Theatre Design & Technology - May 1969 - 3

Editorial and News
EMPHASIS ON STAGE DESIGN. With this issue, TD&T begins a series emphasizing ork of stage designers. The current article on Robert Edmond Jones will be followed in
October by an account of Norman Bel Geddes' 1924 Jeanne
d'Arc production in Paris, again accompanied by considerable
graphic work not widely available until now. Future issues
will include articles on Howard Bay, Josef Svoboda and
others. Prospective authors are invited to contact the Editor
with manuscript ideas_

LIGHTING SERIES CONTINUED. Articles in this issue by
Messers Willis and Sporre continue the series on lighting
begun in our last issue. (February 1969). For those who
were tempted to place rush orders for the 23 issues preceding "Stage Lighting Number 24," in February, we beg
pardon for the misprint on its cover.

LOS ANGELES-LAS VEGAS 1969 USITT CONVENTION.
Professor Gaiser's column in this issue represents the first
trickle of reportage resulting from this year's Convention. It
will be followed by other articles over the coming months,
as convention participants polish their papers. Editorially, we
salute the wisdom of convention Chairman Mert Cramer and
the Southern Cal ifornia Section for displaying to Easternbased members (and several foreign guests) the variety and
depth of technical development to be seen in Las Vegas.

PRAGUE OISH CONGRESS IN JUNE. USITT will be represented at the First Congress of the International Organization of Scenographers and Theatre Technicians in Prague,
from 5 to 9 June. Headed by OISTT's acting Vice President,
Joel Rubin, other USITT members attending will be Eldon
Elder, Gary Gaiser, Jay Keene and your Editor. Bowman and
Rubin have prepared one of the Congress's three major
working papers on "Recent Experimental Theatres in the
U.S.," along with others on major new theatres at Helsinki
and Budapest. The group will tour theatres at Brno and
Bratislava in Czechoslovakia, and then continue to Budapest
for the ITI Congress which is in session until 14 June.

EDITORIAL A surprising number of distinguished and knowledgeable heatre people make" ireman's visits" abroad each
year, particul arly during the Spring months, both to and from
this country. Ideally the visitor will have carefully studied the
territory he proposes to visit, so he knows exactly wh ere
he wants to go and with whom he would like to exchange
ideas. More often, however, these visitors leave much of
their planning to either (a) chance or (b) the agency funding
their travel. This is particularly true where the U.S. State
Department's Leaders and Special ists Program for visitors to
the U. S. is concerned. I find while meeting a number of
thesc intcrcsting people each year, that their travel itineraries are surprisingl similar, even if their interests and
specialties vary widely.
International Theatre Institute centers are the most likely
sources of help of this sort; but their effectiveness varies
widely from national center to national center, and is bound
to be colored by prejudices and unawareness of many developments in an art growing daily larger and more complex.
Somehow, visitors from abroad need to know more accurately where the technical theatre "action" is in this
country, and with whom they could most directly communicate to see and discuss it. Where professional visitors are
will ing to leave the beaten track, they should have access
to less-known quality theatre operations, where they would
be perhaps even more welcome than on the well-trodden
paths to obvious watering holes.
Probably the answer is not creation of still another funded
clearinghouse. But USITT could give even more time and
effort to helping designers and technicians from abroad get
the most for their travel dollar. As well, Government and
private funding agencies could make much better use of
professional organizations like USITT to see that their exchange programs get special ists with common interests together as efficiently as possible.
Ned A Bowman

1969 Convention Chairman Mert Cramer (right) and friends steel themselves for two
hard days of research into Las Vegas Theatre technology.

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Table of Contents for the Digital Edition of Theatre Design & Technology - May 1969

Contents
Theatre Design & Technology - May 1969 - 1
Theatre Design & Technology - May 1969 - 2
Theatre Design & Technology - May 1969 - 3
Theatre Design & Technology - May 1969 - Contents
Theatre Design & Technology - May 1969 - 5
Theatre Design & Technology - May 1969 - 6
Theatre Design & Technology - May 1969 - 7
Theatre Design & Technology - May 1969 - 8
Theatre Design & Technology - May 1969 - 9
Theatre Design & Technology - May 1969 - 10
Theatre Design & Technology - May 1969 - 11
Theatre Design & Technology - May 1969 - 12
Theatre Design & Technology - May 1969 - 13
Theatre Design & Technology - May 1969 - 14
Theatre Design & Technology - May 1969 - 15
Theatre Design & Technology - May 1969 - 16
Theatre Design & Technology - May 1969 - 17
Theatre Design & Technology - May 1969 - 18
Theatre Design & Technology - May 1969 - 19
Theatre Design & Technology - May 1969 - 20
Theatre Design & Technology - May 1969 - 21
Theatre Design & Technology - May 1969 - 22
Theatre Design & Technology - May 1969 - 23
Theatre Design & Technology - May 1969 - 24
Theatre Design & Technology - May 1969 - 25
Theatre Design & Technology - May 1969 - 26
Theatre Design & Technology - May 1969 - 27
Theatre Design & Technology - May 1969 - 28
Theatre Design & Technology - May 1969 - 29
Theatre Design & Technology - May 1969 - 30
Theatre Design & Technology - May 1969 - 31
Theatre Design & Technology - May 1969 - 32
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