Theatre Design & Technology - Oct 1966 - 5

Endowments: the National Endowment for the Arts and
the National Endowment for the Humanities. The Chairman
for the Arts is Roger L. Stevens; the Chairman for the
Humanities is Dr. Henry Allen Moe.'

hope to do this because duplication of programming
should be avoided and joint financing could be most
helpful -- but as yet we are just beginning our programs,
and these details have not been worked out.

Both Endowments are empowered by the legislation to
make grants-in-aid as recommended by their National
Councils, each Council being a 2 6-member body composed
of experts in the various disciplines in the arts and
humanities. The National Council on the Arts has been in
existence for more than a year -- it existed prior to the
Act which established the Foundation. Mr. Young can
give the exact date of the Council's appointment.

To give you an idea of the range of our activities, I
should like now to read to you a very brief review of
the initial projects and programs that we have undertaken or are undertaking':

MR. YOUNG: September 1964
MRS. MAYLEAS: That is about a year and a half, whereas the Humanities Council has just been appointed recently.
It is the function of both Councils to make specific recommendations, to review grant applications, and to act in
an advisory capacity. The Councils are the policy-making
bodies for the Endowments.
The National Endowment for the Arts operates with a
small administrative and programming staff. In each category of the arts literature, visual arts, theatre, music,
etc. there are program directors whose responsibility
it is to administer the Endowment's programs, to investigate new areas for future programming, to be thoroughly
acquainted with their fields, to work with the Council
on the development of programs, and of course to handle
all requests and applications for assistance in his or
her particular field. This last is already a task of large
proportions -- and we have no doubt that it will increase
as we become better known and, hopefully, have more
funds to disperse.
Within this structure there is also a nine-member Federal
Council composed of the Chairmen of the two Endowments, the U. S. Commissioner of Education, the Secretary of the Smithsonian Institution, the Director of the
National Science Foundation, the Librarian of Congress,
a member designated by the Secretary of State, the
Director of the National Gallery of Arts, and the Chairman of the Commission of Fine Arts. This Federal Council is a body which serves to coordinate the activities of
the two Endowments with other Federal agencies.
u

u

Before talking about our actual programs, I would like to
comment on one important aspect of our legislation:
how arts and humanities are defined in the Bill. The term
"arts" includes but is not limited to music, instrumental
and vocal; dance, drama, folk art, creative writing, architecture and allied fields; painting, sculpture, photography,
graphic and craft arts; industrial design, costume and
fashion design; motion pictures, television, radio, tape
and sound-recording; and the arts related to the presentation, performance, execution and exhibition of such
major art forms.
The term "humanities" includes, but is not limited
to, the study of the following: language, both modern
and classic; linguistics; literature, history, jurisprudence;
philosophy, archeology; the history, criticism, theory and
practice of the arts; and those aspects of the social sciences which have humanistic content and employ humanistic methods.

I. The following grants have been made by the National Endowment
for the Arts:
Academy of American Poets:
A $46,747.50 matching grant to
launch a lecture series entitled "Dialogues on the Art of Poetry" for
high school teachers and to enable younger poets to read and discuss
poetry in pilot programs in high school classrooms in New York, De·
troit and Pittsburgh.
American Ballet Theatre: A $ 100,000 emergency matching grant to
enable the company to continue its operation and an additional matching grant of $250,000 for a nationwide tour.
American P.E.N.
(Playwrights, Poets, Essayists and Novelists): A
$40,000 matching grant to help meet administrative costs of sponsoring the International P.E.N. Congress on New York, June 12
Assistance to Choreographers: Grants-in-aid totalling $ 103,000 to
create new works or to revive outstanding old ones were made to
Martha Graham, $40,000; Jose Limon, $23,000; Antony Tudor,
$10,000; Anna Sokolow, $10,000; Alvin Ailey, $ 5,000; Merce
Cunningham, $5,000; Alwin Nikolais, $5,000; Paul Taylor, $5,000.
Capitol Ballet Guild in Washington, D.C.:
A $5,000 emergency
matching grant to enable the company to continue its operation.
Institute of American Indian Art: A $29,000 matching grant for a
1966 Festival of Performing Arts of the American Indian at the Carter
Barron Amphitheatre in Washington, June 1, 3 and 4.
Martha Graham National Tour: A $141,350 matching grant to permit the company to make an eight-week national tour in the Fall of
1966, its first tour in 15 years.
National Environmental Design Institute:

A $ 1 50,000 study grant

to develop a plan for a national institute for architecture, urban de-

sign, regional planning, landscape architecture, industrial design, graphic
design and master teacher programs which will work with Federal
agencies, state and local governments, the business community. national and local organizations and the academic community.
National Folk Festival Association: A $39,500 matching grant to
establish a permanent central office in Washington. D.C., sponsor an
annual national folk festival, encourage regional festivals, and study,
collect and publish data on the origin of various forms of American
folklore.
National Music Camp at Interlochen: A $25,000 matching grant
to permit the United States to host, for the first time, the InternatIonal
Society for Music Education Conference at Interlochen Academy in
Michigan, August 19·26.
Technical
made to:

Assistance

Projects:

Grants (otalling $ 7 5,5 75 were

American Symphony Orchestra League to establish workshops
on orchestra management and related problems, to employ an
orchestra manager as a field worker for the 1966-67 season,
to contract for specialists in bus mess administration and promotion, and to employ experts on orchestra operations, tax
and investment problems, public relations and contemporary
music ($33,575).
American Educational Theatre Association to study children's
theatre at the secondary school level ($ 7,0001.
American National Theatre and Academy to aid non-profit
theatres by establishing regional offices ($30.000).
A study grant to organize a meeting of dance companies to
survey the feasibility of establishing a national service assocIation for dance ($5,000).
II. Programs and pilot proiects have been approved and funds allocated
by the Council to the following:

Obviously, there are certain areas which are common to
both arts and humanities, and it is hoped that in these
areas we may be able to formulate joint programs. We

Graduation Awards Project: A pilot project to enable 80 colleges,
representing all 50 states, the Virgin Islands and Puerto Rico, to nominate promising young artists, composers and creative writers graduat-

i\loe served dS 1l1lefllll Chalfltl.Hl, Ofl Jul~ 1 1966 0, BdrnaL~ C
Keene" forlllerly PfI:slclent of Brown UnlverSJl, bectltre Challfll<.Jn

, Since (he (Hue of the USITT Conferf:nce. the Natlonal Counc,1 on (he
Arts fldS met and approved new programs In all helds Therefole the hSt
\\hlL/l 10110...... 5 Ul CUNenl d~ of Julv 1966

. Of



Table of Contents for the Digital Edition of Theatre Design & Technology - Oct 1966

Contents
Theatre Design & Technology - Oct 1966 - 1
Theatre Design & Technology - Oct 1966 - 2
Theatre Design & Technology - Oct 1966 - 3
Theatre Design & Technology - Oct 1966 - Contents
Theatre Design & Technology - Oct 1966 - 5
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