American Cinematographer - February 1995 - 24
Mexico locations to film. American Laser
Games, which started out by producing
a live-action video training system to
train
police responses in high-drama
situations and utilized the system to
bring filmed-action games to arcades
in 1990 with the hit game Mad Dog
McCree, have produced a total of ten
live-action games, from Old West
shootouts to futuristic science-fiction
REEL
MAUI.
adventures, filming most of them on lo¬
cation in New Mexico and part of Ari¬
zona.
InterMagic produced the Who
Killed.. .series of CD-ROMS, where the
A FILMMAKERS HAVEN.
player acts as a detective charged with
solving the case. InterMagic films wit¬
FOR MORE INFORMATION, CONTACT
ness interviews in a Santa Fe studio and
does still shots of the crime scenes on
location in places like Charlottesville and
Martha's Vineyard.
For information: New Mexico
Film Office, (505) 827-0300, FAX (505)
Georja Skinner,
Film
Industry Development Specialist
County of Maui,
Office of Economic Development
200 South High Street,
827-0407.
Wailuku, Maui, Hawaii 96793 U.S.A.
808.243.7710 Phone
North Carolina
808.243.7995 Fax
Filming for The Other Anna,
an
ABC TV movie, wrapped in Winston-Sa¬
lem this year. The Victorian Era film used
locations throughout the Winston-Salem
Piedmont Triad area, including an au¬
thentic Civil War battlefield, an antique
train, and historic downtown streets.
Rounding out its first year of business,
the Winston-Salem Piedmont Triad Film
Commission has hosted a number of tele¬
vision commercials, several documenta¬
ries, and two television movies, includ¬
ing Taking Liberty,
a CBS pilot.
The Commission is one of
a
dozen
organizations utilizing the innova¬
tive Kodak CD picture exhange, allow¬
ing 10,000 location photographs to be
viewed, enhanced, and modified
on
CD.
For information: Winston-Sa¬
lem Peidmont Triad Film Commission,
(910)777-3787, Ext. 1237.
Tennessee
Some of the projects shot in
Tennessee this year include Paper Man¬
sions: The Dottie West Story, a television
movie starring Michelle Lee and chroni¬
piece meshes with the next.
Markingsarelarge, clear, & bright.
The new lens accepts
Century's TeleFx Rear Filter Stage.
Now
Century/Canon Series
2000, 150-600mm lens. We've
extensively re-engineered Canon's
tine variable
Telefx's 2 enclosed stages
cation to your
Recognize this lens?
It's the
a
prime, turning it into
true zoom which holds focus &
eliminates
image movement.
Each
360° rotation. Filters
Feature Attractions.
We combine Canon's optics
with a new housing which en¬
ables conventional
zooming and
integrates with today's follow-
focus units & zoom motors.
Feel precision in every move.
22
a
Century/Canon Series
2000,150-600mm lens is avail¬
able for purchase, or as a modifi¬
150-600mm lens.
slip in & out
without frames. Grads
tioned via
yield
Playing.
The
are
posi¬
spring lock.
To find more, call Jeff Giordano:
1-800-228-1254
Star Quality.
The Academy of Motion
Picture Arts and Sciences
selected the S-2000 150600mm lens for a 1991 Tech¬
nical Achievement Award.
mMf
10713 Burbank Boulevard
precision optics
No.
Hollywood, CA 91601
Tel: 818-766-3715
Fax: 818-505-9865
cling the life of the early country star,
filmed around Nashville; CBS' Sing Me
the Blues, Lena, starring Ann-Margret
and
George Segal, also shot around
Nashville; the BBC's Crocodile Shoes, a
seven-part mini-series about a fictional
English country music singer's rise to
fame, filmed in Nashville and Music
Row; and Get Serious, a film starring Ray
American Cinematographer - February 1995
Table of Contents for the Digital Edition of American Cinematographer - February 1995
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