Theatre Design & Technology - May 1969 - 30

1343

Casino into Cinema into Church,' PROGRESSIVE ARCHITEC·
TURE (September '66), pp, 182·84. Redesign of presentation
house, the Harlem Casino. New York

1344 'The Changing Face of Times Square," PROGRESSIVE ARCH I·
TECTURE (December '67), pp. 31·33. New Astor Theatre In
Manhattan theatre district Broadway houses, being pushed out by
office buildings, may be built as part of of ice structures. with
City Planning Commlssloll. Credit In total space all 0\\ ed, to pre-

1362. BUILDING CODE; LOCAL LAW NO. 76 OF THE CITY OF
NEW YORK rEffective December 6, 19681. New York City (The
Cltl' Record, 2213 I\lulllcipal Buildrng, Manhattanl: 1969,
pp. 414, $ 7 .50. Most recent and most Significant American
document on building codes. See Title C, Part II, Article 8
, Places of Assembly. '

serve theatre dlSlrlC _ 1 Illustration

1363. Corry, Percy. "Chester's Gateway," TABS (Londonl I ~arch 691,
pp. 32·35.
ew theatre at Chester, England. Archl ect, lichael
Lyell Assoclalion. 500 seats 4 Illustrations.

1345.

Cincinnati One·Ups Lincoln Center,' PROGRESSIVE ARCHITEC·
TURE (1\1al 671, pp. 161·63. 650·seat lhrust·stage lheatre for
Plal'house In the Park. 8 illustratrons.

1364. Flfeld, ~'lerle.. The Arena Theatres rn Vienna Codices 2535 and
2536,' COMPARATIVE DRAMA (Winter 68·691, pp. 259·82
7 IIlustrattons. Scholarlv e idence on f\ledleval arena heatre.

1346.

Curtain GOing Up In Oklahoma Cltl,
PROGRESSIVE ARCH I·
TECTURE June '68" p. 51. Mummer's Theatre, 01 architect
John \1 Johansen. 600·seat lhrust slage theatre and 200·seat
Arena. 2 Illustrations.

1347.

Down Beside Cayuga s Wafers, ' PROG RESSIVE ARCH ITEC·
TURE ( ovember '67) p. 55. Ithaca, New York's Cenler for the
Arts, deSigned by Desmond Heeley Iconsultant) and Fairfield,
DubOIS.

1348.

'Fantasy Prevails In Osaka,' PROGRESSIVE ARCHITECTURE
(June '68), p. 51. Global theatre hOists 500 Into a 131 foot
globe for a film show, ala IBM bUilding at
eV\ York fair.
Iron
and steel has a large arena, with film and lIght on au side walls.
ala Wilfred's Heptarena.

J 349. 'The Free"ay Comes Indoors," PROG RESSIVE ARCH ITECTU RE
(October '67), p. 1titi·ti7. Architect Hugh Hardy plans use of
auwrnobile parts in interiors of ClOcinatti and Toledo theatres.
InterIor.

1350. "French City Spruces for WlIlter Olympics," PROGRESSIVE
ARCHITECTURE (December '67), p. 33. Note on new Cullural
Centre by Andre Wogensky at Grenoble, part of Maisones de la
Culture program in France.
1351. Hardy, Hugh. 'The Overpermanent Architecture," in THEATRE I
(U.S. Centre, International Theatre Institute, '69), pp. 15·21.
Construction of cultural centers as monuments to mediocre levels
of taste is wasteful and does not serve the art. Suggests instead
"throw-away theatre buildings, where experiment with spatial
relations betvveen actor and audience might lead to innovation.
1352. "Milk Trarn to Osaka," PROGRESSIVE ARCHITECTURE (Sep·
tember '68). p. 43. Rejected design by Davis Brody Associates
for Osaka fair was 4 air· supported balloons with interior projected
envrronments. Budget cut from 7.8 million to 4.8 million.
1353. "Move from Monaco," PROGRESSIVE ARCHITECTURE (Novem·
ber '67), pp. 163·64.
1500 seat seaside ou door amphitheatre
overlooking Mediterranean. 6 illustrations. Outdoor.
1354." eat Showcase for the Arts," ARCHITECTURAL FORUM (May
'69) pp. 86·91. A periormance space of SOrtS, in a handsome
building.
Theatre consultant James Hull Miller. Client is Mon·
treal's YM&WHA.
1355. Opera
ews. THE GOLDEN HORSESHOE. New York: Viking
Press, 1965. Slory of original Metropolitan Opera, with lessons
for everyone concerned with theatre architecture. Address: 625
Madison Avenue, New York 10022 @16.50.
1356. "Swinging Seats" PROGRESSIVE ARCH ITECTURE (August '67).
p. 163. Well·designed pivot seating for SU Y University lec·
ture halls by designers at Herman Miller. SEATING
1357. "Thames· side Form Making," PROGRESSIVE ARCH ITECTURE
IDecember '67), pp. 133·35. London's Queen Elizabeth and Pur·
cell Halls. 9 illustrations. National Theatre and Opera are yel to
come. Center has "blood instead of lilac water in its veins and
honesl.
ExpreSSIOn rather than flimsy facadery in its fibre.'
1358. ' Theatres on the Thames," ARCHITECTURAL FORUM (May '691.
pp. 102·103. British national lheatre. 7 illustra ions.
1359.

'Two Way Stage" PROGRESSIVE ARCH ITECTURE IAugust
'67), pp. 152·59.
ulti·use room for a summer camp ICamp
5\ovIgI in California. Diagonal-axis seating, with an outdoor audience possible behind stage, ala Orange Coast College, a Costa
Mesa.

1360. \ 'ogenscky, Andre. 'State Theatre, Karlsruhe," ARCHITECTUR·
AL DESI GN (January 1965), p. 34. PrOject for a ci"ic thealre
complex (unrealized, and includes 1V0genscky's design collabora·
tlOn \\l1h J. Polieri for an expertmental space theatre.
1361. ASSOCiation of British Theatre TechniCians. STAGE LIGHTING
RECOMMENDATIONS FOR A SMALL UNINCLOSED STAGE
(Information Sheet 1). 6 pp. Order from Association of Bntish
Theatre Technicians, 9 Fitzroy Square, London W1, England.
Very basic Information for facilities planning.

30

1365.

Gemeenschapscentrum· Dronten, 'etherlands,' WORLD THEA·
TRE IOct·Dec 681, op. 472·73. Small cui ural center orOleCt
based on a full-round arena space with a central podium raised
hydraulically.

1366. Glucksman, Josef. ' PhYSiology of Krnetlcs on a Sloprng Stage,
ACTA SCAENOGRAPHICA 13·4 . IX pp. 49·62. Problems
arlSlIlg from work on sloPlllg stages. \l\Iell documented.
1367. "Gottwaldov, Czechoslovakia," WORLD TH EATRE 10ct·Dec 19681,
pp. 547 ·54 8.
ew Civic lheatre for 800 spectalors, by architects
Repa and Rozhon.
1368. Halnaux, Rene. "Some
ew Theatre Buildings," WORLD THEA·
TRE (Ocl·Dec 69), p. 450. Short essay on comrng of relatively
simple and relattvely Inexpensive flexible theatres.
1369. Harrop, Vin. "Basildon's
ew Arts Center-First ImpreSSIons,"
ABTT NEWSLETTER (London) (Feb 69). pp. 6·8. "The firsl
drama production at Basildon's 100,000 Pound arts centre was
cancelled because of lack of public support. The production was
called off because only 13 people bought tickets in advance. The
theatre has nearly 500 seats (press extract)."

1370. "Haus der Sozialistischen Kultur (Dresden)" WORLD THEATRE
(Oct·Dec 68). p. 466·67. Arch. Klaus Wever. Large multl·purpose
hall for 1,300 to 2,700. Highly·variable space for a variety of
purposes, using a tilting parquet loor and broad offstage "stage
street" spaces left and right in place of stage depth. Comple ion
1969.
KOHM
Group.
PORTO· THEATRE (KOHM Project,
1371. The
234 West 44th Street,
e" York 10036. Inflatable, rernforced
plastic portable theatre for use by U.S. State Department to tour
productions abroad. Based on music circus form, to seat 1022.
"The splendor of his new concept in theatre design is beggared
bv description.'
1372. Kouril, Miroslav. "Typology 0 Hall Theatre Space,"
ACTA
SCAENOGRAPHICA 2 IX, pp. 35·40. Untranslated. Apparently
a lengthy discussion of the single·chamber theatre form's de·
velopment, emphasizing the variety and breadth of its occurrence
In recent theatre history.
1373. "Kulturhaus," WORLD THEATRE (Oct·Dec 68). pp. 470-471.
Prototype for a small cultural center, variable within square spaces
20 meters square to 30 meters square. Stage is four scissors
lift platforms.
1374. Krasll'nikov, V. D. "Architecture of lhe Theatre in Makhachkale,"
SCENIC TECHNOLOGY (No.3 (1968). pp. 3·5. Not translated.
1375. "LAMDA (London)." WORLD THEATRE IOct·Dec. '68). o. 457.
1963 building for London Academy of Dramatic Art.
1376. Linitskil, P N. "Theatres Backstage," SCENIC TECHNOLOGY
IMoscowl No.6 11968). pp. 5·8.
ot translated. 4 illustrations
of variations on proscenium theatre layout of offstage work spaces.
1377

'lacrrnenko, L I 'Club Hall Acoustics," SCENIC TECHNOLOGY
11\10scow) o. 6 (1968), pp. 37·41. 'ot translated, 10 illustra·
tlons.
Club" In this sense IS a small multi-purpose civic hall,
common In Eastern-Bloc countries, In CIties and to\\ns of all
sizes.

1378.

La lalson de la Culture de Grenoble, France," WORLD THEA·
TRE ,Oc ·Dec 68, pp. 474 Built 1967, arch. Andre lVogensky
Eccentric revolving audience space, \\ Ith a concentriC revolVing
like a doughnut" and 'Ixed stage beyond. In·
plaYlIlg space
terestlng.

1379.

La :\lalson oe la Culture d Amlens France)," WORLD THEATRE
Oc ·Dec 681, pp. 46' ·65. T"o giant revolVing diSCS "' oreslage
ZOlle, including forestage and 'irst rows a auditorium. 6 Illus ra·
Ions.

1380. \lander, Raymond and Joe ~ltchenson. THE LOST THEATRES OF
LONDON London: Rubert Hart·Davls t
6s., 576 pp.
1381.I\1cNamara, Brooks. THE AMERICAN PLAYHOUSE IN THE
EIGHTEENTH CENTURY. Cambridge' Harvard Universily Press,
1969. 174 pp., $9.95. First rale treatment of early U.S. theatre
architecture.
1382.

~1tller,

Donald. "Wesl Virginia's $7.9 Million Arts Center Opens, '
PITTSBURGH POST·GAZETTE (Aprrl 26, 1969), p. 21. Unl'
verslty of \f\1est Virginia, MorganlOwn. \ V Va.

[]illL] THEATRE DESIGN AND TECHNOLOGY

MAY, 1969



Table of Contents for the Digital Edition of Theatre Design & Technology - May 1969

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https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1983winter
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1983fall
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1983summer
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1983spring
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1982winter
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1982fall
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1982summer
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1982spring
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1981winter
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https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1981summer
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1981spring
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1980winter
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1980fall
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1980summer
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1980spring
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1979winter
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1979fall
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1979summer
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1979spring
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1978winter
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1978fall
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1978summer
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1978spring
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1977winter
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1977fall
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1977summer
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1977spring
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1976winter
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1976fall
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1976summer
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1976spring
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1975winter
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1975fall
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1975summer
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1975spring
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1974Dec
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1974Oct
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1974May
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1974Feb
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1973Dec
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1973Oct
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1973May
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1973Feb
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1972Dec
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1972Oct
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1972May
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1972Feb
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1971Dec
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1971Oct
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https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1969Dec
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https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1968Oct
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https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1967Dec
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1967Oct
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https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1966Dec
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1966Oct
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1966May
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1966Feb
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1965Dec
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1965Oct
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1965May
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