American Cinematographer - March 1995 - 88

Charles S., editor for Quigley Publica¬
tions, and ends with Adolph Zukor. The
between

mostly of above-thepersonnel such as executives, dis¬
tributors, producers, directors, exhibitors,
names

are

line

and actors. To illustrate: it lists Cortez,
Ricardo but not Cortez, Stanley. There
are a few cinematographers represented

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as

Gregg Toland, George Folsey,

James Wong Howe, and several who
later became directors) and some of the
better-known film writers, composers,

production designers, dance directors,
industry publication editors (not including
American Cinematographer), inventors,
lawyers, politicians, etc. There are 56
pages of photos.
The listings give some perti¬
nent dates, birthplaces, etc., film debuts,
and a full or representative list of cred¬
its. These are similar to the entries that
have been carried in Quigley Publica¬
tions' esteemed International Motion
Picture Almanacs, standard reference
annuals for the past 55 years. It is appro¬

priate that this company, which has pub¬
lished film industry periodicals and books
since 1915, should bring out this centen¬
nial book. Martin S. Quigley, son of the
founder, has edited much of this invalu¬

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This hefty volume should find
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shelf.

film lover's ref¬

erence

Be the envy

of the set when you stroll
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In

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Hispanics in Hollywood, by
Luis Reyes and Peter Rubie

on

location

Books in Review Preview

What An Art Director Does,

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Movie Talk from the Front

Lines, by Jerry Roberts and Steven

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The Women's

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World Cinema from the

British Film Institute,

the BFI

compiled by
American Cinematographer - March 1995

Table of Contents for the Digital Edition of American Cinematographer - March 1995
