Theatre Design & Technology - Oct 1966 - 4

About the Participants

m

Donald Swinney is President of USITT, and a faculty
member at Hofstra University; Ruth Mayleas is Program
Director for Theatre and Dance, National Foundation for
the Arts; Richard Grove is Museum Education Specialist
for the Arts and Humanities Program, U. S. Office of
Education; Ann M. Coffin is a member of the Arts
Section, The Canada Council.
Gary Gaiser is Associate Editor of TD&T, and a faculty
member at Indiana University; Olaf Soot heads a firm of
consulting engineers in New York, and consulted on movable structures in the Vivian Beaumont Theatre, Lincoln
Center; Charles J. Neenan is a lighting and audio visual
consultant, formerly associated with CBS New York;
Mert Cramer is associated with Beckman Auditorium,
California Institute of Technology.

Thomas DeGaetani was the first President of USITT,
and is presently Director of Theatre Consulting Services,
Bolt Beranek and Newman, Inc.; Jean Gascon is a
professional actor, founder and Director of the National
Theatre School of Canada, and Chairman of the Board
of the Canadian Theatre Centre; John S. Hayes is Production Director for the Stratford Festival Theatre; Eoin
Sprott is Designer and Production Director of the Manitoba Theatre Centre, Production Director of Stratford Festival Theatre, and Designer for the Theatre du Nouveau
Monde; Marcel Sabourin is a faculty member of the
National Theatre School of Canada and member of the
Stratford Theatre Festival company.
David W. Weiss is Chairman of the Drama Department,
University of Virginia; Jean Rosenthal is a professional
lighting designer, facilities consultant and manages the
equipment firm Theatre Production Service; David Peacock is Director of Production Courses at the National
Theatre School of Canada.

James Nuckolls is Chairman of the Committee on
Theatre Administration, USITT, and is associated with a
firm of lighting consultants; T. Bruce Birkenhead is a
faculty member at Brooklyn College; Alvin H. Reiss is
editor of ARTS MANAGEMENT, and Executive Director Robert W. Wolff is a Theatre Consultant with Bolt,
of Related Arts Counsellors, a publ ic relations and con- Beranek and Newman; Frederick Bentham is a Director
of Strand Electric Inc. of London, and Editor of TABS;
sulting firm.
Charles Levy is Director of Research and Development
William F. Powers is Vice President, Engineering at
with Century Lighting, Inc.; Robert Benson is a member
Lincoln Center; James C. Crang is Chairman of the
of the Theatre Lighting Division, Kliegl Brothers Lighting;
Design and Construction Committee, Toronto Arts FoundaE. K. Becker works with Luxtrol Sales Division of Supertion, and a Toronto architect; D. Fred Lebensold is a
ior Electric, Inc.; Irwin Steward, is President of Theatre
partner in the Canadian architectural firm Affleck/DesSound, Inc.; Thomas M. Lemons is affiliated with Apbarats / Dimakopoulos / Lebensold / Sise in Montreal, which
plications Engineering in Sylvania Electric's Lighting Prois responsible for a number of Canadian performance
ducts Division.
structu res.

SUBSIDY

AND

THE

PERFORMING

ARTS

(Moderator: Donald Swinney)

Ruth Mayleas
I.R. CODE: economics - subsidy

I don't know how many of you at this Conference are
already familiar with the legislation which created the
National Foundation on the Arts and the Humanities and
which guides its activities. Since our organization is so
new, there really has not been time to disseminate information to all the areas which should have it. Federal
government aid to the arts is new to the United States
which has experienced it only briefly during the '30's.
There is very naturally a certain amount of misunderstanding about what the Foundation is and what it is constituted to do, as well as a general lack of information
about its beginning activities. I would therefore like to
explain briefly our basic structural set-up, and then tell
you about our present programs.

4

The Act of Congress creating the National Foundation
on the Arts and the Humanities was signed by the President on September 29, 1965 -- which makes us not yet
a year old. The Foundation is the umbrella for the two

I USITT I THEATRE DESIGN AND TECHNOLOGY



Table of Contents for the Digital Edition of Theatre Design & Technology - Oct 1966

Contents
Theatre Design & Technology - Oct 1966 - 1
Theatre Design & Technology - Oct 1966 - 2
Theatre Design & Technology - Oct 1966 - 3
Theatre Design & Technology - Oct 1966 - Contents
Theatre Design & Technology - Oct 1966 - 5
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https://www.nxtbookmedia.com