Boutique Design - December 2017 - 42

2017 gold key AwArds

beSt lobby luXury
FinaliSt

Fairmont QuaSar iStanbul
DESIGN FIRM

Wilson Associ-

ates, New York
THE SCRIPT Unite the sophistication of modern Istanbul
with the city's storied traditions. Design an experience that
reflects the Turkish notion of
journey and welcome. Meld the
influences of three iconic cities
into a high-style look.
THE SHOOT Set on the site
of an art deco liquor factory
designed by French architect
Robert Mallet-Stevens in the 1930s, Fairmont's debut hotel in the country was
influenced by a fictional story that reflects both the city's eclectic culture and
the building's industrial flair. A tale of two Turkish sisters who lived in New
York and Paris, respectively, before returning to their native country served
as the jumping off point for the design of the hotel and serviced apartments.
Envisioned as a portal between those two worlds, the property's arrival experience contrasts white marble floors at the entry with warm wood flooring in
the reception area to imbue a balanced procession. Oversized, locally crafted

lanterns accent the corner of the space while signaling the entrance to a bridge
that leads to the business center.
THE HIGHLIGHT REEL Layers of draped chains and strings of metal form
a feature chandelier. A reception desk in wood, metal and stone is complemented by the flowing movement of metal screens, which provide a visual
connection to the nearby Bosphorus waterway, as well as a material reference
to the site's industrial past.
THE TRAILER Branch out. Creating an authentic local experience doesn't mean a
single location needs to monopolize the design. In this case, a converging catwalk
connecting the lobby and reception areas embodies the three high-design cities, as
well as the two sisters, with one wall of carved stone and another showcasing silhouettes of the passerby reflected in blue, mirror-clad walls. Inset crystal rosettes not
only mimic the depths of the Bosphorus, they add a hint of fashion-forward drama.

SOURCES
OWNER: Viatrans A.Ş Meydanbey Ortak Girişimi, Istanbul; OPERATOR: Fairmont Hotels & Resorts, Toronto;
DESIGN FIRM: Wilson Associates, New York: Dan Kwan, chief creative officer; Joanne Yong, senior vice
president, principal; David Dorfman, project manager; Keiko Matsumoto, senior designer; Seiichi Mori, design
director; Jennie Sorensen, project designer; Kevin Caulfield, senior design manager, FF&E; ARCHITECT: EAA
(Emre Arolat Architecture), Istanbul; PURCHASING COMPANY: the-GAIA FFE & OSE Procurement, Istanbul;
GENERAL CONTRACTOR: More Contract; DESIGN CONSULTANTS: Har Hollands (lighting); Kani Aksoy
(art); FLOORCOVERINGS: Axminster; Golden Hali; Ottoman Hali; STEPEVI; FURNITURE: More Contract;
LIGHTING: Bahar Lighting; SIGNAGE: Emedya Design; SURFACING MATERIALS: Stoneline Group LLC

FinaliSt

Four SeaSonS Hotel Kyoto
Japan

Hirsch Bedner Associates (HBA) Pte Ltd., Singapore

THE SCRIPT Provide a haven that encourages guests to engage with nature. Create a design
that serves as a window to a nearby 800-year-old ikeniwa pond and temple.
THE SHOOT An understated minimalist approach and intricate details instill a sense of quiet
dignity. Each interior space within the lobby transitions into the next with different ambiances
that reflect the changing seasons. Designed as a portal that frames views of the pond against
a backdrop of the transforming seasons, the lobby reflects spring's cherry blossoms, summer's
swaying bamboo, autumn's vibrant red leaves and winter's blanket of snow via a layered layout.

SOURCES
An alluring bamboo forest leads to a Japanese garden sanctuary
and through to the lobby, setting a serene tone. Warm neutrals, soothing grays and select
punches of primary colors imbue a sense of calm, while natural materials ground the
aesthetic in the surrounding environment.
THE DIRECTOR'S CUT

THE TRAILER An organic flow requires careful planning. A series of pavilion settings founded on
the principles of a Japanese garden allow guests to fully immerse themselves in the city's scenery
while offering intimate pockets for reflection and respite. And sometimes, less really is more. A
single stone sculpture can have solid impact when strategically placed. -Christina Green

42

boutiquedesign.com december 2017

OWNER: Berjaya Land Berhad, Kuala Lumpur, Malaysia; OPERATOR: Four Seasons
Hotels and Resorts, Toronto; DESIGN FIRM: Hirsch Bedner Associates (HBA) Pte Ltd.,
Singapore: Connie Puar, partner; Agnes Ng, partner; Cristian Rubio, principal; Kenneth
Lai, associate; ARCHITECT: Kume Sekkei Co. Ltd., Tokyo; PURCHASING COMPANY:
Four Seasons Hotels and Resorts, Toronto; GENERAL CONTRACTOR: Taisei Corp.
Japan; ART & ACCESSORIES: Art Front Gallery; AUDIO/VISUAL & ELECTRONICS:
IHD Ltd.; FABRICS: Dedar; Hosoo Co. Ltd.; Manas Inc.; Tiger Leather; Veranda Ltd.;
FLOORCOVERINGS: Antolini Luigi & Co. Spa; Brintons; Couristan Carpets; GA Co.
Ltd.; Maruhon Inc.; Tabu Spa; Valley Forge Fabrics; FURNITURE: Armani Casa; Charter
Furniture; Christian Liaigre; Flexform Spa; Sakura Seisakusho; LIGHTING: DPA Lighting
Consultants; Ricardo Lighting; SIGNAGE: Artless Inc.; SURFACING MATERIALS:
Precious Piece; Shoji Paper; Yamauchi Urushi; Kamism; WALLCOVERINGS: Goodrich
Global; Phillip Jeffries; Tecido & Co.; Tapextex; WINDOW TREATMENTS: Manas Inc.

J e s u s A l o n s o s t u d i o ( FA i r m o n t Q uA s A r i s tA n b u l ) ; K e n s e e t;
W i l l P r yc e ( F o u r s e A s o n s H o t e l K yo t o )

DESIGN FIRM
http://www.boutiquedesign.com
Boutique Design - December 2017

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