The Centripetal Art of Junko Chodos, Matrix of Spiritual Growth - 295

And this brings me back to the question with which Junko and I struggled so hard for so many years: Why on earth does God need to paint? Each of us has arrived at an answer—but you will not be surprised to hear that our answers are slightly different. For me, the answer comes with the observation that Junko’s studio is another athanor all by itself. In her centripetal art, all the things I have spoken of in this book—the memories, the cultural influences, the psychological, philosophical, and religious ideas, the narratives, the courage, and the altered states of the mystic—all are thrown together, and transformed and refined, and out come the art works. This I would say is an authentic process of creation similar to God’s own process, and this, I think, is why God has to paint. His creation is not and never was the making of something out of nothing, but it is rather the process of encountering the world in utter honesty, and transforming it by making it manifest to us.7 This process is never complete: God requires our participation to complete it.8 And centripetal art is one of the highest forms of participation. For Junko, this participation is something that happens between the artist and the viewer. As she has written, Art has the power to help penetrate and crumble down the viewer’s own defensive wall, to help him become a whole person and to step even further towards the divine presence in himself. What is required of the artist here is not to create “religious figures” or “mythological symbols.” Instead the artist dives into his or her deepest personal abyss—to the depth where the most personal thing has become the most universal. If the artist succeeds in going through this most difficult, dangerous process truthfully, only then, encountering the art, the viewer might follow a journey to his or her own transcending. God needs to use this deepest personal abyss where the most personal thing has become the most universal because this is the mystery of art. It is through this mystery that God reveals Himself at the center of each of us. May this book move you to ask this question for yourself, and to formulate the answer that is most convincing to you. part two // chapter 7 The Role and Mission of the Artist p. 295

The Centripetal Art of Junko Chodos, Matrix of Spiritual Growth

Table of Contents for the Digital Edition of The Centripetal Art of Junko Chodos, Matrix of Spiritual Growth

The Centripetal Art of Junko Chodos, Matrix of Spiritual Growth

PREFACE

-Definition of Centripetal Art
-Its Place In Art History: After the Postmodern Period
-Introducing the Subject Matter: One Centripetal Artist's Journey
-The Relationship With Multiculturalism
-After the Death of God and of Art

TABLE OF CONTENTS

FOREWORD

-How the Author's Connection With His Wife's Art Grew More Intimate Over the Years
-Learning In Marriage
-"Why Does God Need To Paint?"
[Section One] Individual Visitants
-Dead Flowers and Root
-Lungs and Rib Cage

CHAPTER FOUR - A Vital Spirituality

-Why This Art Could Not Have Been Created Earlier
-Echoes of the Spiritual Arts of the Early 20th Century
-The Impact of the Atomic Bomb; Ecological Concerns
-Markers for Spirituality
-Centripetal Art Overflows the Studio: Therapy

CHAPTER SIX - A Complex Spirituality

-Spirituality of the 21st Century

AFTERWORD - THE FURNACE

-Polytheism and Monotheism in Art
-Goethe’s Aphorism
-Marriage and the Alchemist’s Furnace
Themes In Series
The Centripetal Art of Junko Chodos, Matrix of Spiritual Growth - The Centripetal Art of Junko Chodos, Matrix of Spiritual Growth
The Centripetal Art of Junko Chodos, Matrix of Spiritual Growth - CoverB
The Centripetal Art of Junko Chodos, Matrix of Spiritual Growth - CoverC
The Centripetal Art of Junko Chodos, Matrix of Spiritual Growth - CoverF
The Centripetal Art of Junko Chodos, Matrix of Spiritual Growth - CoverG
The Centripetal Art of Junko Chodos, Matrix of Spiritual Growth -

PREFACE

The Centripetal Art of Junko Chodos, Matrix of Spiritual Growth - -Definition of Centripetal Art
The Centripetal Art of Junko Chodos, Matrix of Spiritual Growth - -The Relationship With Multiculturalism
The Centripetal Art of Junko Chodos, Matrix of Spiritual Growth - -After the Death of God and of Art
The Centripetal Art of Junko Chodos, Matrix of Spiritual Growth -

TABLE OF CONTENTS

The Centripetal Art of Junko Chodos, Matrix of Spiritual Growth - IX
The Centripetal Art of Junko Chodos, Matrix of Spiritual Growth - X
The Centripetal Art of Junko Chodos, Matrix of Spiritual Growth - XI
The Centripetal Art of Junko Chodos, Matrix of Spiritual Growth - XIII
The Centripetal Art of Junko Chodos, Matrix of Spiritual Growth - -How the Author's Connection With His Wife's Art Grew More Intimate Over the Years
The Centripetal Art of Junko Chodos, Matrix of Spiritual Growth - 2
The Centripetal Art of Junko Chodos, Matrix of Spiritual Growth - -"Why Does God Need To Paint?"
The Centripetal Art of Junko Chodos, Matrix of Spiritual Growth - -Dead Flowers and Root
The Centripetal Art of Junko Chodos, Matrix of Spiritual Growth - 15
The Centripetal Art of Junko Chodos, Matrix of Spiritual Growth - 16
The Centripetal Art of Junko Chodos, Matrix of Spiritual Growth - 17
The Centripetal Art of Junko Chodos, Matrix of Spiritual Growth - 18
The Centripetal Art of Junko Chodos, Matrix of Spiritual Growth - 19
The Centripetal Art of Junko Chodos, Matrix of Spiritual Growth - 48
The Centripetal Art of Junko Chodos, Matrix of Spiritual Growth - -Lungs and Rib Cage
The Centripetal Art of Junko Chodos, Matrix of Spiritual Growth - 82
The Centripetal Art of Junko Chodos, Matrix of Spiritual Growth - 83
The Centripetal Art of Junko Chodos, Matrix of Spiritual Growth - 84
The Centripetal Art of Junko Chodos, Matrix of Spiritual Growth - 85
The Centripetal Art of Junko Chodos, Matrix of Spiritual Growth - 158
The Centripetal Art of Junko Chodos, Matrix of Spiritual Growth - -Echoes of the Spiritual Arts of the Early 20th Century
The Centripetal Art of Junko Chodos, Matrix of Spiritual Growth - -The Impact of the Atomic Bomb; Ecological Concerns
The Centripetal Art of Junko Chodos, Matrix of Spiritual Growth - 169
The Centripetal Art of Junko Chodos, Matrix of Spiritual Growth - 170
The Centripetal Art of Junko Chodos, Matrix of Spiritual Growth - -Centripetal Art Overflows the Studio: Therapy
The Centripetal Art of Junko Chodos, Matrix of Spiritual Growth - 188
The Centripetal Art of Junko Chodos, Matrix of Spiritual Growth - 189
The Centripetal Art of Junko Chodos, Matrix of Spiritual Growth - 224
The Centripetal Art of Junko Chodos, Matrix of Spiritual Growth - -Spirituality of the 21st Century
The Centripetal Art of Junko Chodos, Matrix of Spiritual Growth - 226
The Centripetal Art of Junko Chodos, Matrix of Spiritual Growth - 227
The Centripetal Art of Junko Chodos, Matrix of Spiritual Growth - 234
The Centripetal Art of Junko Chodos, Matrix of Spiritual Growth - 235
The Centripetal Art of Junko Chodos, Matrix of Spiritual Growth - 288
The Centripetal Art of Junko Chodos, Matrix of Spiritual Growth - -Polytheism and Monotheism in Art
The Centripetal Art of Junko Chodos, Matrix of Spiritual Growth - 290
The Centripetal Art of Junko Chodos, Matrix of Spiritual Growth - 291
The Centripetal Art of Junko Chodos, Matrix of Spiritual Growth - 292
The Centripetal Art of Junko Chodos, Matrix of Spiritual Growth - -Goethe’s Aphorism
The Centripetal Art of Junko Chodos, Matrix of Spiritual Growth - -Marriage and the Alchemist’s Furnace
The Centripetal Art of Junko Chodos, Matrix of Spiritual Growth - 295
The Centripetal Art of Junko Chodos, Matrix of Spiritual Growth - Themes In Series
The Centripetal Art of Junko Chodos, Matrix of Spiritual Growth - CoverJ
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