Theatre Design & Technology - Oct 1966 - 35

THEATRE

PRESENTATION

(Moderator: Thomas DeGaetani)

Jean Gascon

I. R. CODE: presentation - subsidy

For the past ten years I have been involved in all kinds
of activities in the country as a performer, as a director,
and as a teacher, and I have worked in very close relationship with technicians, architects and lighting designers. I would like to say that the best technicians are
the ones who never do anything just for the sake of the
technique, and who believe that the theatre is first a human experience. The bad technicians or the bad architects are the people who are building very selfishly for
their own pleasure, and I have never seen a good theatre
without planning done between the creative persons of
the theatre and the architects working together in a
very close relationship.

We have now in the country some terrible
that have been built, but which will never be of
to the theatre. I have worked as well with
who are really working very humbly trying to
purpose of the creative persons.

Eoin Sprott

I.R. CODE: presentation - audience-action reI. - thrust

To begin, I can only agree that it is so essential that a
theatre be designed with an idea, not just as a building,
an empty shell.

thrown away. We are stuck with a theatre once it has
been built, and the people who are stuck with it are
the directors and artists and actors, not the architect;
because he can go away and trv again.

I feel I have a real bete noire, and that is a multipurpose auditorium. Again, I agree that a mUlti-purpose
auditorium produces a mUlti-purpose audience for multipurpose companies. We don't go to an architect and ask
him to design a factory, so that when he asks you,
"What is it for7" you say, "Well, make it multi-purpose."
It just doesn't work. The theatre which is not built for
a specific purpose is for me a theatre without a soul,
because it is the ideas of the people that are going
into it which give it its purpose.

monsters
great use
architects
serve the

Another thing I would like to suggest for discussion is
that there is an unfortunate tendency now in our country,
on the part of governments and official bodies, to believe
more in the brick and mortar than in institutions and human beings. Hundreds of millions of dollars will have
been spent on helping institutions to develop. This is a
very dangerous tendency.

Technology is a marvelous thing, and to me it is very
exciting, but only when it is acquired from one ideal,
and only when that ideal comes first.

I am continually being reminded that compromises have
to be made on any theatre that is being built, but with a
multi-purpose theatre the number of those compromises
is multiplied many times. It seems to me far more sensible to build one theatre at a time, for one specific purpose, and do it properly, with workshop space for the
type of production that you intend doing, and a good
auditorium where every single member of that audience
can see the whole stage. It is essential for me, as a
designer, and I am sure it is for John as a director,
that everybody sees every single ponion of the stage. To
me, a theatre in which this does not happen is not a
really functioning theatre.

It may come as a surprise for me as a designer to say
this, but essentially I find stage machinery rather unexciting until I know what it can do. I always feel it encroaches upon the space that I find so valuable as a designer. I say, "Give me space, both forward and horizontal space, space so that I can work, and so I have
room to move. Don't chop off my stage. Don't foul up
the works with stage machinery." A theatre cannot be

I really feel a theatre should be built for one particular
purpose, and with a minimum of compromise. I feel that
our reason for doing it is being lost somewhere along
the way because these mUlti-purpose auditoriums are not
really theatres. Perhaps they are being used to salve the
national conscience, but for me it is rather like building
a cathedral and then asking ourselves what we bel ieve in.

OCTOBER 1966

35



Table of Contents for the Digital Edition of Theatre Design & Technology - Oct 1966

Contents
Theatre Design & Technology - Oct 1966 - 1
Theatre Design & Technology - Oct 1966 - 2
Theatre Design & Technology - Oct 1966 - 3
Theatre Design & Technology - Oct 1966 - Contents
Theatre Design & Technology - Oct 1966 - 5
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https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1965May
https://www.nxtbookmedia.com