American Cinematographer - March 1995 - 51

With

our

16SR 3 viewfinder,

the djfference

you can see

in the details.

SEE SHADOW DETAIL
Once the

MORE CONTROL
The offset
easy

for

the Arriflex 1 6SR 3 won't strain your eyes or your

pl-mount makes it
to switch from
1 6mm to Super

you

standard

16mm in the field. SMPTE
time code and flicker-

reduced CCD video

are

integral to the 1 6SR 3's
design, allowing you access
to

exception, low light filming is now the rule.
shooting at T2 or less, the viewfinder on

Even when

imagination. It delivers the largest, sharpest, brightest
image of any 1 6mm camera, regardless of stop or
format. In fact, the viewfinder on the SR 3 is 25%
brighter than the SR 2, and that was already brighter
than the competition. The SR 3 comes equipped with
Arriglow, which provides precise, illuminated
frameline markings, in all shooting environments,
daylight or midnight.

the latest in electronic

post-production. Many of
the

new

as

programmable on-board
speed changes are
included, giving you more
options than

creative
ever

LESS FATIGUE

electronic features

of the Arriflex 535, such

before.

When you

spend all day looking through a
you deserve the best working
conditions possible. Your eyes will appreciate
the brighter finder image and the two-time
magnifier built into the extender for critical
focus adjustments. Warning indications in
the finder for asynchronous speed and
battery status are displayed instantly.
An available heated eyecup provides extra
viewfinder,

comfort and convenience.

SEE AT DIFFERENT ANGLES
Improving

on

the industry standard workhorse SR 2,
either side of the camera

the SR 3 viewfinder pivots to
for comfortable

filming and non-restrictive

placement. Even when equipped with
color video

camera

high quality
assist, the viewfinder still pivots 1 20° from

right to left, rotates 360° parallel to
camera body, and swings out
25°. In short, the most adjustable

our

the

1 6mm viewfinder

currently available.

>JRRI
1 6SR 3



American Cinematographer - March 1995

Table of Contents for the Digital Edition of American Cinematographer - March 1995

American Cinematographer - March 1995 - 1
American Cinematographer - March 1995 - 2
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