://www.nxtbook.com/nxtbooks/ac/ac199503
https://www.nxtbook.com/nxtbooks/ac/ac199502
https://www.nxtbook.com/nxtbooks/ac/ac199501
https://www.nxtbook.com/nxtbooks/ac/ac199412
https://www.nxtbook.com/nxtbooks/ac/ac199411
https://www.nxtbook.com/nxtbooks/ac/ac199410
https://www.nxtbook.com/nxtbooks/ac/ac199409
https://www.nxtbook.com/nxtbooks/ac/ac199408
https://www.nxtbook.com/nxtbooks/ac/ac199407
https://www.nxtbook.com/nxtbooks/ac/ac199406
https://www.nxtbook.com/nxtbooks/ac/ac199405
https://www.nxtbook.com/nxtbooks/ac/ac199404
https://www.nxtbook.com/nxtbooks/ac/ac199403
https://www.nxtbook.com/nxtbooks/ac/ac199402
https://www.nxtbook.com/nxtbooks/ac/ac199401
https://www.nxtbook.com/nxtbooks/ac/ac199312
https://www.nxtbook.com/nxtbooks/ac/ac199311
https://www.nxtbook.com/nxtbooks/ac/ac199310
https://www.nxtbook.com/nxtbooks/ac/ac199309
https://www.nxtbook.com/nxtbooks/ac/ac199308
https://www.nxtbook.com/nxtbooks/ac/ac199307
https://www.nxtbook.com/nxtbooks/ac/ac199306
https://www.nxtbook.com/nxtbooks/ac/ac199305
https://www.nxtbook.com/nxtbooks/ac/ac199304
https://www.nxtbook.com/nxtbooks/ac/ac199303
https://www.nxtbook.com/nxtbooks/ac/ac199302
https://www.nxtbook.com/nxtbooks/ac/ac199301
https://www.nxtbook.com/nxtbooks/ac/ac199212
https://www.nxtbook.com/nxtbooks/ac/ac199211
https://www.nxtbook.com/nxtbooks/ac/ac199210
https://www.nxtbook.com/nxtbooks/ac/ac199209
https://www.nxtbook.com/nxtbooks/ac/ac199208
https://www.nxtbook.com/nxtbooks/ac/ac199207
https://www.nxtbook.com/nxtbooks/ac/ac199206
https://www.nxtbook.com/nxtbooks/ac/ac199205
https://www.nxtbook.com/nxtbooks/ac/ac199204
https://www.nxtbook.com/nxtbooks/ac/ac199203
https://www.nxtbook.com/nxtbooks/ac/ac199202
https://www.nxtbook.com/nxtbooks/ac/ac199201
https://www.nxtbook.com/nxtbooks/ac/ac199112
https://www.nxtbook.com/nxtbooks/ac/ac199111
https://www.nxtbook.com/nxtbooks/ac/ac199110
https://www.nxtbook.com/nxtbooks/ac/ac199109
https://www.nxtbook.com/nxtbooks/ac/ac199108
https://www.nxtbook.com/nxtbooks/ac/ac199107
https://www.nxtbook.com/nxtbooks/ac/ac199106
https://www.nxtbook.com/nxtbooks/ac/ac199105
https://www.nxtbook.com/nxtbooks/ac/ac199104
https://www.nxtbook.com/nxtbooks/ac/ac199103
https://www.nxtbook.com/nxtbooks/ac/ac199102
https://www.nxtbook.com/nxtbooks/ac/ac199101
https://www.nxtbook.com/nxtbooks/ac/ac199012
https://www.nxtbook.com/nxtbooks/ac/ac199011
https://www.nxtbook.com/nxtbooks/ac/ac199010
https://www.nxtbook.com/nxtbooks/ac/ac199009
https://www.nxtbook.com/nxtbooks/ac/ac199008
https://www.nxtbook.com/nxtbooks/ac/ac199007
https://www.nxtbook.com/nxtbooks/ac/ac199006
https://www.nxtbook.com/nxtbooks/ac/ac199005
https://www.nxtbook.com/nxtbooks/ac/ac199004
https://www.nxtbook.com/nxtbooks/ac/ac199003
https://www.nxtbook.com/nxtbooks/ac/ac199002
https://www.nxtbook.com/nxtbooks/ac/ac199001
https://www.nxtbookmedia.com