Theatre Design & Technology - May 1969 - 11

is the range and quality of the drama that can, in spite of
whatever obstacles, be achieved. Roberts Theatre has a
dramatic spirit of its own that has contributed to striking
productions of Brecht, Shakespeare, Moliere, the Greeks or
any show inviting styl ization. It is less effective for the work
of the representational dramatists. Lack of masking for sidestage and above stage areas detracts from sometimes-desired
illusion. The wide stage and resultant prolonged entrances
and exits have lessened both the intimacy and the suspense
of such plays as Hedda Gabler and Long Days Journey into
Night. The vastness of the stage area makes it difficult to
achieve the sense of an interior.
To question such details may seem niggling, but many of
Roberts Theatre's technical and psychological problems are
not a necessary price to pay for its advantages. Some errors
were oversights on the part of all involved. Some errors
were conflicts of interest or the result of a building designed from the outside-in. Some were the consequences of
the genuine special requirements of a theatre operation,
leaving these people instead open to pursuasion: to make
concessions that should have been recognized from the beginning as unsound. The final result of a theatre in which
theatre interests did not prevail (as in the case of Roberts
Theatre) was, as might be expected, a costly building that
was outgrown before it was opened, that doomed both its
present and its future theatre staff to needless but permanent frustrations.
Roberts Theatre is a hybrid theatre, both in form and function. While some of its problems are its own and would not
necessarily occur elsewhere, others are almost inevitable for
any theatre so conceived as a multi-purpose part of a fine
arts complex. Granted, it is a welcome convenience to be
able to communicate easily with other members of the Division. And, also granted, it is financially advantageous to
put any building to its optimum use. But irritation is hard to

avoid with conflicts over scheduling, with orchestra chairs
left on stage at rehearsal time, with half-finished scenery
on stage at concert time, and with the sound of offstage
hammering during fine arts lectures.
Grinnell's fine arts staff has been highly co-operative. Mutual
patience can often be taken for granted among well-acquainted people working closely together in a small college
setting. But theatres and fine arts complexes are long-lived
fixtures. A genuinely versatile theatre must not be built to
suit only the interests of one director or the style of one
type of drama. And fine arts complexes should not so closely interlace the disciplines that, with changes in staff and
temperament, interaction will kill the very cooperation they
should nurture.

Interior of Roberts Theatre: note high color value of auditorium side walls and ceiling (photo: Baltazar Korabl

First Floor plan

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Small "Arena Theatre" (courtesy: Progressive Architecture)

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[]iiiC] THEATRE DESIGN AND TECHNOLOGY

MAY, 1969



Table of Contents for the Digital Edition of Theatre Design & Technology - May 1969

Contents
Theatre Design & Technology - May 1969 - 1
Theatre Design & Technology - May 1969 - 2
Theatre Design & Technology - May 1969 - 3
Theatre Design & Technology - May 1969 - Contents
Theatre Design & Technology - May 1969 - 5
Theatre Design & Technology - May 1969 - 6
Theatre Design & Technology - May 1969 - 7
Theatre Design & Technology - May 1969 - 8
Theatre Design & Technology - May 1969 - 9
Theatre Design & Technology - May 1969 - 10
Theatre Design & Technology - May 1969 - 11
Theatre Design & Technology - May 1969 - 12
Theatre Design & Technology - May 1969 - 13
Theatre Design & Technology - May 1969 - 14
Theatre Design & Technology - May 1969 - 15
Theatre Design & Technology - May 1969 - 16
Theatre Design & Technology - May 1969 - 17
Theatre Design & Technology - May 1969 - 18
Theatre Design & Technology - May 1969 - 19
Theatre Design & Technology - May 1969 - 20
Theatre Design & Technology - May 1969 - 21
Theatre Design & Technology - May 1969 - 22
Theatre Design & Technology - May 1969 - 23
Theatre Design & Technology - May 1969 - 24
Theatre Design & Technology - May 1969 - 25
Theatre Design & Technology - May 1969 - 26
Theatre Design & Technology - May 1969 - 27
Theatre Design & Technology - May 1969 - 28
Theatre Design & Technology - May 1969 - 29
Theatre Design & Technology - May 1969 - 30
Theatre Design & Technology - May 1969 - 31
Theatre Design & Technology - May 1969 - 32
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