American Cinematographer - March 1993 - 94

We have
the 25-250mm
Cooke Cinetal Lens

Hopkins U. Press, Baltimore, $45/15.95 and
$12.95).
The 30th anniversary of David
Lean's masterwork is memorialized by L.
Robert Morris and Lawrence Raskin in
Lawrence of Arabia. This impressive pic¬
torial history of the film includes behind-thedocumentation on its genesis and
production, with over 500 stunning photo¬
graphs (Doubleday, NYC, $40/19.50).
scenes

mmiim.

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The equipment we select for resale is in
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Phone: (818)222-7404. Fax: (818)222-7405.

The cosmic dimensions of the

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abundantly illustrated volume that stresses
director George Lucas' inspired creativity
and the successful merchandising of the
film's memorabilia (Chronicle, San Fran¬
cisco, $29.95/18.95).
Madonna

(800) 5-CAMERA

V.

In Star Wars: From Concept to
Screen to Collectible, Stephen J
Sansweet compiles a complete overview of
the famous film trilogy in an attractive,

phenomenon are creatively ex¬
plored in The Madonna Connection
Edited by Cathy Schwichtenberg, scholarly
essays consider the racial connotations of
her videos, the lesbian component of her
persona, the politico-cultural aspects of her
public stances, and the social significance
of her pervasive popularity (Westview
Press, Boulder, CO, $55/17.95). If you crave
more information about the pop diva, Lee
Randall's The Madonna Scrapbook is a
fan-oriented grab bag of captivating photos,
memorabilia, collectibles and gossip that
embraces the superstar's life and career
(Carol, NYC, $15.95).
A biographical reference guide
to screen

comedians, Quinlan's Illus¬

trated Directory of Film Comedy Actors
offers updated profiles of more than 300

performers from the past and present. Both
professional careers and private lives are
extensively documented and amplified with
complete filmographies (Holt, NYC, $35).
British performers are surveyed
in three recent works. Comedian John
Cleese of Monty Python fame is depicted

by Jonathan Margolis in Cleese Encoun¬
ters, an irreverent portrait of a complex and

enterprising performer (St. Martin's, NYC,
$19.95). George Sanders is disarmingly can¬

Hollywood, Athens, Tokyo, Lagos, Rio, Tel-Aviv, Reykjavik, Sydney, Toronto,
Geneva,
Hong Kong, London

are

-

just

some

of the centres worldwide where

our

graduates

making films.

Students from over thirty different countries come to the heart of London's West End
to take our two year Diploma Course. Experienced professionals teach all aspects of film

making

-

covering

studio feature and location documentary productions in 16mm and

35mm.

Teaching of scriptwriting, direction, camerawork, sound recording, editing etc. en¬
high degree of professionalism. And it must do - Governments, T.V. Networks and
sending personnel to us for training for over thirty

sures a

Educational Foundations have been
years.

This intensive Course, demanding hard work and commitment, produces over
films each term
many students working on more than one production.
There are fresh intakes in January, April and September.

forty

did in Memoirs of A Professional Cad,
confessing to an utter insouciance that
ended tragically in suicide (Scarecrow,

Metuchen, NJ, $35). Patrick Macnee's au¬
tobiography, Blind in One Ear (written
with Marie Cameron) surveys his lengthy
stage and screen career, mostly in British
productions. Macnee is well-remembered
on these shores for his role as secret agent
John Steed in the '60 TV series The Aveng¬

-

Contact: The Administrator, London International Film School, Department AC2
24 Shelton Street, London WC2H 9HP, England. Telephone (London) 01-8^6 0826
92

ers

(Mercury, San Francisco, $9.95).

A



American Cinematographer - March 1993

Table of Contents for the Digital Edition of American Cinematographer - March 1993

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