Theatre Design & Technology - Oct 1965 - 17

The Insides of an Architect: Hopkins Center Theatre Facilities
HENRY B. WILLIAMS, Director of the Experimental Theatre, Dartmouth College
ABSTRACT: "Both the program for Hopkins Center
and its architectural solution are considered valuable prototypes for new campus fine arts centers
being planned elsewhere in the country" (Architectural Record). The author speaks from a client's
point of view on the unique aspects of educational
theatre facilities. IR Code (ARCHITECTURE/EDU·
CATIONAL/FINE ARTS COMPLEXL

planning that probably could be duplicated many
times over in the newer theatres on the various
campu ses through out the country. In one form or
another, and under one architect after another, it was
in the planning stage for something over 30 years. 1
During those years the theatre staff worked with a
most inadequate and antiquated stage and under the
worst of a II possible threats: There was to be no
Something has happened in the intervening years, for
improvement to the old stage because a new theatre
it is evident that some architects now DO know
building was eternally imminent'
something about the INSIDES of a theatre and some
of them know it quite well. The problem facing the Finally things began to break. A faculty planning
arch iteet is that each theatre, and es pee ia Ily a co l- committee recommended that a new theatre be bui It.
Iege theatre building, is a fairly specialized job.
The recommendation also included an art building
The bui Iding has to be not on Iy a theatre but a colfor painting and sculpture, and a crafts workshop.
lege building which has a peculiar educational
The committee originally conceived these as sepamission to perform.
rate buildings in a single area. As the plans began
I am assuming here that educational theatre is not to take shape a music building was added and the
just plain "theatre". It is a teaching and performing concept grew into a combined arts and theatre cencenter as well as a sort of "stock company" which ter, a single structure where all the arts could
produces one play after another, rarely repeating any mingle and impinge. Before the plans were complay after its initial run. A college theatre building pleted, art galleries, lounges, a large auditorium for
a Iso, in its training phase, must provide the space concerts and classroom use, a dining hall and a
and stage for single acts and scenes for class pres- snack bar had made their appearance. This was a
entations. It must have shops, wardrobes, dressing rather staggering order for any architect and it might
rooms a~d the like that make up the norma I panopoly well be an insuperable task to find an architect who
of a theatre. This is a fairly eclectic list of require- knew the INSIDES of a theatre as well as the INments,and it provides a nice challenge for any archi- SI DE S of a II the other e lemen ts and who wou Id be
tect who "knows the INSIDES of a theatre."
able to combine them successfully.
Some 30 years ago, in recounting the vicissitudes
that surrounded the building of the Yale Theatre in
New Haven, Connecticut, Philip W. Barber, then
technical director of the theatre, said these fateful
words: "Remember, if you ever bu i Id a theatre, you
must proceed under the assumption that your architect knows nothing about the INSIDES of a theatre I"

But there is a further cha lIenge. No two departments
of theatre ever operate on the same ground rules.
This is a healthy, if annoying, fact. Part of this is
due to the community in which the theatre exists.
The audience, always the most important element in
any theatre, in many cases calls the turn. Again,
different directors favor different types of plays;
and, even more vexing, differing styles of production.
Further, the college or university administration may
have ideas about the type of theatre it wants. In
that case, compromise is probably the best thing
the theatre department can hope for, along with a
fervent prayer that the architect does indeed know
the INSIDES of a theatre.
Hopkins Center at Dartmouth College, which houses
the new theatres on the campus, has a history of

A bui Iding committee was appointed, assisted by a
series of sub-committees, and work on the plans was
begun. After 30 years in inadequate quarters, the
theatre sub-committee had a fair idea of the kind of
theatre it wanted. In fact, it wanted two theatres.
One of these was to be formal and the other informal
and experimental in character. The one pervading
notion of the committee was that, formal or informal,
both theatres should be as flexible in their f ormas
possible. They had lived for years with an inflexible
stage and auditorium which had been designed in
1914 as the latest thing in theatre design in its own
day. Time passed, the theatre changed, but the 1914
edifice remained unaltered and, seemingly, unalterable. Would this new theatre now being planned be
so limiting 40 years hence?

17



Table of Contents for the Digital Edition of Theatre Design & Technology - Oct 1965

Contents
Theatre Design & Technology - Oct 1965 - 1
Theatre Design & Technology - Oct 1965 - 2
Theatre Design & Technology - Oct 1965 - 3
Theatre Design & Technology - Oct 1965 - Contents
Theatre Design & Technology - Oct 1965 - 5
Theatre Design & Technology - Oct 1965 - 6
Theatre Design & Technology - Oct 1965 - 7
Theatre Design & Technology - Oct 1965 - 8
Theatre Design & Technology - Oct 1965 - 9
Theatre Design & Technology - Oct 1965 - 10
Theatre Design & Technology - Oct 1965 - 11
Theatre Design & Technology - Oct 1965 - 12
Theatre Design & Technology - Oct 1965 - 13
Theatre Design & Technology - Oct 1965 - 14
Theatre Design & Technology - Oct 1965 - 15
Theatre Design & Technology - Oct 1965 - 16
Theatre Design & Technology - Oct 1965 - 17
Theatre Design & Technology - Oct 1965 - 18
Theatre Design & Technology - Oct 1965 - 19
Theatre Design & Technology - Oct 1965 - 20
Theatre Design & Technology - Oct 1965 - 21
Theatre Design & Technology - Oct 1965 - 22
Theatre Design & Technology - Oct 1965 - 23
Theatre Design & Technology - Oct 1965 - 24
Theatre Design & Technology - Oct 1965 - 25
Theatre Design & Technology - Oct 1965 - 26
Theatre Design & Technology - Oct 1965 - 27
Theatre Design & Technology - Oct 1965 - 28
Theatre Design & Technology - Oct 1965 - 29
Theatre Design & Technology - Oct 1965 - 30
Theatre Design & Technology - Oct 1965 - 31
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Theatre Design & Technology - Oct 1965 - 33
Theatre Design & Technology - Oct 1965 - 34
Theatre Design & Technology - Oct 1965 - 35
Theatre Design & Technology - Oct 1965 - 36
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