Theatre Design & Technology - Feb 1968 - 5

An aerial view of the National Theatre.

Main Stage. One of the outstanding features of the main
stage is its size. It accounts for 26.3 per cent of the total
floor space, as compared with 9.8 per cent occupied by
the seating. Designed specifically for the horizontal movement of kabuki drama, it is 210 feet wide and 89 feet
deep. Behind the 72 foot-wide proscenium arch is a revolving stage 66 feet in diameter, adjustable to 16 different positions. The stage grid height is 62 feet.
Small Stage. The smaller stage is specifically intended for
bunraku puppet plays and is small enough to keep the
puppets from being dwarfed. The front part of the stage can
be removed to lower its height to 20 inches. A revolving
stage of 42.5 feet has been provided.
Dressing Rooms. For the main theater, 24 dressing rooms
are provided. The ample corridors are specifically designed
to permit actors to move about freely in the voluminous
costumes. For the small theater, there are seven dressing
rooms, all located behind the stage. Hair dressing, costume
rooms, scenery storage, shower facilities and dining rooms
are all on the same floor.

Auditorium. Each auditorium has a hanamichi (literally:
flower way), a runway for the actors, linking the audience
with the stage. The runways can be moved vertically or can
be lowered into the floor to make room for additional seats.
Technical Facilities: Air Conditioning and Heating. The
air-conditioning system incorporates many new features, including separate ceiling ducts for hot or cold air. Radiant
heat has been provided under the floor to warm seats in the
first rows which are usually particularly cold because of the
draft from the stage. In the library portion of the theater
building, the air conditioning system is comparable to that
of an art museum for better preservation of the theatrical
papers and materials.
Broadcasting. Both theaters have facilities for television and
radio broadcasting. Live broadcasts are possible without
relay to a central station. A large rehearsal room can be
converted into a sound studio when required.
Acoustics. The main theater has been designed to meet the
specific acoustical requirements of kabuki. In addition, amplification equipment is available. In order to affect reverberation of lower register sounds, straight grain cedar plywood ceilings have been lined with mortar. The ceiling is a
floating structure with rubber supports to eliminate noise
from the outside.
Special sound effects can be produced with echo machines
in a reverberation room.

The outer wall of the National Theatre is patterned after
the Shosoin Imperial Repository.

FEBRUARY 1968

5



Table of Contents for the Digital Edition of Theatre Design & Technology - Feb 1968

Contents
Theatre Design & Technology - Feb 1968 - 1
Theatre Design & Technology - Feb 1968 - 2
Theatre Design & Technology - Feb 1968 - 3
Theatre Design & Technology - Feb 1968 - Contents
Theatre Design & Technology - Feb 1968 - 5
Theatre Design & Technology - Feb 1968 - 6
Theatre Design & Technology - Feb 1968 - 7
Theatre Design & Technology - Feb 1968 - 8
Theatre Design & Technology - Feb 1968 - 9
Theatre Design & Technology - Feb 1968 - 10
Theatre Design & Technology - Feb 1968 - 11
Theatre Design & Technology - Feb 1968 - 12
Theatre Design & Technology - Feb 1968 - 13
Theatre Design & Technology - Feb 1968 - 14
Theatre Design & Technology - Feb 1968 - 15
Theatre Design & Technology - Feb 1968 - 16
Theatre Design & Technology - Feb 1968 - 17
Theatre Design & Technology - Feb 1968 - 18
Theatre Design & Technology - Feb 1968 - 19
Theatre Design & Technology - Feb 1968 - 20
Theatre Design & Technology - Feb 1968 - 21
Theatre Design & Technology - Feb 1968 - 22
Theatre Design & Technology - Feb 1968 - 23
Theatre Design & Technology - Feb 1968 - 24
Theatre Design & Technology - Feb 1968 - 25
Theatre Design & Technology - Feb 1968 - 26
Theatre Design & Technology - Feb 1968 - 27
Theatre Design & Technology - Feb 1968 - 28
Theatre Design & Technology - Feb 1968 - 29
Theatre Design & Technology - Feb 1968 - 30
Theatre Design & Technology - Feb 1968 - 31
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Theatre Design & Technology - Feb 1968 - 36
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