Theatre Design & Technology - Oct 1966 - 10

regions. In the early days, particularly, it encouraged
touring to remote areas by theatre, opera and ballet
companies. More recently, it has been happy to foster
the development of new professional companies in some
of the smaller cities, We are indeed especially proud
of the achievements of Canads's regional theatres: The
Manitoba Theatre Centre in Winnipeg; the Neptune in
Halifax; the Playhouse in Vancouver, and a promising
young group in Quebec City are important links in a
national chain, It is also exciting and heartening to us to
see growing evidence of collaboration among these theatres, frequently through the Canadian Theatre Centre, which
has become a dynamic service organization.
Another important principle has guided the Council in
dealings with arts organizations: the principle of noninterference in artistic matters, The Council must, of
course, accept some responsibility as an arbiter because
it must choose which organizations to support, But it
has no wish to dictate artistic policy. The Council has
for the most part provided continuing annual subsidy to
organizations, but its role is that of an understanding
collaborator, The Council reserves the right to withdraw
support if its standards are not met, but fortunately most
companies have shown a continued capacity for artistic
growth, ,And I for one would never want to try and tell
John Hirsch how to run a theatre,
It is worth emphasizing that companies need to be able
to count on continuing support, so long as they can earn
it. The Canada Council does not expect to provide all
the help, however, and help isn't that easy to get. The
bit about "While you're up, get me a grant", is an exaggeration, Indeed we expect that local governments and
private patrons will do their part, One of the most healthy
developments we have seen over the past few years is
the increasing willingness of cities and provinces to help
with the expansion of arts organizations, Quebec and
Saskatchewan were in fact ahead of the Canada Council
in subsidizing the arts. Ontario established its Council
for the Arts in 1963 and Manitoba is making similar
plans, Nova Scotia has shown great understanding towards
the young Neptune Theatre and we hope that other Provinces will follow these examples to the best of their
ability, Corporate and individual giving have also grown,
and you may be interested to know that the evidence
suggests that govenrment subsidy has not displaced private subsidy. It may in fact have stimulated it.
If any of this has led you to believe that all our major
arts organizations are now in the black, let me scotch
that notion at once. Most of them still own accumulated
deficits - what in this business seems to pass as working
capital. But despite the deficit drag, the upward trend
is unmistakable, We must now hope that increasing resources, more administrative manpower and improved
management techniques can match the expansion which
is taking place,
We do worry sometimes about finding the bodies to man
all these burgeoning enterprises, Education is a provincia!
responsibility in Canada and training for the arts is largely
outside the Council's jurisdiction, We have, however, been
able to help three training institutions because of their
unique national character, The National Theatre School
has been very effective in finding and forming young
talent especially for the rapidly multiplying regional theatres of English Canada. The National Ballet School is the
only Institution in Canada which can accept resident
students. The National Youth Orchestra brings young
mUSicians from every part of tile country for ItS summer
training sessions. All these institutions have come into
existence since the formation of the Council and we have

10

done our best to help them produce the young people
we need, and to whom, it seems, Canada can now offer
significant opportunities,
I have tried to explain to you what problems the Council encountered in subsidizing the arts, and how it attempted to solve them, I have also claimed that the
performing arts in Canada have during the past eight years
shown a considerable growth rate. You may be wondering whether I am at the same time claiming that the
Council deserves credit for this development, I cannot
really estimate the extent of the Council's contribution,
With all the talent, devotion, and pioneering courage that
our artists and their supporters have shown, they would
have had to win through, But it is probably fortunate
that, at a propitious moment, Canada showed herself
willing to recognize the arts as an important and vital
element of our society and to invest in their future,
To the extent that the Canada Council has been a successful instrument of subsidy, its success is probably
due to the principles and policies which I have tried to
set out, Perhaps it would be worthwhile to resume them
for you, First of all, comes the independence with which
the Council was endowed, and for which Parliament deserves the credit. Then there is the practice of inviting
the artists themselves to define and determine their
needs. The pursuit of excellence may well follow directly from this point, though the Council has also tried to
take into account special regional requirements, Respect
for the artistic integrity of the organizations it supports
has been an abiding principle with the Council, together
with the assurance that support will continue while standards are maintained, There is, finally, an underlying assumption: that subsidy is not merely a question of stopping gaps, it involves a positive and dynamic approach
which should, ideally, be limited only by the available
resources.
Last year Parliament recognized that the needs of the
arts, humanities and social sciences are still growing, It
appropriated another ten million dollars to the Council,
a sum which we may spend in addition to our endowment income over a three-year period, This appropriation
effectively doubled our resources last year, giving the
Council approximately six million dollars of disposable
income, About half of this went to the arts in grants to
organizations and individuals, This money has allowed
us to breathe more freely - and I can assure you we had
come dangerously close to strangulation, In addition to
raising grants, we have been able to initiatate special
new projects, like the Theatre Arts Development Programme, This programme is helping to find and form
administrators and technicians, to let senior people travel
to see each other's work, and to send some of them to
study abroad, It is also intended to encourage the production of new plays by Canadian authors,
Perhaps it would be appropriate to crown this exposition with the assurance that we have not forgotten the
playwright, the composer and the choreographer, Subsidy
does not manufacture talent, and least of all can it buy
the rare and precious talent of the creative artist. But It
can provide opportunity, Our fine new theatres must be
more than museums, our able performers must work with
original material, and we at the Canada Council must give
creative artists every possible chance helping them individually and through the organizations with which they
work, The challenge really to all of US here today is to
be creative in our own right and, since you are probably
all tremendously creative theatre techniCians, I hope you
will accept tile propOSition that bureaucrats too can try
to be creative.

I USITT I

THEATRE DESIGN AND TECHNOLOGY



Table of Contents for the Digital Edition of Theatre Design & Technology - Oct 1966

Contents
Theatre Design & Technology - Oct 1966 - 1
Theatre Design & Technology - Oct 1966 - 2
Theatre Design & Technology - Oct 1966 - 3
Theatre Design & Technology - Oct 1966 - Contents
Theatre Design & Technology - Oct 1966 - 5
Theatre Design & Technology - Oct 1966 - 6
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https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1971Oct
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1971May
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1971Feb
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1970Dec
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1970Oct
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1970May
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1970Feb
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1969Dec
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1969Oct
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1969May
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1969Feb
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1968Dec
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1968Oct
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1968May
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1968Feb
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1967Dec
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1967Oct
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1967May
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1967Feb
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1966Dec
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1966Oct
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1966May
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1966Feb
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1965Dec
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1965Oct
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1965May
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