Theatre Design & Technology - Feb 1968 - 22

The Symbol of Theatre Architecture
stage machinery is most defensible, the architect has provided it: in the small Studio theatre, which has deservedly
been called the jewel of the project so far as theatre engineering is concerned. Here a turntable arrangement based
on the Gropius Totaltheater plan, according to Progressive
Architecture, "promises to be one of the most successful
designs for all the different stage arrangements."
Concerning equipment, however, lighting consultants are bemoaning the fact that permanent, pre-set installations of
lighting equipment are not "complete in scope." Rightly,
they point out that now is the time to install such equipment most economically. However, if installing more elaborate lighting in the three large houses will mean that the
multiform drama theatre must be sacrificed for budgetary
reasons then surely the drama theatre should be built now,
and permanent lighting installations should wait until a new
group of donors can be found.
If any truly unworkable "mistakes" in facilities are eventually revealed at Kennedy Center, they are being made now
by a raft of the most learned and distinguished consultants
in the business. We shall have to wait and see. But no
mistake in the provision of facilities is ever likely to be so
irremediable as an error in siting or programming.
The multiform Studio Theatre may be arranged as a proscenium.
open. or two-sided arena stage, as well as any of a variety of asymmetrical arrangements such as the one shown above. Photo: Maris
(Esto), courtesy Edward Durell Stone.

Who, then, is the real villain? What has been said and
written about Kennedy Center could also be said about any
number of other theatres and performing arts centers already
built or in progress. For, if Kennedy Center typifies everything that is wrong about the American "culture" boom
which, obviously should more properly be called the "performing arts" boom, it also represents everything that is
right about that movement.

However much it may compound contemporary theatre problems because it is of national concern, because it has been
long in the works, and because it is on a really magnificent
scale, Kennedy Center will nevertheless fulfill its fundamental
function of bringing more theatre, more performing arts to
more people. If it has been caught in a great revolution concerning approaches to urban planning and aesthetics-led by
ideas such as Jane Jacobs' urban mix, Robert Venturi's
visual complexity, and Andre Malraux's museum without
walls-it will at long last provide new theatres for Washington. If Kennedy Center's visual appearance is traditional,
and it has already influenced other designers, its facilities
are almost certain to present a contrastingly high standard
for administrators and performers.



Table of Contents for the Digital Edition of Theatre Design & Technology - Feb 1968

Contents
Theatre Design & Technology - Feb 1968 - 1
Theatre Design & Technology - Feb 1968 - 2
Theatre Design & Technology - Feb 1968 - 3
Theatre Design & Technology - Feb 1968 - Contents
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