Theatre Design & Technology - Oct 1966 - 54

730.

Watson, Thomas. "An Ideal Donee Thea're," DANCE SCOPE (Win·
ter '65). pp. 19-29. Establishes ideals from the standpoint of the
spectator, the performer and the technician.

731.

Watters, B. G. and others. "Reflectivity of Ponel Arrays in Con-

cert Halls," SOUND (May-June '63: pp. 26-30. Discusses acousti -

cheated, or not for long at ony rate·. They are entltlec 10 opere
houses and concert houses as good os there ever were, and ;hot
means proportioned as they ore in Europe to the range of human
eyes and ears and senslbililles.

744.

AUDITORIUM NEWS (December '65), p 1. For 01 groundbreoklng
for a 56.4 million arena in San Diego oo~ place in November,
1965. Building will seat 14,500.

745.

AUDITORIUM NEV S (Apdl '65). p. 1. Saskatoon, Sask., Canada
Centennial Auditorium will have a multl-purpose hall seating
2014, to be completed ,n 1967.

7~6.

"Die Baukaslenbuehne und ihre Moegllchkeiten··Neue Weg e fuer
das Schuluund Laiensp,el," DARS TELLUNGplusTECHNIK (.1
1965), pp. 226-33. Empty·room heotre pOSSibilitIes, with ne
emphasis on portable lighting equIpment.

7.17.

Bazanav, V. v. "On Scenography and Technology," ACTA SCAEN·
OGRAPHICA No.8 (1964-65), pp. 156·57. Czech lext. Author is
professor of the Leningrod Institute af Drama, F dm and l\\usic, ond
technical director of the Theatre of the Leningrad Comsomol

7'!8.

Benes, Jaroslav. Typology of Theatre Revolvers," ACTA SCAE OGRAPHICA No.6 (1965-66). pp. 117-21. Czech text. CItes also
the following articles: M. Kouri!. "'Scenicka kinetika," ACTA
SCAENOGRAPHICA 58'11-12, D. Bablel. "Pour au cantre 10
scene tournonle,,/RENDE-VOUS THEATRE (1960) 5,18, p. 8·9;
H. Grohmann. '·Eine ouflegbare rehschlebe im Selbstbou, BTR
(1962) 4: 38.

749.

Brehms, Joan. ., Ein neues Theotergeboude In Brunn (CSSR),"
DARSTELLUNGplusTECHNIK (6 1965-1 1966). pp 3~6-49.State
Theatre in Brno, Czechoslovo io, opened on 2 October, 1965.
Architects Oplatek and Zovre!.

col panels in Lincoln Center's Philharmonic Holl.

732.

733.

Westwood, B. & N., Piet & Partners. "The Theatre Royal, Sf.
Helens, Lancashire," ARCHITECTURAL DESIGN. (June, 1964)
pp. 306-307.
"Wettbewerb fur einen Neubau des Schouspielhouses Zurich,"
BAUEN UND WOHNEN (Jul; '64). pp. VII 29-VII 36. Nine prize
winning designs in the Zurich civic theatre competition. Joro
Utzon's winning design for 0 varioble-prosceni urn house employs a
striking folded plate roof and rounded seating bonk in an abso·
lutely recton9u1or ouoitorll.lm volume. Theatre is set on an architectural plaTeau, lj!,.e ~ydney' 5 Opere

734.

735.

"Wettbewerb fUr einen Saalbau in Burgdorf," WERK IMarz '64).
pp. 51-52. Swiss civic theatre competition, won by Archs.
Schwartz, Gutmann and Gloor, of Zurich. Solution is an asymmetrical proscenium theatre with side stages.
;.ettoe.oJer~ fur ein : leues SCllous;)lelnous in Zurich," 8UHj'JFI~·
TECHI,JISCiIl;' .)UrH)SCHAU (August '6.1). pp. 13-17.
Jam Utzon' S SUOMi 5 sian for 0 ne N ! uri cn civic fneatre is premi.
lated over96other entries. Five of the seven winning submissions
illustrated display decided ossymrnetry in stage-auditorium
If

arrangement.

736.

Wever, Kious. "Dos Theater als Funktionskomplex," SCENA 8

(appendix to THEATER DER ZEIT (August '65). pp. 2-12.
Discusses functional organization of a theatre as a vehicle for
consideration of the East German Institute for the Technology of
750.
Cultural Facilities' submission in a competition for reconstruction
of the Madrid Opera House. The unpremiated submission under
discussion is characteriz.ed by a studied asymmetry and seating
for 1,300 in straight lines, reflecting much of the Schlanger.
Oenslager non·proscenium theatre for the Ford Foundation competi·
751.
tion of 1962.
737.

738.

"Der Wiederaufbau des Grand Theatre Genf," BUHNENT ECHNISCHE RUNDSCHAU (April '63). pp. 9-14. Grand Thea.re Geneva,
Switz.erland civic Schopfer and Zal/elani· Rossi 1500
10Dec 752.
'62. A reconstruction within the existin~ structure, following a
fire in 1951
Wilson, Forrest. "Philip Johnson's Modern and His Neo·Closslc,"

INTERIORS (1964), pp. 86-91. Criltque of Johnson's New York

753.

State Theatre ot Lincoln Center.

739.

Yvonne Arnaud Thea re, Guildford, Surrey, opened June 2, 1965,"
THE STAGE AND TELEVISION TODAY (June 3, 1965), pp. 15-18
Commemorative article, with considerable description of facilities.

740.

Zolzmann, Adolf. "The Thealre In Bonn," DARSTELLUNGplusTECHNIK (5 1965). pp. 282-299. 901-seal Ihealre has a
slightly asymmetrical auditorium, with on optical ceiling overhead.
The lJOO-lomp rig IS raised to clear beam ligh s during the performance.

I.

"Dos Nlssel Theater In Tokyo," BUEHNENTECHNISCHE RUNDSCHAU 4 1965), pp. 11·12

-.12.

Olson l Harry F. "Passive ond Active Acoustics in Arch, ectural

7~

Enclosures," JOURNAL OF THE AUDIO ENGINEERING SOCIETY
October '65J, pp. 307·318. Contrasts characteristics of "octive
enclosures
amplification}, and "passive encfosures" no elec'ronlc ampldlCatlon. Suggests electronic ampldlcotlon is the
only reasonable soluilon n the large hall.
7.13

Ans Counctls of America. THE ARTS: A CENTRAL ELEMENT
OF A, GOOD SOCIETY 'New York: The Caunctl, 1965). Gordon
Ham hon Southam, quoied on oudi or'um size (p. 92)· "The stage
ana orchestra olf must be large enough for ine artiSTS fo perform
75A_
the If magic, and the holl small enough to bring the whole audience
under their spell.
Anyone who nOS been present at on opere or ballet performance
In a 2300· seol European holl and lhen ogoln tn one of our Nonh
Ametlcon 3000·seat halls will know exactly ,..maT t mean. The
acoustics may be splendId here, and the view of the stage unobstructed in any way, and yet the action s-eems so for awoy lhol
you ore simply not Involved wltn what IS hoppentng. WiThout lhot 755.
feeling of Involvement, the sense of communication between the
ortist ana yourself, you cannol claim to have hod on artls-hc experience. To put It bluntly, you have not reolly been to he opera,
or ballet, or concert, I"lot entirely, and however much or httle you 756.
pOld for your ticket, 10 thot extent you havc been cheated.
As the Rockefeller report so C1ghtly Insists, the arts orc for the
many and not for tnc few. But the many hove the flghl fa en lOy
them in our day as Ihe few did in theirs. The many are not to b,.

Burrmeister, Otto. "Dos neue Haus der Ruhrfestspiele in Reck·
linghausen," BUEHNENTECHNISCHE RUNDSCHAU 5 1965, pp.
11·20. Complete description of the ~uhr Festival Hall at Reckling·
hausen, Germany. Contains on especially elaborate vorioble fore·
stage arrangement.

Davies, Elidir. "Lampeter College Theatre," ACTA SCAENOGRAPHICA No.9 (1965-66), pp. 163·64. Reprint from TABS of
renovaTion of the Sf. Dovid·s Colle9c theatre In Wales.
"Driller Wettbewerb fuer ein neues Staddheater in Basel:'
BUEHNENTECHNISCHE RUNDSCHAU (4 1965). pp. 20-21.
First prize winner in the third architectural competition for a
civic theatre in Basel Switzerland.
EFL COLLEGE NEWSLETTER: No.6; FINE ARTS FACILITIES:
PAST, PRESENT, FUTURE (October '65). Report on new arts
facilities at Macalester College, SI. Paul, Minnesota; and
Webster College, Webster Groves, Missouri.
"The I.\acelester Center is a virtual Eden for artistiC expression
\'lith the good fortune of a donor who wonted "nothing but the
the best," each of the art departments wos able 10 have the most
of what it desired. The total cost, S..L 1 million, IS outSide the
range of most colleges 0 like sIze enrollment 1,700. Similar
solutions mo', not do, therefore, for small lIberal oris institutions
less fortunate than Macalester. But since the Center serves as on
example of the optimum In provi sions of space ond equipment, If
may suggest elemen-s odaptoole in more modesf construction.
The center at WebsJer, on the other hand, I s a large, economy
package. Shaped by a Ight budget, long VISIon, and c lock of
timidity, It Incorporates in one bold building a series of design
Inno ... ahons never before assembled In one structure. The Single
multipurpose building will accommodoTe .. and, hopefully, recon·
cile-·, the conflichng needs of different departments and functions
and be In use olmos I constantly. St"l under construcilon, I: holds
the prorl"lIse of OnSNers fo some of the unresolved questions on
mult -u<;espnce. '

Ehle, Willi. "Opernhaus IstanbUl; the Istanbul Opera House,"
DARSTELLUr,GplusTECHNIK (4 1965). pp. 203·14. Tilis is
the project which was redeSIgned after construction was well
under way. to the extent of foundations and walls. The newer
architect, Hayall Tabanlt. has provided a plan strongly Influenced by (he CIVIC theatres of Germany, where he studIed
at the Hannover Technical Institute under Gerhardt Graubner.

"r. lectric Heat ?umo Serves a Jlvlslble Hiqn Se,lool AudiTor UFl,
MODERN SCHOOLS MAGAZINE December '6S), p. 7. Boulder CIty
Nevada, HIgh School.
"European Cui ural CeO'er 'IIill Be Built at Delph.," NEW YORK
TIMES (December 5, 1965). "A modern thealre lor 300, styled on
an ancient model .... /lll be built at Delphi, alongSide the eXIsting
amphitheatre, deSigned oy Constantine KlTSlkl S. GrotJndbreoklng
was held January 16, 1966.


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Contents
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https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1985fall
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1985summer
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1985spring
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1984fall
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1984summer
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1984spring
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1983winter
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1983fall
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1983summer
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1983spring
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1982winter
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1982fall
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1982summer
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1982spring
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1981winter
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1981fall
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1981summer
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1981spring
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1980winter
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1980fall
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1980summer
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1980spring
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1979winter
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1979fall
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1979summer
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1979spring
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1978winter
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1978fall
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1978summer
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1978spring
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1977winter
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1977fall
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1977summer
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1977spring
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1976winter
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1976fall
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1976summer
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1976spring
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1975winter
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1975fall
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1975summer
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1975spring
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1974Dec
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1974Oct
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1974May
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1974Feb
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1973Dec
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1973Oct
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1973May
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1973Feb
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1972Dec
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1972Oct
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1972May
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1972Feb
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1971Dec
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1971Oct
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1971May
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1971Feb
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1970Dec
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1970Oct
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1970May
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1970Feb
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1969Dec
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1969Oct
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1969May
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1969Feb
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1968Dec
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1968Oct
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1968May
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1968Feb
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1967Dec
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1967Oct
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1967May
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1967Feb
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1966Dec
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1966Oct
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1966May
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1966Feb
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1965Dec
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1965Oct
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1965May
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