American Cinematographer - March 1995 - 20
'l
Matthews
San Francisco
operations for instant in¬
terchange of video and audio materials.
Acquires
Studio Rentals
Matthews Studio
THE
POWER
POD
Equipment
Group will acquire all of the out¬
standing stock and operating rental
assets of Chicago-based Studio Rent¬
als, Inc. Matthews designs, manufac¬
tures, sells and rents grip, camera and
lighting support equipment. Studio Rent¬
als owns and operates Chicago Studio
City and Rentals on a 31-acre site encom¬
passing 33,000 square feet of office
space, three sound stages fully equipped
with grip and lighting equipment, numer¬
ous standing sets, and 300,000 square
feet of storage and lock-up area.
For information: Matthews
Studio Equipment
Group, 2405 Empire
Ave., Burbank, CA 91504, (818) 8436715, FAX (818) 842-2487.
open in fall of 1996.
look and function like
a
a complex of structures along
"main street" featuring exteriors rang¬
ing from Mission-style to early Victorian
to French colonial. The structures will
house the school and double as sets for
students' films.
The complex will include three
sound stages, a scoring stage, digital
the TransAmerica
duction division, FilmCore Editorial. The
The School of the Arts, estab¬
lished in 1963 as the first state-sup¬
facility provides vault, duplication,
ported residential arts school of its kind
and trafficking services for television and
radio commercials and supports advertis¬
in the nation, enrolls about 900 and of¬
fers high school and college Arts diplo¬
mas and bachelor's and master's de¬
broadcast traffic depart¬
facility is outfitted with two
D-2 videotape machines, six one-inch
tape machines and a variety of 34-inch,
ing
agency
VHS, Betacam, Betacam-SP and Hi-8
decks. Audio duplication is supported by
various DAT and 14-inch machines. The
facility also has a character generator for
re-slating. Same-day distribution is
available throughout the United
grees. Nearly $15 million
lion campaign has been
state of North Carolina. The school also
hopes to raise private funds for start-up
operations, student scholarships and
equipment.
The village was designed by
Backen Arrigoni & Ross of San Francisco,
whose past projects include Robert
States. International distribution and
Redford's Sundance Institute and Lucas
Film's
captioning
handled
are
on a
24-
Skywalker Ranch postproduction
hour turnaround basis.
facilities.
Vaulting and order processing
fully computerized using FilmCore's
proprietary software which controls ev¬
ery aspect of duplication, distribution,
For information: North Carolina
School of the Arts, (910) 770-1330.
Upcoming Events
March 1 DEADLINE FOR EN¬
vaulting and billing services. It also in¬
cludes a database covering every televi¬
sion and radio media outlet in the coun¬
try, which is revised and updated daily.
Vaulted elements are individually barcoded for immediate
Lankershim, No. Hollywood
CA 91602
*
Voice:
pany
(818) 752-3104 * Fax: (818) 752-3105
*
access.
The
com¬
will also be establishing a fiber¬
optic link between its Los Angeles and
(800) 5 CAMERA,
'
of the $25 mil¬
raised by the
closed
are
4655
studio movie lot,
including
post facilities, a 300-seat theater and
ments. The
THE EQUIPMENT BROKER
The complex will
a
screening rooms with mix¬
ing capabilities, a computer lab, and a
teleconferencing center. Various facili¬
ties will also be available for use by the
other arts schools on campus: the scor¬
ing stage may be used as a chamber
music hall, and all sound stages will have
sprung floors for dancing.
new
operator! Adjustable fluid-drag
give you true gear-head feel.
Arts has planned a filmmaking village for
its new School of Filmmaking complex to
two 75-seat
5,800-square-foot site in the vicinity of
Building and contigu¬
ous with the operation of its postpro¬
wheels
Expansion
North Carolina School of the
Duplication Facility
Vault Services has opened a new dupli¬
cation and trafficking facility in San Fran¬
cisco. The company, which has operated
in Los Angeles since 1983, will occupy a
Modular remote head; needs no spe¬
Film School
San Francisco
FilmCore Distribution and
cial
For information: FilmCore Dis¬
tribution/Vault Services, 545 Sansome
St., 7th Floor, San Francisco, CA 941112908, (415)397-8400.
March 1995
TRIES:
April 7-9: Canyonlands Alternative
Film/Video Festival focusing on indepen¬
dent alternative film and video, Moab,
Utah. For information: (801)259-3330.
March 1 DEADLINE FOR EN¬
TRIES: Movies
on a
Shoestring at the 37th
Indepen-
Annual Rochester International
American Cinematographer - March 1995
Table of Contents for the Digital Edition of American Cinematographer - March 1995
American Cinematographer - March 1995 - 1
American Cinematographer - March 1995 - 2
American Cinematographer - March 1995 - 3
American Cinematographer - March 1995 - 4
American Cinematographer - March 1995 - 5
American Cinematographer - March 1995 - 6
American Cinematographer - March 1995 - 7
American Cinematographer - March 1995 - 8
American Cinematographer - March 1995 - 9
American Cinematographer - March 1995 - 10
American Cinematographer - March 1995 - 11
American Cinematographer - March 1995 - 12
American Cinematographer - March 1995 - 13
American Cinematographer - March 1995 - 14
American Cinematographer - March 1995 - 15
American Cinematographer - March 1995 - 16
American Cinematographer - March 1995 - 17
American Cinematographer - March 1995 - 18
American Cinematographer - March 1995 - 19
American Cinematographer - March 1995 - 20
American Cinematographer - March 1995 - 21
American Cinematographer - March 1995 - 22
American Cinematographer - March 1995 - 23
American Cinematographer - March 1995 - 24
American Cinematographer - March 1995 - 25
American Cinematographer - March 1995 - 26
American Cinematographer - March 1995 - 27
American Cinematographer - March 1995 - 28
American Cinematographer - March 1995 - 29
American Cinematographer - March 1995 - 30
American Cinematographer - March 1995 - 31
American Cinematographer - March 1995 - 32
American Cinematographer - March 1995 - 33
American Cinematographer - March 1995 - 34
American Cinematographer - March 1995 - 35
American Cinematographer - March 1995 - 36
American Cinematographer - March 1995 - 37
American Cinematographer - March 1995 - 38
American Cinematographer - March 1995 - 39
American Cinematographer - March 1995 - 40
American Cinematographer - March 1995 - 41
American Cinematographer - March 1995 - 42
American Cinematographer - March 1995 - 43
American Cinematographer - March 1995 - 44
American Cinematographer - March 1995 - 45
American Cinematographer - March 1995 - 46
American Cinematographer - March 1995 - 47
American Cinematographer - March 1995 - 48
American Cinematographer - March 1995 - 49
American Cinematographer - March 1995 - 50
American Cinematographer - March 1995 - 51
American Cinematographer - March 1995 - 52
American Cinematographer - March 1995 - 53
American Cinematographer - March 1995 - 54
American Cinematographer - March 1995 - 55
American Cinematographer - March 1995 - 56
American Cinematographer - March 1995 - 57
American Cinematographer - March 1995 - 58
American Cinematographer - March 1995 - 59
American Cinematographer - March 1995 - 60
American Cinematographer - March 1995 - 61
American Cinematographer - March 1995 - 62
American Cinematographer - March 1995 - 63
American Cinematographer - March 1995 - 64
American Cinematographer - March 1995 - 65
American Cinematographer - March 1995 - 66
American Cinematographer - March 1995 - 67
American Cinematographer - March 1995 - 68
American Cinematographer - March 1995 - 69
American Cinematographer - March 1995 - 70
American Cinematographer - March 1995 - 71
American Cinematographer - March 1995 - 72
American Cinematographer - March 1995 - 73
American Cinematographer - March 1995 - 74
American Cinematographer - March 1995 - 75
American Cinematographer - March 1995 - 76
American Cinematographer - March 1995 - 77
American Cinematographer - March 1995 - 78
American Cinematographer - March 1995 - 79
American Cinematographer - March 1995 - 80
American Cinematographer - March 1995 - 81
American Cinematographer - March 1995 - 82
American Cinematographer - March 1995 - 83
American Cinematographer - March 1995 - 84
American Cinematographer - March 1995 - 85
American Cinematographer - March 1995 - 86
American Cinematographer - March 1995 - 87
American Cinematographer - March 1995 - 88
American Cinematographer - March 1995 - 89
American Cinematographer - March 1995 - 90
American Cinematographer - March 1995 - 91
American Cinematographer - March 1995 - 92
American Cinematographer - March 1995 - 93
American Cinematographer - March 1995 - 94
American Cinematographer - March 1995 - 95
American Cinematographer - March 1995 - 96
American Cinematographer - March 1995 - 97
American Cinematographer - March 1995 - 98
American Cinematographer - March 1995 - 99
American Cinematographer - March 1995 - 100
https://www.nxtbook.com/nxtbooks/ac/ac199912
https://www.nxtbook.com/nxtbooks/ac/ac199911
https://www.nxtbook.com/nxtbooks/ac/ac199910
https://www.nxtbook.com/nxtbooks/ac/ac199909
https://www.nxtbook.com/nxtbooks/ac/ac199908
https://www.nxtbook.com/nxtbooks/ac/ac199907
https://www.nxtbook.com/nxtbooks/ac/ac199906
https://www.nxtbook.com/nxtbooks/ac/ac199905
https://www.nxtbook.com/nxtbooks/ac/ac199904
https://www.nxtbook.com/nxtbooks/ac/ac199903
https://www.nxtbook.com/nxtbooks/ac/ac199902
https://www.nxtbook.com/nxtbooks/ac/ac199901
https://www.nxtbook.com/nxtbooks/ac/ac199812
https://www.nxtbook.com/nxtbooks/ac/ac199811
https://www.nxtbook.com/nxtbooks/ac/ac199810
https://www.nxtbook.com/nxtbooks/ac/ac199809
https://www.nxtbook.com/nxtbooks/ac/ac199808
https://www.nxtbook.com/nxtbooks/ac/ac199807
https://www.nxtbook.com/nxtbooks/ac/ac199806
https://www.nxtbook.com/nxtbooks/ac/ac199805
https://www.nxtbook.com/nxtbooks/ac/ac199804
https://www.nxtbook.com/nxtbooks/ac/ac199803
https://www.nxtbook.com/nxtbooks/ac/ac199802
https://www.nxtbook.com/nxtbooks/ac/ac199801
https://www.nxtbook.com/nxtbooks/ac/ac199712
https://www.nxtbook.com/nxtbooks/ac/ac199711
https://www.nxtbook.com/nxtbooks/ac/ac199710
https://www.nxtbook.com/nxtbooks/ac/ac199709
https://www.nxtbook.com/nxtbooks/ac/ac199708
https://www.nxtbook.com/nxtbooks/ac/ac199707
https://www.nxtbook.com/nxtbooks/ac/ac199706
https://www.nxtbook.com/nxtbooks/ac/ac199705
https://www.nxtbook.com/nxtbooks/ac/ac199704
https://www.nxtbook.com/nxtbooks/ac/ac199703
https://www.nxtbook.com/nxtbooks/ac/ac199702
https://www.nxtbook.com/nxtbooks/ac/ac199701
https://www.nxtbook.com/nxtbooks/ac/ac199612
https://www.nxtbook.com/nxtbooks/ac/ac199611
https://www.nxtbook.com/nxtbooks/ac/ac199610
https://www.nxtbook.com/nxtbooks/ac/ac199609
https://www.nxtbook.com/nxtbooks/ac/ac199608
https://www.nxtbook.com/nxtbooks/ac/ac199607
https://www.nxtbook.com/nxtbooks/ac/ac199606
https://www.nxtbook.com/nxtbooks/ac/ac199605
https://www.nxtbook.com/nxtbooks/ac/ac199604
https://www.nxtbook.com/nxtbooks/ac/ac199603
https://www.nxtbook.com/nxtbooks/ac/ac199602
https://www.nxtbook.com/nxtbooks/ac/ac199601
https://www.nxtbook.com/nxtbooks/ac/ac199512
https://www.nxtbook.com/nxtbooks/ac/ac199511
https://www.nxtbook.com/nxtbooks/ac/ac199510
https://www.nxtbook.com/nxtbooks/ac/ac199509
https://www.nxtbook.com/nxtbooks/ac/ac199508
https://www.nxtbook.com/nxtbooks/ac/ac199507
https://www.nxtbook.com/nxtbooks/ac/ac199506
https://www.nxtbook.com/nxtbooks/ac/ac199505
https://www.nxtbook.com/nxtbooks/ac/ac199504
https://www.nxtbook.com/nxtbooks/ac/ac199503
https://www.nxtbook.com/nxtbooks/ac/ac199502
https://www.nxtbook.com/nxtbooks/ac/ac199501
https://www.nxtbook.com/nxtbooks/ac/ac199412
https://www.nxtbook.com/nxtbooks/ac/ac199411
https://www.nxtbook.com/nxtbooks/ac/ac199410
https://www.nxtbook.com/nxtbooks/ac/ac199409
https://www.nxtbook.com/nxtbooks/ac/ac199408
https://www.nxtbook.com/nxtbooks/ac/ac199407
https://www.nxtbook.com/nxtbooks/ac/ac199406
https://www.nxtbook.com/nxtbooks/ac/ac199405
https://www.nxtbook.com/nxtbooks/ac/ac199404
https://www.nxtbook.com/nxtbooks/ac/ac199403
https://www.nxtbook.com/nxtbooks/ac/ac199402
https://www.nxtbook.com/nxtbooks/ac/ac199401
https://www.nxtbook.com/nxtbooks/ac/ac199312
https://www.nxtbook.com/nxtbooks/ac/ac199311
https://www.nxtbook.com/nxtbooks/ac/ac199310
https://www.nxtbook.com/nxtbooks/ac/ac199309
https://www.nxtbook.com/nxtbooks/ac/ac199308
https://www.nxtbook.com/nxtbooks/ac/ac199307
https://www.nxtbook.com/nxtbooks/ac/ac199306
https://www.nxtbook.com/nxtbooks/ac/ac199305
https://www.nxtbook.com/nxtbooks/ac/ac199304
https://www.nxtbook.com/nxtbooks/ac/ac199303
https://www.nxtbook.com/nxtbooks/ac/ac199302
https://www.nxtbook.com/nxtbooks/ac/ac199301
https://www.nxtbook.com/nxtbooks/ac/ac199212
https://www.nxtbook.com/nxtbooks/ac/ac199211
https://www.nxtbook.com/nxtbooks/ac/ac199210
https://www.nxtbook.com/nxtbooks/ac/ac199209
https://www.nxtbook.com/nxtbooks/ac/ac199208
https://www.nxtbook.com/nxtbooks/ac/ac199207
https://www.nxtbook.com/nxtbooks/ac/ac199206
https://www.nxtbook.com/nxtbooks/ac/ac199205
https://www.nxtbook.com/nxtbooks/ac/ac199204
https://www.nxtbook.com/nxtbooks/ac/ac199203
https://www.nxtbook.com/nxtbooks/ac/ac199202
https://www.nxtbook.com/nxtbooks/ac/ac199201
https://www.nxtbook.com/nxtbooks/ac/ac199112
https://www.nxtbook.com/nxtbooks/ac/ac199111
https://www.nxtbook.com/nxtbooks/ac/ac199110
https://www.nxtbook.com/nxtbooks/ac/ac199109
https://www.nxtbook.com/nxtbooks/ac/ac199108
https://www.nxtbook.com/nxtbooks/ac/ac199107
https://www.nxtbook.com/nxtbooks/ac/ac199106
https://www.nxtbook.com/nxtbooks/ac/ac199105
https://www.nxtbook.com/nxtbooks/ac/ac199104
https://www.nxtbook.com/nxtbooks/ac/ac199103
https://www.nxtbook.com/nxtbooks/ac/ac199102
https://www.nxtbook.com/nxtbooks/ac/ac199101
https://www.nxtbook.com/nxtbooks/ac/ac199012
https://www.nxtbook.com/nxtbooks/ac/ac199011
https://www.nxtbook.com/nxtbooks/ac/ac199010
https://www.nxtbook.com/nxtbooks/ac/ac199009
https://www.nxtbook.com/nxtbooks/ac/ac199008
https://www.nxtbook.com/nxtbooks/ac/ac199007
https://www.nxtbook.com/nxtbooks/ac/ac199006
https://www.nxtbook.com/nxtbooks/ac/ac199005
https://www.nxtbook.com/nxtbooks/ac/ac199004
https://www.nxtbook.com/nxtbooks/ac/ac199003
https://www.nxtbook.com/nxtbooks/ac/ac199002
https://www.nxtbook.com/nxtbooks/ac/ac199001
https://www.nxtbookmedia.com