Theatre Design & Technology - Oct 1965 - 32

BOOK REVIEWS
Books Received:
Parker, Oien. SCENO-GRAPHIC TECHNIQUES
Joseph, Stephen. SCENE DESIGN AND PAINTING
ABTT. THEATRE PLANNING
ARCHITECTURAL REQUIREMENTS FOR THE PERFORMING
ARTS IN CANADA
Wilfred, Thomas,

PROJECTED SCENERY

Joseph, Stephen. ACTOR AND ARCHITECT

(Persons wishing to review these or other oppropricte new book
titles should contact Associate Editor Thomas Watson, Crosby
Hall, State University of New York at Buffalo, Buffalo, N. Y.

14214.)

TH EATR ES AND AUDITOR IUMS, Second Edition.
By Harold Burris-Meyer and Edward C. Cole, New
York: Reinhold Publishing Corp., 1964; pp. viii

+376. $20.00
The second edition of Theatres and Auditoriums is a
substantial reworking of the first edition published
in 1949. In the intervening fifteen years many theatre
people in genera I and numerous arch itects, directors, theatre clients and technicians have become
only too aware of the seemingly infinite complexities of planning a good theatre. There have also
been a large number of new theatres bu i It in the period; some good, some indifferent, and some, just
plain bad. Too, there has been the remarkable development of theatrica I structures devoted to new forms:
the open stage, the arena or theatre-in-the-round,
and the tripartite or extended stage, among others.
To their credit and our benefit, Messrs. Burris-Meyer
and Cole have covered these several developments
very thoroughly in the new edition. As in the earlier
volume, the purpose of the book is an elucidation of,
"theatre plan . . . derived from an analysis to function."
In the first edition their concern for proper planning
centered around the proscenium theatre. In this new
version they have wisely broadened the scope of
their coverage to include the stage forms mentioned
above. The many differing problems of planning connected with a variety of theatre forms makes this
new volume all the more meaningful.
The layout of the book follows the same chapter
headings used in the original edition with this important difference: the new version utilizes a fantastic wealth of illustrative material drawn from a
large number of new theatre bui Idings and an accompanying use of descriptive passages related to new
techniques in lighting, rigging, sound control and
the other elements which support good theatre production. The authors have also provided an expanded
chapter on the functional relationships of the various
areas of a theatre which support the performanceaudience core. A separate drawing is furnished for
each of the four forms which clearly shows the differences in each as well as certain similarities.
These should prove invaluable to architects and

planners who have to approach the prob lem of designing a theatre for the first time. This chapter also
describes the idiosyncracies involved in the several
variable modes of theatrical presentation; opera,
legitimate commercial theatre, community theatre
and educational theatre. It is refreshing to note that
an up-to-date description has been furnished for each.
Successive chapters cover the auditorium and frontof-house spaces from the standpoint of traffic, both
pedestrian and vehicular, audience visibility and
audibility, and the care and comfort of the spectator.
In subsequent chapters - whose titles are occasionally misleading - the authors make perhaps their
greatest contribution to an enlightened view of the
process of theatre planning. These chapters cover
the stage and its closely related areas and equipment
in amazing detail. It is the book's greatest single
improvement. For example, the chapters on scenery
and stage machinery include a large number of new
pictures and diagrams that illustrate many divergent solutions to scenic practice about which planners need to know. In spite of the high quality of
this section there are some elements that need more
coverage and in one case, at least, there is a serious
error of omission. This reviewer would have liked to
see a much more thorough, illustrated, discourse on
the double-purchase counterweight systems needed
for a good wagon stage. The authors a Iso fa i I to
discuss stage structures that, for one reason or
another, may have to be designed without a high
stage tower with its gridiron and associated rigging.
The chapter on stage lighting and control is very
good. Again, the use of plans and sections, block
diagrams of several control systems ranging from the
simplest, line-board-instrument, to the complex punch
card electronic devices. A generous use of good
photographs makes this one of the best manuals
available on the problems inherent in good planning
for lighting.
The concluding chapters cover Mr. Burris-Meyer's
specialty, sound control and reinforcement, the auxi liary production spaces and services and a concluding chapter on overall considerations. Like the
others, they are well worth the attention of the
prospective architect and planner as well as the
general reader interested in the elements of a wellplanned structure.
This reviewer does feel, however, that the final
chapter belongs to the beginning of the book! Some
of the points made here - they are good ones - need
to be introduced at the start of their discussion
rather than inserted at the end. Thus the reader will
be better able to relate the various elements covered
so well in the body of the text to the problem as a
whole. Even so, the new edition is very impressive
and most worthwhile.
T.S.W.

I USITT

THFATRF DFSICN AND TECHNOlOOY



Table of Contents for the Digital Edition of Theatre Design & Technology - Oct 1965

Contents
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Theatre Design & Technology - Oct 1965 - 2
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http://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1966Feb
http://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1965Dec
http://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1965Oct
http://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1965May
http://www.nxtbookMEDIA.com