The Centripetal Art of Junko Chodos, Matrix of Spiritual Growth - 292

of our marriage. It is a complicated, tangled personality type which relishes conflict and contradiction, whose notion of spiritual striving is restless and anguished4. It is very different from the “eastern” personality type, which strives towards peace and quiet. The eastern seeker strives for escape from the circle of karma, and imagines Nirvana as a still lotus pond. For the western seeker, “heaven” is a place full of life, a heavenly court, with angels playing background music, where one can hold conversation with God and with all the souls that have ever lived; a place from which the activities of this world can be monitored and even perhaps influenced. For Junko, as for me, the spiritual quest has an inherently tumultuous quality, and if it reaches a resolution it is a resolution through climax - like sexual activity, or like the climax of a piece of music or of a work of art. It will never be a resolution through increasing quietude. So my remark had failed to acknowledge this most important shared aspect of our personalities - and in that way, it was an involuntary betrayal. This fundamentally western characteristic of Junko’s personality had revealed itself when she painted the Esoteric Buddhism works, and after our conversation it manifested itself again in the form of her series of works titled Concerning Art and Religion, created in 2004 and 2005. In those nine works Junko articulated fundamental ideas which are implicit in all her works: “In the beginning is the image” [frontispiece]—which means that image precedes even narrative and myth; that the artists who painted the cave drawings at Lascaux are Junko’s ancestors because the encounter with the image precedes and is more important than the adoption of any dogma. “Why do angels and demons both fly in the sky?” and “Why do you love chaos and destruction so much?”—those works advert to the destructive aspects of monotheism, which has shown itself throughout history to foster a kind of hostility and rigidity leading often to destructiveness. Creating those works, partially in response to my remarks, prepared Junko for the FATHOM series two years later, a series which begins, again, with “The Sorcerer Entering His Forest”—another appearance of the Bird but this time as a sorcerer in almost human form. p. 292 Centripetal Art / matrix of growth

The Centripetal Art of Junko Chodos, Matrix of Spiritual Growth

Table of Contents for the Digital Edition of The Centripetal Art of Junko Chodos, Matrix of Spiritual Growth

The Centripetal Art of Junko Chodos, Matrix of Spiritual Growth

PREFACE

-Definition of Centripetal Art
-Its Place In Art History: After the Postmodern Period
-Introducing the Subject Matter: One Centripetal Artist's Journey
-The Relationship With Multiculturalism
-After the Death of God and of Art

TABLE OF CONTENTS

FOREWORD

-How the Author's Connection With His Wife's Art Grew More Intimate Over the Years
-Learning In Marriage
-"Why Does God Need To Paint?"
[Section One] Individual Visitants
-Dead Flowers and Root
-Lungs and Rib Cage

CHAPTER FOUR - A Vital Spirituality

-Why This Art Could Not Have Been Created Earlier
-Echoes of the Spiritual Arts of the Early 20th Century
-The Impact of the Atomic Bomb; Ecological Concerns
-Markers for Spirituality
-Centripetal Art Overflows the Studio: Therapy

CHAPTER SIX - A Complex Spirituality

-Spirituality of the 21st Century

AFTERWORD - THE FURNACE

-Polytheism and Monotheism in Art
-Goethe’s Aphorism
-Marriage and the Alchemist’s Furnace
Themes In Series
The Centripetal Art of Junko Chodos, Matrix of Spiritual Growth - The Centripetal Art of Junko Chodos, Matrix of Spiritual Growth
The Centripetal Art of Junko Chodos, Matrix of Spiritual Growth - CoverB
The Centripetal Art of Junko Chodos, Matrix of Spiritual Growth - CoverC
The Centripetal Art of Junko Chodos, Matrix of Spiritual Growth - CoverF
The Centripetal Art of Junko Chodos, Matrix of Spiritual Growth - CoverG
The Centripetal Art of Junko Chodos, Matrix of Spiritual Growth -

PREFACE

The Centripetal Art of Junko Chodos, Matrix of Spiritual Growth - -Definition of Centripetal Art
The Centripetal Art of Junko Chodos, Matrix of Spiritual Growth - -The Relationship With Multiculturalism
The Centripetal Art of Junko Chodos, Matrix of Spiritual Growth - -After the Death of God and of Art
The Centripetal Art of Junko Chodos, Matrix of Spiritual Growth -

TABLE OF CONTENTS

The Centripetal Art of Junko Chodos, Matrix of Spiritual Growth - IX
The Centripetal Art of Junko Chodos, Matrix of Spiritual Growth - X
The Centripetal Art of Junko Chodos, Matrix of Spiritual Growth - XI
The Centripetal Art of Junko Chodos, Matrix of Spiritual Growth - XIII
The Centripetal Art of Junko Chodos, Matrix of Spiritual Growth - -How the Author's Connection With His Wife's Art Grew More Intimate Over the Years
The Centripetal Art of Junko Chodos, Matrix of Spiritual Growth - 2
The Centripetal Art of Junko Chodos, Matrix of Spiritual Growth - -"Why Does God Need To Paint?"
The Centripetal Art of Junko Chodos, Matrix of Spiritual Growth - -Dead Flowers and Root
The Centripetal Art of Junko Chodos, Matrix of Spiritual Growth - 15
The Centripetal Art of Junko Chodos, Matrix of Spiritual Growth - 16
The Centripetal Art of Junko Chodos, Matrix of Spiritual Growth - 17
The Centripetal Art of Junko Chodos, Matrix of Spiritual Growth - 18
The Centripetal Art of Junko Chodos, Matrix of Spiritual Growth - 19
The Centripetal Art of Junko Chodos, Matrix of Spiritual Growth - 48
The Centripetal Art of Junko Chodos, Matrix of Spiritual Growth - -Lungs and Rib Cage
The Centripetal Art of Junko Chodos, Matrix of Spiritual Growth - 82
The Centripetal Art of Junko Chodos, Matrix of Spiritual Growth - 83
The Centripetal Art of Junko Chodos, Matrix of Spiritual Growth - 84
The Centripetal Art of Junko Chodos, Matrix of Spiritual Growth - 85
The Centripetal Art of Junko Chodos, Matrix of Spiritual Growth - 158
The Centripetal Art of Junko Chodos, Matrix of Spiritual Growth - -Echoes of the Spiritual Arts of the Early 20th Century
The Centripetal Art of Junko Chodos, Matrix of Spiritual Growth - -The Impact of the Atomic Bomb; Ecological Concerns
The Centripetal Art of Junko Chodos, Matrix of Spiritual Growth - 169
The Centripetal Art of Junko Chodos, Matrix of Spiritual Growth - 170
The Centripetal Art of Junko Chodos, Matrix of Spiritual Growth - -Centripetal Art Overflows the Studio: Therapy
The Centripetal Art of Junko Chodos, Matrix of Spiritual Growth - 188
The Centripetal Art of Junko Chodos, Matrix of Spiritual Growth - 189
The Centripetal Art of Junko Chodos, Matrix of Spiritual Growth - 224
The Centripetal Art of Junko Chodos, Matrix of Spiritual Growth - -Spirituality of the 21st Century
The Centripetal Art of Junko Chodos, Matrix of Spiritual Growth - 226
The Centripetal Art of Junko Chodos, Matrix of Spiritual Growth - 227
The Centripetal Art of Junko Chodos, Matrix of Spiritual Growth - 234
The Centripetal Art of Junko Chodos, Matrix of Spiritual Growth - 235
The Centripetal Art of Junko Chodos, Matrix of Spiritual Growth - 288
The Centripetal Art of Junko Chodos, Matrix of Spiritual Growth - -Polytheism and Monotheism in Art
The Centripetal Art of Junko Chodos, Matrix of Spiritual Growth - 290
The Centripetal Art of Junko Chodos, Matrix of Spiritual Growth - 291
The Centripetal Art of Junko Chodos, Matrix of Spiritual Growth - 292
The Centripetal Art of Junko Chodos, Matrix of Spiritual Growth - -Goethe’s Aphorism
The Centripetal Art of Junko Chodos, Matrix of Spiritual Growth - -Marriage and the Alchemist’s Furnace
The Centripetal Art of Junko Chodos, Matrix of Spiritual Growth - 295
The Centripetal Art of Junko Chodos, Matrix of Spiritual Growth - Themes In Series
The Centripetal Art of Junko Chodos, Matrix of Spiritual Growth - CoverJ
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